Interview with Per Biorn First meeting with Billy Klüver; Stockholm Festival | Interview with Per Biorn Vehicle by Lucinda Childs |
Interview with Per Biorn Carriage Discreetness by Yvonne Rainer | Interview with Per Biorn Remote-controlled carts; cabling |
Interview with Per Biorn General comments on 9 Evenings | Interview with Per Biorn Engineering work of Per Biorn |
Interview with Per Biorn Patchboard | Interview with Per Biorn Individual receivers and Physical Things by Steve Paxton |
Interview with Per Biorn Tennis racquets used in Open Score by Robert Rauschenberg | Interview with Per Biorn Conclusion: 9 Evenings: Theatre and Engineering |
Interview with Per Biorn Pepsi Pavilion, Expo ’70, Osaka | Interview with Per Biorn The Machine; Moholy-Nagy; Takis; Around the Corner, CBS |
Interview with Per Biorn Minuphone by Martha Minujin | Interview with Per Biorn Solstice by Robert Rauschenberg |
Interview with Per Biorn Soundings by Robert Rauschenberg | Interview with Per Biorn Oracle de Robert Rauschenberg |
Interview with Per Biorn Astral Convertible by Robert Rauschenberg | Interview with Per Biorn 9 Evenings catalogue |
Interview with Per Biorn Technologies used during 9 Evenings | Interview with Per Biorn Technologies and theatre |
Interview with Per Biorn Variations VII by John Cage; Backtrack by Robert Whitman | Interview with Per Biorn Proxima Centauri by Liliane Schwartz |
Interview with Per Biorn #70 by Irene Krugman | Interview with Per Biorn Pepsi Pavilion, Expo ’70, Osaka |
Interview with Per Biorn Carnal Clocks by Robert Rauschenberg | Interview with Per Biorn Irina Nakhova; Robert Rauschenberg |
Interview with Per Biorn Thinking of you by Nina Sobell | Interview with Per Biorn Canfield by Merce Cunningham |
Interview with Per Biorn I am a Human Being by Jean Toche | Interview with Per Biorn Lawrence Warshaw; Carolee Schneeman |
Interview with Per Biorn Mass Hysteria by Lillian Ball | Interview with Per Biorn Documentation of Per Biorn’s work |