Book
Dixon, Steve ; Smith, Barry. – Digital performance : a history of new media in theatre, dance, performance art, and installation. – Cambridge : MIT Press, 2007. – 809 p. – (Leonardo book series).
Text in periodical
Gigliotti, Carol. – «Kenneth Rinaldo and France Cadet : artificial life and the lives of the non-human = Kenneth Rinaldo et France Cadet : la vie artificielle et les vies des non-humains». – Parachute. – N° 119 (juil./août/sept. 2005). – P. 68-83.
Text in periodical
Carretón Cano, Vincente. – «Ars robotica». – Arte Contexto. – No. 6 (Spring 2005). – P. 80-83.
Book
Stelarc : the monograph. – Edited by Marquard Smith. – Cambridge : MIT Press, 2005. – 256 p. – (Electronic culture : history, theory, practice).
Text in periodical
Khan, Jeff. – «Intelligent room with a view». – Real Time. – No. 60 (Apr./May 2004). – P. 26.
Text in periodical
Burgess, Marilyn. – «Computer art». – Topia, Canadian Journal of Cultural Studies. – No. 11 (Spring 2004). – P. 191-194.
Text in periodical
«2004 media arts fellowships process». – Film/Video/Multimedia Update. – Vol. 7, no. 7 (2004). – P. 16.
Text in catalogue
Penny, Simon. – «Simon Penny». – Unnatural selection. – Melbourne : Novamedia, 2004. – P. 46-47.
Text in periodical
Dwyer, Natasha. – «Fugitive II - what runs underneath Natasha Dwyer in conversation with Simon Penny». – Fuse. – Vol. 27, no. 3 (2004). – P. 35-39.
Text in periodical
Gondziola, Jason. – «You're being watched : artist creates seeing robot». – Concordia's Thursday Report. – (Sept. 11, 2003). – Included in the project final report. – P. 1-2.
Archive document : Report / Memorandum
Mid-term report : Neutral Ground, Soil digital media suite projects. – Regina : Neutral Ground, 2003. – [3] p. – Interim report of the project submitted to the Daniel Langlois foundation in 2002.
Book
Grau, Oliver. – Virtual art : from illusion to immersion. – Translated by Gloria Custance. – Cambridge : MIT Press, 2003. – 416 p. – (Leonardo book series).
Archive document : Invitation card
Signal : an exhibition of telematic art. – Toronto : InterAccess Electronic Media Arts Centre, 2003. – N. p. – Invitation card.
Text in catalogue
«Bedlam & other robotic art projects : Simon Penny and Bill Vorn». – Subtle technologies 03. – Toronto : Subtle Technologies, 2003. – P. 26.
Book
Bolter, Jay David ; Gromala, Diana. – Windows and mirrors : interaction design, digital art, and the myth of transparency. – Cambridge : MIT Press, 2003. – 182 p. – (Leonardo book series).
Text in book
Krueger, Ted. – «Des interfaces aux médias non symboliques». – Eshétique des arts médiatiques : interfaces et sensorialité. – Translated by Sylvie Lacerte and Marc Boucher. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2003. – (Collection Esthétique). – P. 123-142.
Text in book
Flanagan, Mary. – «"Next level" : women's digital activism through gaming». – Digital media revisited : theoretical and conceptual innovations in digital domains. – Edited by Gunnar Liestol, Andrew Morrison and Terje Rasmussen. – Cambridge : MIT Press, 2003. – P. 359-388.
Digital document
Vorn, Bill ; Penny, Simon. – Bedlam jpegs : Toronto - Montréal [CD-ROM]. – 2003. – Silent. – JPEG and TXT files.
Text in book
Codognet, Philippe. – «Nature artificielle et artifice naturel». – L'art à l'époque du virtuel. – Edited by Christine Buci-Glucksmann. – Paris : L'Harmattan, 2003. – (Collection arts 8). – P. 83-94.
