Ricardo Dal Farra, Audiciones, 1983
For analog electronic instruments, performed in real time (or tape) (5 min. 10 sec.)
Ricardo Dal Farra, Civilizaciones, 1983-2003
For 6 percussion players and live electronics. (15 min. 03 sec.)
Ricardo Dal Farra, Estudio elíptico, 1983
For analog and digital electronic musical instruments, performed on real-time (or tape) (9 min. 54 sec.)
alcides lanza, interferences III (1983-IV), 1983
For (voice) chamber ensemble and computer generated sounds (12 min. 03 sec.)
alcides lanza, interferences III (1983-IV) [tape part only], 1983
For chamber ensemble and computer generated sounds
alcides lanza, módulos III (1983-III), 1983
For guitar, 5 instruments and tape, with optional strings (15 min. 23 sec.)
alcides lanza, módulos III (1983-III) [tape part only], 1983
For guitar, 5 instruments and tape, with optional strings
alcides lanza, sensors IV (1983-V), 1983
For choir, with electronic and computer sounds (16 min. 50 sec.)
Ricardo Dal Farra and Carlos Costa, Música para Hall, 1984
For guitar and live electroacoustic processing (18 min. 41 sec.)
Gabriel Valverde, Overstrung, 1984-1985
For flute, trombone, violin, cello, percussion and synthesizer
Antonio Russek, Paisaje Circular, 1984
For special instrument (built by sculptors Enrique Hernández and Enrique Luna) and four channels tape. (4 min. 03 sec.)
Audio file
Audio file with sonogram
Audio file with score
Audio file with limited access