Group exhibition
WACK! Art and the Feminist Revolution , Los Angeles Museum of Contemporary Art, Los Angeles, Calif., United States, March 4-July 16, 2007. {{www.moca.org}}
Group exhibition
Lights, Camera, Action: Artists' Films For The Cinema, Whitney Museum of American Art, New York, N. Y., United States, February 8-April 1, 2007. {{whitney.org}}
Group exhibition
Feedback : The Video Data Bank, Video Art, And Artist Interviews, The Museum of Modern Art, New York, N. Y., United States, January 25–31, 2007. {{www.moma.org}}
Group exhibition
9 Evenings Reconsidered : Art, Theatre, and Engineering, 1966, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Mass., United States, May 4-July 9, 2006. – Circulating exhibition.
Group exhibition
When Artists Say We, Artists Space, New York, N. Y., United States, March 8-April 29, 2006.
Solo exhibition
Yvonne Rainer : radical juxtapositions 1961 - 2002, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, Pa., United States, October 19-November 30, 2002.
Group exhibition
Biennale de Lyon art contemporain : Connivence 2001, prélude à 2003, Lyon, France, June 23-September 23, 2001. {{www.biennale-de-lyon.org}}
Group exhibition
Light - Space – Time: CAVS/MIT – 25 Years, Massachusetts Institute of Technology, Cambridge, Mass., United States, June 4-October 2, 1994. – Organisation : Center for Advanced Visual Studies, Massachusetts Institute of Technology, Cambridge.
Group exhibition
Centervideo : film, video, TV and telecommunication 1968-1981 at the Center for Advanced Visual Studies, American Center, Paris, France, February 1-6, 1981.
Group exhibition
Judson Dance Theater : 1962-1966, Bennington College, Bennington, Vt., United States, 1981.
Festival
Impact art video art '74, Musée des arts décoratifs, Lausanne, Switzerland, 1974. – Organisation : Groupe Impact, Lausanne.
Group exhibition
Benefit Exhibition of Work for Experiments in Art and Technology, Leo Castelli Gallery, New York, N. Y., United States, December 6-10, 1966. – Organisation : Experiments in Art and Technology, New York, N. Y., United-States.
Text in periodical
Morse, Meredith. – «e-Collaborations in Sixties America: 9 Evenings, the Dancer's Body, and Electronic Technologies». – Scan [on line]. – Vol. 4, no. 1 (April 2007). – N. p. {{scan.net.au}}
Web site
WACK! Art and the Feminist Revolution . – Los Angeles : Los Angeles Museum of Contemporary Art, 2007. – Possibility to download audio recordings of artists and critics comments. {{www.moca.org}}
Part of Web site
Bardiot, Clarisse. – «9 Evenings: Theatre and Engineering». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Texte written in 2006. {{www.fondation-langlois.org}}
Archive document
A glimpse or more at some technical aspects not seen by the third partner of nine evenings - the public / Herb Schneider. – October 1966. – 20 sheets. – Contains a detailed list of the abreviations used in the diagrams of each of the performances of the "9 Evenings: Theatre and Engineering" event, The Armory (New York, N.Y., United States), October 13-23, 1966. – This photocopied document corresponds to a document included in the serie "Project files, 1966-1992, bulk 1966-1973", of the "Experiments in Art and Technology Records, 1966-1993", Research Library, The Getty Research Institute, Los Angeles, California (940003). – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings [...].
Archive document : Press release
Nine evenings : theater and engineering : technology for art's sake. – New York : Ruder and Finn, September 28, 1966. – [4] p. – Press release. – For «Experiments in Art and Technology».
Archive document : Press kit
Press package for 9 evenings : theatre and engineering. – New York : Ruder and Finn, September 29, 1966. – Set of 6 elements. – Press kit. – For «Experiments in Art and Technology». – Includes one speech, one invitation card and artist's statements.