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Publications by the Foundation
43 Publications
Publications by the Foundation: 43 Publications
NANIKI, Kalinago Barana (Sea) Stories & Conservation Project
Indigenous stories are our first environmental lessons. The sea is our sustenance and connector and the power of storytelling is central in Caribbean heritage and cultural survival.
The reconstruction of 357 de la Commune, in Old Montreal
This website presents a summary of the history of 357 de la Commune in Montreal, and the various stages that led to the reconstruction of the former Harbour Commissioners' building in its current form.
Digital Snow
DVD-Rom, Now on the Web
This project,
Digital Snow
, is what Michael Snow calls an encyclopaedia of his work of the past six decades.
Sketchbook 1914
,
Eisenstein's Early Drawings
The Daniel Langlois Foundation presents a Web publication dedicated to one of Eisenstein's early sketchbooks dating from 1914, when he was 16 years old.
Clarisse Bardiot,
9 Evenings: Theatre and Engineering
This Web publication explores the technological aspects of this festival presented in New York in 1966, which brought together 10 artists as well as some 30 engineers.
Luc Courchesne,
Portrait One
Portrait One
is a fictional work and a framed encounter with a character.
Contemporary Digital Art
,
Conservation, dissemination and market access
On November 23, 24 and 25, 2016, Molior celebrated its 15 anniversary with an exhibition and an international colloquium.
David Rokeby,
Machine for Taking Time
,
(Boul. Saint-Laurent)
, 2007
In the fall of 2005, the Daniel Langlois Foundation asked Rokeby to create a version of
Machine for Taking Time
for the Ex-Centris building in Montreal.
Ghana's Highlife Music Collection, A Digital Repertoire of Recordings and Pop Art
Highlife is often described in the African survey as neo-folk or a cross-breed between folk music and imported music.
Vera Frenkel, Cartographie d'une pratique / Mapping a Practice
Given the attention that archives are currently garnering in the contemporary art world, I did not want to create a mere tribute to a passing trend, nor did I wish to echo the work or vision of the invaluable Frenkel fonds archivist.
Tmema (Golan Levin and Zachary Lieberman),
The Manual Input Workstation
(2004-2006)
The documentary collection on Tmema’s
The Manual Input Workstation
has been inspired by the documentation method developed by Lizzie Muller and Caitlin Jones.
David Rokeby,
Very Nervous System
(1983-)
Very Nervous System
celebrity and longevity pose some particularly interesting questions about documentation and contextualisation of media artworks over time and through change.
Ricardo Dal Farra,
Latin American Electroacoustic Music Collection
Latin American electroacoustic music has a long, interesting, strong and prolific history, but it’s a history that is little known even within the region itself.
DOCAM, The DOCAM Research Alliance Web Site (2005-2010)
DOCAM's primary objective is to develop new methodologies and tools to address the issues of preserving and documenting technological and electronic works of art.
Contrainte / Restraint
, An exhibition produced by the Groupe Molior
Designed by three up-and-coming curators, the show combines projects by nine new media artists from Peru and Brazil.
Paul Sermon,
Telematic Vision
(1993-)
Two identical blue sofas are located in dispersed remote locations. In front of each sofa stands a video monitor and camera.
Frances Dyson,
And then it was now
In this publication, Dyson analyzes the discourse on art and technology and the social utopias surrounding E.A.T. projects between 1966 and 1972.
Rafael Lozano-Hemmer,
Subtitled Public
(2005)
Visitors entering
Subtitled Public
are tracked and pursued by third person singular verbs that are projected on them as they move about the room.
Caroline Langill,
Shifting Polarities
The canon of visual art is always a site of resistance for artists who have been excluded from it.
Caitlin Jones,
Surveying the state of the art (of documentation)
History is composed of documents because the document is what remains.
David Rokeby,
The Giver of Names
(1991-)
This documentary collection maintains the tension between the ideal notion and the real manifestation of the artwork.
Lizzie Muller,
Towards an oral history of new media art
New media art presents a challenge to existing documentary and archival practices.
e-art: New Technologies and Contemporary Art
To mark the tenth anniversary of the DLF, the MMFA has presented works by ten artists who have received funding from the DLF over the years.
