Keywords: Jon Ippolito

Text in periodical
Veilleux, Cindy. – «La conservation des oeuvres à composante technologique». – Muséologies : les cahiers d'études supérieures. – Vol. 2, n° 3 (oct. 2007). – P. 86-101.

Text in periodical
Rinehart, Richard. – «The media art notation system : documenting and preserving digital / media art». – Leonardo. – Vol. 40, no. 2 (2007). – Revised version of a paper originally presented at the "Refresh! The First International Conference on the Histories of Media Art, Science and Technology" (28 September-1 October 2005) at the Banff New Media Institute, Banff, Alberta, Canada.. – P. 181-187.

Text in periodical
Gibbs, Michael. – «At the edge of art». – Art Monthly. – No. 296 (May 2006). – Book review of Joline Blais and Jon Ippolito , «At the edge of art». – P. 48.

Book
Media mutandis : a NODE.London reader. – Edtied by Marina Vishnidt. – London : NODE.London, 2006. – 299 p.

Text in periodical
Janda, Ludek. – «Aktivní Dokumentace Zaznamenává Zivot Díla : Rozhovor s Alainem Depocasem». – Illuminace : Casopis pro teorii, historii a estetiku filmu. – Vol. 18, no. 4 (2006). – Interview with Alain Depocas. – P. 145-153.

Text in periodical
Maitland, Eileen ; Hall, Cordelia. – «Cryogenics and creativity : the Frankenstein factor in cultural preservation». – Literary and linguistic computing. – Vol. 21 no. 3 (Sept. 2006). – P. 327-339.

Book
Blais, Joline ; Ippolito, Jon. – At the edge of art. – London : Thames and Hudson, 2006. – 256 p.

Text in periodical
Pham, Alex. – «Art That Goes on the Blink». – Los Angeles Times. – (Oct. 4, 2004). – P. [].

Text in periodical
Laudouar, Janique. – «Décryptage de l'oeuvre : kit de survie à l'usage du visiteur». – Les dossiers de l'ingénierie éducative. – N° 47-48 (juin/juil./août/sept./oct. 2004). – P. 116-119.

Text in book
Ippolito, Jon. – «Accommodating the unpredictable : the variable media questionnaire». – Performance documentation and preservation in an online environment. – Edited by Kenneth Schlesinger. – New York : Theater Library Association, 2004. – (Performing arts resources ; vol. 24). – P. 94-101.

Text in book
Ippolito, Jon. – «Digital performance : damnation or salvation». – Performance documentation and preservation in an online environment. – Edited by Kenneth Schlesinger. – New York : Theater Library Association, 2004. – (Performing arts resources ; vol. 24). – P. 89-93.

Directory
Le répertoire des publications en art contemporain canadien = The directory of publications on canadian contemporary art. – Montréal : Artexte, 2004. – 280 p. – N° 20.

Text in periodical
Rouleau, Martine. – «Conserver la virtualité». – Vie des arts. – N° 191 (été 2003). – Under «Cyberculture». – P. 67.

Text in periodical
Baillargeon, Stéphane. – «Conserver le changement : la fondation Daniel Langlois et le musée Guggenheim proposent un système révolutionnaire de conservation des "oeuvres variables"». – Le Devoir. – (8 mai 2003). – P. [].

Book
Paul, Christiane. – Digital art. – London : Thames and Hudson, 2003. – 224 p. – (World of art).

Book
Couchot, Edmond ; Hillaire, Norbert. – L'art numérique : comment la technologie vient au monde de l'art. – Paris : Flammarion, 2003. – 260 p.

Text in book
Glicenstein, Jérôme. – «La muséologie à l'ère d'Internet, le Guggenheim virtuel». – L'art à l'époque du virtuel. – Edited by Christine Buci-Glucksmann. – Paris : L'Harmattan, 2003. – (Collection arts 8). – P. 103-112.

Text in periodical
Berwick, Carly. – «Screen savers». – ARTnews. – Vol. 101, no. 8 (Sept. 2002). – P. 124-125.

Text in periodical
Bélair, Michel. – «La fondation Daniel Langlois pour l'art, la science et la technologie : un exemple à suivre». – Le Devoir. – (15/16 juin 2002). – P. [].

Text in periodical
Ragheb, J. Fiona. – «[Untitled]». – Afterimage. – Vol. 29, no.6 (May/June 2002). – Under «Voiceover». – P. 18.

Text in periodical
«Médias variables et patrimoine culturel». – Le Devoir. – (19 mars 2002). – P. B8.

