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Plohman, Angela. — «Simon Penny». — Fondation Daniel Langlois pour l’art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — English and French text. — Text written in 2001. — [Date of reference : January 18, 2008]. — Access :
{{https://www.fondation-langlois.org/html/e/page.php?NumPage=262}}.

Part of a Web site [Go to the corresponding page...]
- Document in French and English
- State in the CR+D Collection : ON LINE

The CR+D Database contains the following indexation:
(Please note that indexation is not always exhaustive.
For this document, the indexation for individuals are exhaustives
For this document, the indexation for events are exhaustives
For this document, the indexation for artworks are exhaustives)

Individuals:
- Margaret Morse
- Simon Penny
- Bill Vorn
- Ricardo Miranda Zúñiga

Events:
- Machine Culture : the Virtual Frontier, 1993, Anaheim
- Ars Electronica 99 : Life Science, 1999, Linz

Related documents:
- Critical issues in electronic media, 1995.
- Hardware : Software : Artware : Die Konvergenz von Kunst und Technologie : Kunstpraktiken am ZKM Institut für Bildmedien 1992-1997 = Confluence of art and technology : art practice at the ZKM Institute for Visual Media 1992-1997 [CD-ROM], 1997. — stereo sound.

Artworks:
- Simon Penny, Big Father, 1991-1992
- Simon Penny, Petit Mal, 1989-1995
- Bill Vorn and Simon Penny, Bedlam, 2001-2003
- Simon Penny, Stupid Robot, 1987
- Simon Penny, Lo Yo Yo, 1988
- Simon Penny, Ceci n'est pas un oiseau, 1989-1990
- Simon Penny, Pride of Our Young Nation, 1990-1991
- Simon Penny, Fugitive, 1995-1997
- Simon Penny, Traces, 1998-1999

DLF Project:
- pr0000192 Bill Vorn & Simon Penny: bedlam

Themes:
- Interactive Art
- Robotic Art
- Media Arts
- Installation
- Sculpture
- Art and Technology
- Virtual Reality
- Surveillance
- Information Technology

Other documents by the same author:
- Angela Plohman