Book / Anthology
The new screen media : cinema/art/narrative. — Edited by Martin Rieser and Andrea Zapp. — London : British Film Institute, 2002. — 335 p. — Includes an index. — Includes a bibliography. — Includes a DVD-ROM. — ISBN 0851708641.
Book / Anthology
- CR+D call code: ANT NEW 00015969 / CD
- Document in English
- State in the CR+D Collection : ORIGINAL
This document contains the following document :
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New screen media : cinema/art/narrative [DVD-ROM], 2001. — sound.This document includes the following texts (partial list):
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Cubitt, Sean. — «Spreadsheets, sitemaps and search engines». — The new screen media : cinema/art/narrative, 2002.-
Willemen, Paul. — «Reflection on digital imagery : of mice and men». — The new screen media : cinema/art/narrative, 2002.-
Söke, Dinka. — «The art of narrative : toward the floating work of art». — The new screen media : cinema/art/narrative, 2002.-
Weibel, Peter. — «Narrated theory : multiple projection and multiple narration (past and future)». — The new screen media : cinema/art/narrative, 2002.-
Blunck, Annika. — «Towards meaningful spaces». — The new screen media : cinema/art/narrative, 2002.-
«Spatial computerisation and film language». — The new screen media : cinema/art/narrative, 2002.-
Zapp, Andrea. — «net.drama://myth/mimesis/mind_mapping/». — The new screen media : cinema/art/narrative, 2002.-
Butterworth, Alex ; Wyver, John. — «Interactive or inhabited TV : broadcasting for the twenty-first century». — The new screen media : cinema/art/narrative, 2002.-
Hales, Christopher. — «New paradigms, new movies : interactive film and new narrative interfaces». — The new screen media : cinema/art/narrative, 2002.-
Feingold, Ken. — «The interactive art gambit». — The new screen media : cinema/art/narrative, 2002.-
Dovey, Jon. — «Notes toward a hypertextual theory of narrative». — The new screen media : cinema/art/narrative, 2002.-
Rieser, Martin. — «The poetics of interactivity : the uncertainty principle». — The new screen media : cinema/art/narrative, 2002.The CR+D Database contains the following indexation:
(Please note that indexation is not always exhaustive.)
Individuals:
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Doug Aitken-
Zoe Beloff-
Luc Courchesne-
Jordan Crandall-
Toni Dove-
Valie Export-
Ken Feingold-
Douglas Gordon-
Lynn Hershman Leeson-
Perry Hoberman-
Pierre Huyghe-
Eduardo Kac-
Tina LaPorta-
Brenda Laurel-
Malcolm Le Grice-
George Legrady-
Olia Lialina-
Bernd Linterman-
Andrew Lippman-
Brian Massumi-
Steve McQueen-
Mongrel-
Shirin Neshat-
Stephan Oettermann-
Otto Piene-
Daniel Reeves-
Pipilotti Rist-
David Rokeby-
Jill Scott-
Bill Seaman-
Paul Sermon-
Jeffrey Shaw-
Michael Snow-
Aldo Tambellini-
Sam Taylor-Wood-
Stan VanDerBeek-
Grahame Weinbren-
Robert Whitman-
Gene YoungbloodArtworks:
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Toni Dove, Artificial Changelings, 1998-
Luc Courchesne, Encyclopédie clair-obscure = Encyclopedia Chiaroscuro, 1987-
Luc Courchesne, Portrait de famille = Family Portrait, 1993-
Luc Courchesne, Paysage n° 1 = Landscape One, 1997-
David Rokeby, The Giver of Names, 1990-DLF Projects:
- pr0000399 Toni Dove: Spectropia : A Ghost Story About The Infinite Deferrals of Desire
- pr0000034 Luc Courchesne : Les Visiteurs / The Visitors
- pr0002235 David Rokeby : Common sense gathering and discursive structure for The Giver of Names project
Themes:
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Media Arts-
Art and Technology-
Cinema AND Media Arts-
Film Installation-
Video Installation-
Installation-
Narrative-
Computer Animation-
Interactive Art-
Web art-
Installation-
Telematic Installation-
Interactivity-
Interface-
SemiologyPublisher:
- British Film Institute