Antonio Russek, Para espacios abiertos, 1981
Acousmatic music (original for 8 channels tape) (13 min. 53 sec.)
Ricardo Dal Farra, Para Todos Ellos, 1987
For MIDI guitar, digital synthesizer and live electroacoustic processing, plus slides with paintings (by Víctor Magariños) (9 min. 42 sec.)
alcides lanza, penetrations II (1969-IV), 1969
For wind(s), string(s), percussion and keyboard instruments, with voices, electronic sounds and electronic extensions. (12 min. 24 sec.)
alcides lanza, penetrations II (1969-IV), 1969
For wind(s), string(s), percussion and keyboard instruments, with voices, electronic sounds and electronic extensions.
alcides lanza, penetrations II (1969-IV) [tape part only], 1969
For wind(s), string(s), percussion and keyboard instruments, with voices, electronic sounds and electronic extensions
alcides lanza, penetrations V (1970-IV), 1970
For a minimum of ten sound sources, with voices, lights, electronic sounds and electronic extensions. (13 min. 35 sec.)
alcides lanza, penetrations V (1970-IV) [tape part only], 1970
For a minimum of ten sound sources, with voices, lights, electronic sounds and electronic extensions
alcides lanza, penetrations VII (1972-III) [tape part only], 1972
For actress singer and electronic sounds
David de Gandarias, Percursos de Hormigo, Senderos de Silicio, 1997
For full Guatemalan marimba and computer
Ricardo Dal Farra and Arturo Gervasoni, PH, 1986
For guitar and live electroacoustic processing (8 min. 49 sec.)
Orlando Jacinto Garcia, Piece No. 1 from Three Pieces for Double Bass and Tape, 1990
Double bass and tape (10 min. 35 sec.)
Orlando Jacinto Garcia, Piece No. 2 from Three Pieces for Double Bass and Tape, 1990
Double bass and tape (11 min. 12 sec.)
Audio file
Audio file with sonogram
Audio file with score
Audio file with limited access