Text in periodical
«Le Guggenheim et la fondation Daniel Langlois créent un réseau de conservation des nouveaux médias». – Le Lien multimédia. – Vol. 8, n° 10 (18 mars 2002). – P. 3.

Text in periodical
Delson, Susan. – «Wiring into a changing climate : museums & digital art». – Museum News. – Vol. 81, no. 2 (Mar./Apr. 2002). – P. 51-64.

Text in periodical
Mirapaul, Matthew. – «Getting tangible dollars for an intangible creation». – The New York Times. – (Feb. 18, 2002). – P. E2.

Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.

Text in periodical
Ippolito, Jon. – «Ten myths of Internet art». – Leonardo. – Vol. 35, no. 5 (2002). – P. 485-487.

Text in periodical
[Ippolito, Jon]. – «Jon Ippolito's selections». – Leonardo. – Vol. 35, no. 5 (2002). – P. 488-498.

Text in periodical
Vogel, Carol. – «When modern art shows its age : conservators struggle to reconstruct the fragile and ephemeral». – The New York Times. – (Apr. 5, 2001). – P. E1.

Text in periodical
Jana, Reena. – «Dot-controversy». – ARTnews. – Vol. 100, no. 4 (Apr. 2001). – P. 48.

Group exhibition catalogue
Net.ephemera. – New York : Moving Image Gallery, 2001.

Group exhibition catalogue
Net.ephemera. – 2001. – 26 sheets.

Book
net_condition : art and global media. – Edited by Peter Weibel and Timothy Druckrey. – Graz : Steirischer Herbst ; Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Cambridge : MIT Press, 2001. – 398 p. – (Electronic culture : history, theory and practice ; 2).

Archive document : Press kit
[Ars Electronica 2001]. – Linz : Ars Electronica Center, 2001. – N. p. – Press kit. – Includes an invitation card, a leaflet, a press release, biographies on conference speakers and a poster.

Text in periodical
Ippolito, Jon. – «Does the art world really "get" the Internet». – Artbyte. – Vol. 2, no. 6 (Mar./Apr. 2000). – Under «Crosstalk». – P. 24-25.

Text in periodical
Schmidt, Katharine A. – «Why is the art world split over defining and selling internet art». – Wall Street Journal. – (Oct. 11, 1999). – P. [].

Text in periodical
Ippolito, Jon. – «The museum of the future : a contradiction in terms». – Artbyte. – Vol. 1, no. 2 (June/July 1998). – P. 18-19.

Text in periodical
Drucker, Johanna. – «Jon Ippolito». – Art Journal. – Vol. 56, no. 3 (Fall 1997). – Under «Artists's profiles». – P. 19.

Text in periodical
Ippolito, Jon. – «Mediascape». – At Guggenheim. – (June/Sept. 1996). – P. [7-8].

Text in book
Paul, Christiane. – «The myth of immateriality : presenting and preserving new media». – MediaArtHistories. – Edited by Oliver Grau. – Cambridge : MIT Press, 2007. – (Leonardo book series). – P. 251-274.

Text in book
Graham, Beryl. – «Redefining digital art : disrupting borders». – Theorizing digital cultural heritage : a critical discourse. – Edited by Fiona Cameron and Sarah Kenderdine. – Cambridge : MIT Press, 2006. – P. 93-111.

Digital document
Winget, Megan. – Like a wave upon the sand : digital preservation of variable media art [digital document]. – 2005. {{www.ischool.utexas.edu}}

Part of Web site
«UMaine New Media Group 'Still Water' Wins $300,000 Research Grant». – University of Maine. {{www.umaine.edu}}

Part of Web site
«New media art preservation». – Wikipedia : the free encyclopedia, 2001. {{en.wikipedia.org}}

Group exhibition
net.ephemera, Moving Image Gallery, New York, N. Y., United States, May 3-31, 2001. {{nothing.org}}

Multidimensional event
Ars Electronica 2001 : Festival für Kunst, Technologie und Gesellschaft : Takeover - Wer macht die Kunst von morgen = Ars Electronica 2001 : Festival of Art, Technology and Society : Takeover - Who's Doing the Art of Tomorrow?, Ars Electronica Center, Linz, Austria, September 1-6, 2001. {{www.aec.at}}

Conference / Symposium
Cyberart99, The Cooper Union for the Advancement of Science and Art, New York, N. Y., United States, May 9, 1999. – Organisation : Art & Science Collaborations, Inc., Staten Island ; The Cooper Union for the Advancement of Science and Art, New York. {{www.asci.org}}