Periodical issue
Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – Lódz : Lódzkie Towarzystwo Naukowe, 2003. – 273 p. – Issue title : «Cyberarts, cybercultures, cybersocieties».
Text in periodical
Wójtowicz, Ewa. – «Cyberperception : where art ends and technology begins». – Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – P. 69-74.
Text in periodical
Hayles, N. Katherine. – «Flesh and metal : reconfiguring the mindbody in virtual environments». – Configurations. – Vol. 10, no. 2 (Spring 2002). – P. 297-320.
Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.
Text in periodical
[IL]. – «Bill Vorn : du chaos jaillit le robot». – Convergence. – N° 18 (2002). – P. 36.
Text in periodical
Sengers, Phoebe. – «Schizophrenia and narrative in artificial agents». – Leonardo. – Vol. 35, no. 4 (2002). – P. 427-431.
Text in book
Grau, Oliver. – «The art of the interface in mixed realities : predecessors and visions». – ISEA 2002, 11th international symposium on electronic art, Nagoya (Orai). – Nagoya : ISEA 2002 Nagoya Committee, 2002. – P. 97-100.
Text in periodical
Martin, James. – «Welcome to Bill Vorn's apocalyptic world of Bedlam». – Concordia's Thursday Report. – Vol. 26, no. 2 (Sept. 27, 2001). – P. 1, 11.
Text in periodical
Kac, Eduardo. – «The origin and development of robotic art». – Convergence. – Vol. 7, no. 1 (Spring 2001). – P. 76-86.
Text in periodical
Kac, Eduardo. – «Towards a chronology of robotic art». – Convergence. – Vol. 7, no. 1 (Spring 2001). – P. 87-111.
Program
ISEA 2000 : 10e Symposium International des Arts Électroniques = 10th International Symposium on Electronics Arts. – Issy les Moulineaux : Art 3000 ; Paris : Musica Falsa, 2000. – 172, 30 p.
Text in periodical
Dietz, Steve. – «Public and private in an age of dataveillance». – Camerawork : a journal of photographic arts. – Vol. 26, no. 1 (Spring/Summer 1999). – P. 14-17.
Text in periodical
Mandelbaum, Audrey. – «Paradoxes of progress : art at the eighth International symposium on electronic art». – New Art Examiner. – Vol. 25, no. 5 (Feb. 1998). – P. 24-29.
Text in book
«Simon Penny : Fugitive». – Europäisches Medienkunst Festival = European media art festival = Festival européen d'art médias. – Osnabrück : European Media Art Festival, [1998]. – English and German text. – N. p.
Group exhibition catalogue
Star dot star. – Edited by Helen Sloan. – Sheffield : Site Gallery, 1998. – [46] p.
Text in book
[Morse, Margaret]. – «Fugitive». – Hardware : Software : Artware : Die Konvergenz von Kunst und Technologie : Kunstpraktiken am ZKM Institut für Bildmedien 1992-1997 = Confluence of art and technology : art practice at the ZKM Institute for Visual Media 1992-1997. – Ostfildern : Cantz Verlag ; Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1997. – English and German text. – P. 140-145.
Web site
The Database of Virtual Art. – Edited by Oliver Grau. – Krems : Danube University Krems. {{www.virtualart.at}}
Part of Web siteArtist's project
«Bedlam». – Arts Computation Engineering, University of California, Irvine. – Irvine : Arts Computation Engineering, University of California, Irvine. {{www.ace.uci.edu}}
Web site
ISEA2004, 12th international symposium on electronic art. – Amsterdam : ISEA : Inter-Society for the Electronic Arts, 2004. {{www.isea2004.net}}
Conference / Symposium
[Retouch : Conference on Gender and Technology], Toronto, Ont., Canada, 1995. – Organisation : Public Access Collective, Toronto.
Conference / Symposium
Performative Sites : Intersecting Art, Technology, and the Body, Penn State Conference Center and Hotel, University Park, Pa., États-Unis, October 24-28, 2000. – Organisation : Pen State, University Park. {{www.sva.psu.edu}}