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Plohman, Angela. — «Jim Campbell». — Fondation Daniel Langlois pour l’art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — English and French text. — Text written in 2000-2005. — [Date of reference : December 10, 2007]. — Access :
{{https://www.fondation-langlois.org/html/e/page.php?NumPage=77}}.

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- Document in French and English
- State in the CR+D Collection : ON LINE

The CR+D Database contains the following indexation:
(Please note that indexation is not always exhaustive.
For this document, the indexation for individuals are exhaustives
For this document, the indexation for events are exhaustives
For this document, the indexation for artworks are exhaustives
For this document, the indexation for documents are exhaustives
For this document, the indexation for organisations are exhaustives)

Individuals:
- Jim Campbell
- Heather Sealy Lineberry
- Janine Marchessault
- Margaret Morse
- Marita Sturken

Organisations:
- Arizona State University Art Museum (ASUAM), Tempe
- Cohen Berkowitz Gallery, Kansas City
- Fleishhacker Foundation (The ) , San Francisco
- Hosfelt Gallery, San Francisco
- Massachusetts Institute of Technology (MIT), Cambridge
- Rockefeller Foundation (The ) , New York
- San Francisco Museum of Modern Art (SFMOMA), San Francisco
- Site Santa Fe, Santa Fe
- Yerba Buena Center for the Arts, San Francisco

Events:
- Ars Electronica 2000 : Festival für Kunst, Technologie und Gesellschaft : NEXT SEX : Sex im Zeitalter seiner reproduktionstechnischen Überflüssigkeit = Ars Electronica 2000 : Festival of Art, Technology and Society : NEXT SEX : Sex in the Age of its Procreative Superfluousness, 2000, Linz
- BitStreams, 2001, New York
- ICC Biennale '97 : Communication / Discommunication, 1997, Tokyo
- Printemps de PRIM (Le ), 1991, Montreal
- Vision.Ruhr : Kunst Medien Interaktion, 2000, Dortmund
- Whitney Biennial 2002, 2002, New York
- Quantizing Effects : the Liminal Art of Jim Campbell, 2005, Santa Fe
- Jim Campbell : Color by Number, 2000, San Francisco
- Jim Campbell : Direct Current, 2000, Kansas City

Related documents:
- Campbell, Jim. — «Delusions of dialogue : control and choice in interactive art». — Leonardo. — Vol. 33, no. 2 (2000).
- Marchessault, Janine. — «Incorporating the gaze». — Parachute. — N° 65 (janv./févr./mars 1992).
- Sturken, Marita. — «Electronic time : the memory machines of Jim Campbell». — Afterimage. — Vol. 25, no. 3 (Nov./Dec. 1997).
- Morse, Margaret. — «Threshold experiences : incendiary bodies and frail machines». — Jim Campbell : transforming time : electronic works : 1990-1999, 1999.
- Lineberry, Heather Sealy. — «Electronic interview with Jim Campbell». — Jim Campbell : transforming time : electronic works : 1990-1999, 1999.
- Leonardo, 1968-. — Vol. 1 (1968)-. — Access : http://www.leonardo.info/.

Artworks:
- Jim Campbell, Hallucination, 1988-1990
- Jim Campbell, Digital Watch, 1991
- Jim Campbell, I Have Never Read the Bible, 1995
- Jim Campbell, Shadow (for Heisenberg), 1993-1994
- Jim Campbell, Untitled (for Heisenberg), 1994-1995
- Jim Campbell, Memory Works, 1994-1998
- Jim Campbell, Color by Number from the Color Works Series, 1998-1999
- Jim Campbell, Portrait of my Father, 1994-1995
- Jim Campbell, Anonymous Photograph of an Electrocution, 1994-1995
- Jim Campbell, Photo of my Mother, 1996
- Jim Campbell, Typing Paper, 1995
- Jim Campbell, Postcards from Chartres, 1998
- Jim Campbell, The Color works, 1998-2000
- Jim Campbell, Simultaneous Perspective, 1997-2000
- Jim Campbell, Ambiguous icons, 1999-2003
- Jim Campbell, Ambiguous Icon #5 : (Running Falling), 2000
- Jim Campbell, Portrait of a Portrait of Harry Nyquist, 2000

DLF Project:
- pr0000048 Jim Campbell : Explorations of Meaning in Quantized Information

Themes:
- Interactive Art
- Media Arts
- Image
- Video Installation
- Interactivity
- Surveillance
- Video
- Art and Environment
- Electronic Arts
- Color
- Memory
- Sculpture

Other documents by the same author:
- Angela Plohman