Keywords: Ryoji Ikeda

Group exhibition catalogue
Arning, Bill et al. – Sensorium : embodied experience, technology, and contemporary art. – Edited by Caroline A. Jones. – Cambridge : MIT Press, 2006. – 258 p. – This publication accompanies the exhibition «Sensorium : embodied experience, technology, and contemporary art» held at the MIT List Visual Arts Center, part 1: October 12 to December 31, 2006, part 2: February 8 to April 8, 2007.

Text in periodical
Toop, David. – «Ryoji Ikeda : door open, door shut». – The Wire. – No. 267 (May 2006). – Interview with Ryoji Ikeda. – P. 36-41.

Text in periodical
Jones, Caroline A. – «Sensorium : new media complexities for embodied experience». – Parachute. – N° 121 (jan./févr./mars 2006). – P. 80-97.

Text in periodical
White, Ian. – «Cross platform : [Black Mountain College]». – The Wire. – No. 263 (Jan. 2006). – P. 80.

Text in periodical
Langlois, Philippe. – «Nouvelles technologies de l'image et du son et avant-garde audiovisuelle = New sound and image technologies and the audiovisual avant-garde». – Canal Studio. – N° 7 (2005/06). – French and English text. – P. 16-17.

Group exhibition catalogue
Art meets media : adventures in perception. – Tokyo : NTT Publishing, 2005. – 175 p. – English and Japanese text.

Text in periodical
Lannes, Olivier. – «Ryoji Ikeda : rythme du millimètre». – Mouvement. – N° 31 (nov.-déc. 2004). – P. 92-93.

Text in periodical
Cooper, Tim. – «Ryoji Ikeda : Tim Cooper on the master of sound, vision and ultra-minimalism». – Contemporary. – No. 68 (2004). – P. 30-35.

Text in periodical
Montgomery, Will. – «[Ryoji Ikeda]». – The Wire. – No. 229 (Mar. 2003). – Under «Cross Platform : sound in other media». – P. 78.

Text in periodical
Hilde Neset, Anne. – «[Sonic Process : a new geography of sound]». – The Wire. – No. 222 (Aug. 2002). – Under «Cross Platform : sound in other media». – P. 78.

Text in periodical
Sherburne, Philip. – «Sound art / corps sonores : les leçons d'anatomie de la musique électronique = Sound art / sound bodies : electronic music's anatomy lessons». – Parachute. – N° 107 (juill./août/sept. 2002). – P. 68-79.

Group exhibition catalogue
Frequenzen [Hz] : Audiovisuelle Räume = Frequencies [Hz] : audio-visual spaces. – Edited by Max Hollein and Jesper N. Jorgensen. – Ostfildern : Hatje Cantz ; Frankfurt am Main : Schirn Kunsthalle Frankfurt, 2002. – 208 p. – Include a compact disc.

Text in periodical
Weil, Benjamin. – «Art in digital times : from technology to instrument». – Leonardo. – Vol. 35, no. 5 (2002). – P. 523-526.

Text in periodical
[Weil, Benjamin]. – «Benjamin Weil's selections». – Leonardo. – Vol. 35, no. 5 (2002). – P. 527-537.

Group exhibition catalogue
Ryoji Ikeda : formula. – Tokyo : NTT Publishing, 2002. – 90 p. – Includes an audio and video DVD.

Video document
Ikeda, Ryoji. – Formula. – Tokyo : NTT Publishing, 2002. – DVD Video, col., stereo sound. – DVD accompanying the publication «Ryoji Ikeda : formula», 2002. – Includes sound and video.

Text in periodical
Hilde Neset, Anne. – «Ars Electronica». – The Wire. – No. 212 (Oct. 2001). – P. 86.

Solo live event
Ryoji Ikeda : formula, The Garden Hall, Tokyo, Japan, October 14, 2001.

Festival
Elektra 2005, Montréal, Que., Canada, May 10-15, 2005. {{www.elektrafestival.ca}}

Solo live event
C4I, Eyebeam Atelier, New York, N. Y., United States, November 20, 2004. {{www.eyebeam.org}}