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Sylvie Lacerte

9 Evenings and Experiments in Art and Technology

Bibliography

Essays

BENJAMIN, Walter, L'œuvre d'art à l'époque de sa reproductibilité technique (Paris: Éditions Allia, 2003 (1939)).

BENTHALLl, Jonathan, Science and Technology in Art Today (London/New York/Washington: Praegers Publishers, 1972).

BIJVOET, Marga, Art as Inquiry – Toward a New Collaboration Between Art, Science and Technology, American University Studies, vol. 32 (New York / Washington / Baltimore – Bern / Frankfurt am Main / Berlin / Vienna / Paris: Peter Lang, 1997).

BURNHAM, Jack, Beyond Modern Sculpture – The Effects of Science and Technology on the Sculpture of this Century (New York: George Brazillier, 1967).

FETTERMAN, William, John Cage's Theater Pieces – Notations and Performances (Amsterdam: Harwood Academic Publishers, 1996).

KLÜVER, Billy, “Four Selections by Experiments in Art and Technology: The Garden Party, Billy Klüver, 1961; 9 Evenings Program, EAT 1966; Press Release, EAT, 1966; The Pavilion, Billy Klüver, 1972,” in The New Media Reader, Noah Wardrip-Fruin & Nick Montfort, Editors (Cambridge/London: The MIT Press, 2003)

LEE, Pamela M., Chronophobia – On Time in the Art of the 1960s, (Cambridge / London: The MIT Press, 2004).

LIPPARD, Lucy R., Six Years: The Dematerialization of the Art Object from 1966 to 1972... (Berkeley/Los Angeles/London: University of California Press, 1998 (1973)).

LOVEJOY, Margot, Digital Currents: Art in the Electronic Age (New York/London: Routledge, 1997).

POPPER, Frank, Art, action et participation: L'artiste et la créativité aujourd'hui (Paris: Klincksieck, 1980).

RORIMER, Anne, New Art in the 60s and 70s – Redefining Reality (London/New York: Thames and Hudson, 2001).

SHANKEN, Edward A., “From Cybernetics to Telematics: The Art, Pedagogy and Theory of Roy Ascott,” in Telematic Embrace – Visionary Theories of Art, Technology and Consciousness by Roy Ascott, Edward A. Shanken, Ed. (Berkeley/Los Angeles/London: University of California Press, 2003).

SOMMERER, Christa and Laurent Mignonneau (Ed.), Art @ Science, (Wien/New York: Springer, 1998).

Catalogues

BURNHAM, Jack, Software – Information Technology: Its New Meaning for Art (New York: The Jewish Museum, 1970).

HULTEN, Pontus, The Machine as Seen at the End of the Mechanical Age (New York: Museum of Modern Art, 1968).

ILES, Chrissie, Into the Light – The Projected Image in American Art 1964 –1970 (New York: Whitney Museum of American Art, 2001).

KLÜVER, B and J. Martin (Ed.), E.A.T. – The Story of Experiments in Art and Technology (Tokyo: NTT InterCommunication Center [ICC], 2003).

LYOTARD, Jean-François & Thierry Chaput (Ed.), Les Immatériaux (Paris: Centre de Création Industrielle, Centre Georges Pompidou, 1985).

REICHARDT, Jasia (Ed.), Cybernetic Serendipity – The Computer and the Arts (New York/Washington/London: Praeger Publishers, 1968).

Catalogue raisonné

KOTZ, Mary Lynn, Rauschenberg/Art and Life, New Edition (New York: Harry H. Abrams, 2004).

Conference proceedings

SHANKEN, Edward A., “Art in the Information Age: Technology and Conceptual Art,” in Electronic Art and Animation Catalog – SIGGRAPH 2001, (New York: ACM SIGGRAPH, 2001) pp. 8 – 15.

SHANKEN, Edward A. (1997) “Gemini Rising, Moon in Appollo: Attitudes on the Relationship between Art and Technology in the US, 1966-1971,” in Conferences Proceedings of the International Symposium of Electronic Art, presented at the School of the Art Institute of Chicago, ISEA97 (Chicago, ISEA, 1997) pp. 58 – 61.

Periodicals

JOSEPH, Brandon W., “Engineering Marvel,” in ARTFORUM, (March 2004) pp. 39-42.

FORTI, Simone, “Le théâtre et l'ingénierie – une expérience: Notes d'une participante,” in Nouvelles de danse, no spécial Interagir avec les nouvelles technologies, (Bruxelles: Contredanse/Centre national du Livre, 2004).– First published in ARTFORUM V, (February 1967).

KLÜVER, Billy, “Le théâtre et l'ingénierie – une expérience: Notes d'un ingénieur,” in Nouvelles de danse (Bruxelles: Contredanse/Centre national du livre, 2004) no spécial Interagir avec les nouvelles technologies. First published in ARTFORUM V, (February 1967).

KLÜVER, Billy, with Julie Martin, “Four Difficult Pieces,” Art in America, (July 1991).

Report

TUCHMAN, Maurice, A Report on the Art & Technology Program of the Los Angeles County Museum of Art – 1967-1971 (New York/Los Angeles: Los Angeles County Museum of Art/Viking Press, 1971).

Fonds and Collections  

Experiments in Art and Technology. Records, 1966-1993, Research Library, The Getty Research Institute, Los Angeles, California (940003).

Collection of Documents Published By Experiments in Art and Technology, 1966-1993, The Daniel Langlois Foundation for Art, Science, and Technology.

9 Evenings: Theatre and Engineering fonds, 1966-2001, The Daniel Langlois Foundation for Art, Science, and Technology.

Filmography 

Interview with Per Biorn, produced by the Daniel Langlois foundation for Art, Science and Technology; interviewers : Vincent Bonin, Éric Legendre, Julie Martin (4 videocassettes (3 hr., 45 min.) : master, col., sound, Mini-DV, 2004) Interview made the 25 of August, 2004 in Berkeley Heights (N.J. USA). Interview recorded simultaneously on audiotape (3 Minidiscs). The Daniel Langlois Foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds. 9 EVE 00032223

9 Evenings : Theatre and Engineering : Robert Rauschenberg : Open Score, produced by Experiments in Art and Technology; directed by Barbro Schultz Lundestan (1 vidéocassette (31 min., 59 s.) : master copy, digital, b&w, col., sound, stereo, D 2 (Fudji), 1997). Film produced from the footage shot by Alfons Schilling and the engineers of the Bell Telephone Laboratories (Murray Hill, N.J., USA) in 1966. The Daniel Langlois Foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds. 9EVE VID00011887

9 Evenings : Theatre and Engineering : Oyvind Fahlström : Kisses Sweeter than Wine, produced by Experiments in Art and Technology; directed by Barbro Schultz Lundestan (1 videocassette (71 min., 56 s.) : master copy, digital, b&w, col., stereo, D 2 (Fudji), 1997). Film produced from the footage shot by Alfons Schilling and the engineers of the Bell Telephone Laboratories (Murray Hill, N.J., USA) in 1966. The Daniel Langlois Foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds. 9EVE VID00022421

9 Evenings : Theatre and Engineering, produced by Experiments in Art and Technology; shot and edited by Alfons Schilling (1 film reel (24 min., 30 s.) : original, b&w, sound; 16 mm, 1966). Film produced from the factual footage shot by Alfons Schilling in 1966. The Daniel Langlois Foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds. 9 EVE 00032223

Sylvie Lacerte © 2005 FDL