DLF Projects in India
Since 2000, the Daniel Langlois Foundation has supported a number of projects in India. These projects have highlighted, documented and engaged various aspects of Indian culture and ecological issues, including current local and national realities.
Kathryn Farley,
Sonia Sheridan & Generative Systems
This publication describes the singular methods of instruction used by Sonia Sheridan in her Generative Systems courses.
Clarisse Bardiot,
Les artistes et les ingénieurs dans 9 Evenings: Theatre and Engineering, 1966
On October 28, 2006, Clarisse Bardiot, a 2005 researcher in residence at the Foundation, presented this talk as a one of the
matinées-conférences
organised by the Langlois Foundation.
Hubert and Nicolas Reeves,
Voyageurs étonnés, chercheurs et créateurs au seuil de l'inconnu
On May 27, 2006, Hubert Reeves, astrophysicist, and Nicolas Reeves, artist and designer, presented this talk as a one of the
matinées-conférences
organised by the Langlois Foundation.
Sylvie Lacerte,
9 Evenings and Experiments in Art and Technology
When engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman founded E.A.T. in 1966, they had just emerged from
9 Evenings
.
Mona Jimenez,
The Artist Instrumentation Database Project
I set out to create a prototype database template for cataloging technological devices used or invented by artists working with audio, video or computers.
Viva Paci,
Images from the Future: Lost and Found in the Images du Futur collection
The observations to be found in these pages derive from a brief period of time travel, and more precisely in the future, the future of the past. They also imply a certain
affinity for archives
.
Workshops with Yvonne Spielmann
The experimental video work of the Vasulkas in light of media developments in the 70's, 80's and in the present time.
George Legrady,
From Analogue to Digital: Photography and Interactive Media
In 1997, the National Gallery of Canada presented a solo exhibition on the works of George Legrady, spanning twenty years of photographic production and projects that featured computers and interactivity from the 1980s onward.
Jennifer Gabrys,
Residue in the E.A.T. archives
In the wake of her ongoing research on parallel phenomena such as the exponential accumulation of obsolete computer components and the saturation of data in electronic networks, Gabrys here comments on the projects undertaken by E.A.T.
Yvonne Spielmann,
Video and Computer
,
The Aesthetics of Steina and Woody Vasulka
It is the aim of my article to situate video in technological, aesthetic, and media cultural perspectives.
Variable Media,
Permanence Through Change: The Variable Media Approach
The Daniel Langlois Foundation and the Guggenheim Museum held on May 7, 2003, a book launch at Ex-Centris for
Permanence Through Change: The Variable Media Approach
.
Alain Depocas,
Digital preservation: recording the recoding - the documentary strategy
Improving efforts to preserve new media artworks is insufficient without the support of structured documentation.
Jean Gagnon,
Research at the Foundation: Between prospective and retrospective inquiry
The Foundation is at the crossroads between prospective and historical research regarding new technologies used in the cultural arena.
Dissemination of
Radical Software
on the Web (2002)
The Foundation has digitized and processed the entire contents of the legendary independent magazine Radical Software.
Hervé Fischer,
Images du futur
past
"Even the future inevitably grows old. And barring some final catastrophe, it ends up in an archive." Mr. Hervé Fischer, founder with Ginette Major of
Images du futur,
1986-1996, was commissioned to write this text.
Billy Klüver, E.A.T. - Archive of published documents
E.A.T. was founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman.
Gene Youngblood,
A Meditation on the Vasulka Archive
Those working in the pioneering days of the media arts had a keen sense of their historical moment. Yet few responded with the seriousness and lifelong dedication of Steina and Woody Vasulka.
Jean Gagnon,
Blind Date in Cyberspace or the Figure that Speaks
Luc Courchesne has been interested in portraiture for a long time. Then, it was almost a natural thing for Courchesne to get involved with interactive portraiture.
The Body of the Line
,
Eisenstein's Drawings
From April 10 to May 16, 1999, the Daniel Langlois Foundation proudly presented
The Body of the Line: Eisenstein's Drawings
.
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