Fondation
Daniel
Langlois
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Steina, Machine Vision (1975-).
Steina and Woody Vasulka Fonds.
Steina and Woody Vasulka Fonds.
Vera Frenkel, The Institute™: Or, What We Do for Love (2003–2009).
Courtesy of the artist and the National Gallery of Canada (Ottawa).
Courtesy of the artist and the National Gallery of Canada (Ottawa).
David Rokeby, The Giver of Names (1991-).
Courtesy of the artist and the Montreal Museum of Fine Arts.
Courtesy of the artist and the Montreal Museum of Fine Arts.
Alan Dunning, Translation (1991).
Courtesy of Alan Dunning.
Courtesy of Alan Dunning.
George Legrady, Pockets Full of Memories (2001).
Courtesy of George Legrady and the Cornerhouse Gallery (Manchester).
Courtesy of George Legrady and the Cornerhouse Gallery (Manchester).
Jim Campbell, Home Movies 300-1 (2006).
Courtesy of the artist and the Hosfelt Gallery (San Francisco).
Courtesy of the artist and the Hosfelt Gallery (San Francisco).
jodi, JET SET WILLY Variations (1982).
Courtesy of the artists and the Guggenheim Museum.
Courtesy of the artists and the Guggenheim Museum.
La La La Human Steps, New Work (2011).
Photo: Édouard Lock. Courtesy of La La La Human Steps.
Photo: Édouard Lock. Courtesy of La La La Human Steps.
Max Dean and Raffaello D'Andrea, The Table : Childhood (1984-2001).
Courtesy of the artists and the National Gallery of Canada (Ottawa).
Courtesy of the artists and the National Gallery of Canada (Ottawa).
Michael Snow, Conception of Light (1992).
Image from Digital Snow. Courtesy of the artist.
Image from Digital Snow. Courtesy of the artist.
Michael Snow, Place des peaux (1998).
Image from Digital Snow. Courtesy of the artist.
Image from Digital Snow. Courtesy of the artist.
Nam June Paik, Royal Canadian Mounted Police (1989).
Courtesy of the Montreal Museum of Fine Arts.
Courtesy of the Montreal Museum of Fine Arts.
Philip Beesley, Hylozoic Soil (2007).
Courtesy of the artist.
Courtesy of the artist.
Rafael Lozano-Hemmer, Standards and Double Standards (2004)
Courtesy of the artist and the OMR Gallery (Basel).
Courtesy of the artist and the OMR Gallery (Basel).
Catherine Richards, Curiosity Cabinet at the End of the Millenium (1995).
Courtesy of the artist.
Courtesy of the artist.
Tmema, The Manual Input Workstation (2004-2006).
Courtesy of the artists and the Lentos Kunstmuseum (Linz).
Courtesy of the artists and the Lentos Kunstmuseum (Linz).
Norman White, First Tighten Up on the Drums (1968).
Courtesy of the artist and the National Gallery of Canada (Ottawa).
Courtesy of the artist and the National Gallery of Canada (Ottawa).
Vera Frenkel, String Games: Improvisations for Inter-City Video (Montreal–Toronto, 1974).
Courtesy of the artist.
Courtesy of the artist.
Sonia Sheridan manipulating the "C-in-C" copier (1978).
The Daniel Langlois Foundation. Sonia Landy Sheridan fonds.
The Daniel Langlois Foundation. Sonia Landy Sheridan fonds.
Eduardo Kac, GFP Bunny (2000).
Courtesy of the artist.
Courtesy of the artist.
Jessica Field, Semiotic Investigation into Cybernetic Behaviour (2003).
Courtesy of the artist.
Courtesy of the artist.
Jim Campbell, Portrait of a Portrait of Harry Nyquist (2000).
Courtesy of the artist.
Courtesy of the artist.
John Cage, Variations VII (1966).
The Daniel Langlois Foundation, 9 Evenings: Theatre and Engineering fonds.
The Daniel Langlois Foundation, 9 Evenings: Theatre and Engineering fonds.
George Legrady, An Anecdoted Archive From the Cold War, 1994.
Screen capture from the CD-ROM George Legrady, From Analogue to Digital: Photography and Interactive Media, 1997.
Courtesy of George Legrady.
Screen capture from the CD-ROM George Legrady, From Analogue to Digital: Photography and Interactive Media, 1997.
Courtesy of George Legrady.
Luc Courchesne, Panoscopic Image (2005).
Courtesy of the artist.
Courtesy of the artist.
Marie Chouinard, Cantique n° 3 (2004).
Courtesy of the Compagnie Marie Chouinard.
Courtesy of the Compagnie Marie Chouinard.
Michael Snow in a work by Luc Courchesne, Horizons (2007).
Courtesy of the artists and Pierre-François Ouellette Art Contemporain gallery.
Courtesy of the artists and Pierre-François Ouellette Art Contemporain gallery.
Alex Hay and Robert Rauschenberg in Grass Field (1966).
The Daniel Langlois Foundation. 9 Evenings: Theatre and Engineering fonds.
The Daniel Langlois Foundation. 9 Evenings: Theatre and Engineering fonds.
Sponge/FoAM, TGarden (2000).
Courtesy of Sponge and FoAM.
Courtesy of Sponge and FoAM.
Tmema, The Manual Input Workstation (2004-2006).
Courtesy of the artists and the Lentos Kunstmuseum (Linz).
Courtesy of the artists and the Lentos Kunstmuseum (Linz).
Usman Haque (with J. Pletts and L. Turin), Scents of Space (2002).
Courtesy of the artists.
Courtesy of the artists.
Daniel Langlois (1957-2023)Daniel Langlois and his partner Dominique Marchand died in tragic circumstances on December 1, 2023 in Dominica near their Coulibri Ridge resort.
REZDM ProjectThe objective of this project is to provide support to the communities in Dominica during their recovery efforts in the wake of hurricane Maria, with focus on long term environmental resilience.
Our Publications
Michael Snow, Digital SnowThe DVD-Rom Digital Snow is what Michael Snow calls an encyclopaedia of his work of the past six decades. The Daniel Langlois Foundation has converted the DVD-Rom to the Web.
9 Evenings DiagramsClarisse Bardiot's publication hinges on the diagrams produced by engineer Herb Schneider. She offers an analysis of their content by comparing them to visual material, eyewitness accounts of the festival, and archival documents from the 9 Evenings: Theatre and Engineering fonds.
Fonds and Collections
Latin AmericanElectroacoustic Music
Latin America has a long, interesting, strong and prolific electroacoustic music history, but it's a history that is little known even within the region itself.
Documents Published by E.A.T.This collection features over 500 documents that explore the activities of Experiments in Art and Technology (E.A.T.) from 1965 to 1981.
Sonia SheridanSonia Sheridan played a pioneering role in the use of industrial photocopiers as creative tools, and contributed to the promotion of an interdisciplinary approach to the teaching of fine arts.
Steina and Woody VasulkaElectronic art pioneers, Steina and Woody Vasulka have played a vital role in developing a formal vocabulary specific to electronic and digital images.
