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Lizzie Muller

Towards an oral history of new media art


Bodker, S. (2000) “Scenarios in User-Centred Design - Setting the Stage for Reflection and Action” Interacting with Computers 13, pp. 61-75.

Costello, B., L. Muller and S. Amitani (2005) “Understanding the experience of interactive art: Iamascope in Beta_space” In Proceedings of Second Australasian Conference on Interactive Entertainment, Sydney

Depocas, A. (2002) "Digital preservation: recording the recoding - the documentary strategy", The Daniel Langlois Foundation for art, science and technology, Montréal

Depocas, A., J. Ippolito, and C. Jones (Eds) (2003) "Permanence Through Change: The Variable Media Approach", The Daniel Langlois Foundation for Art, Science, and Technology, Montreal, and Solomon R. Guggenheim Museum, New York, NY

Dewey, J. (1959) Art as Experience. Capricorn Books; Paragon, New York, NY

Dourish, P. (2001). Where The Action Is. MIT Press, Cambridge, MA

Ellis, J. (1993) Keeping Archives. Thorpe in association with the Australian Society of Archivists, Port Melbourne

Fromme, R. and S. Fauconnier (2004) “Capturing Unstable Media Arts—A formal model for describing and preserving aspects of electronic art,” in Frohne, U., J. Guiton and M. Schieren (Eds.) Present Continuous Past(s): Media Art: Strategies of Presentation, Mediation and Dissemination. Springer Verlag, Heidelberg

Jones, C. (2008) "Surveying the state of the art (of documentation)", The Daniel Langlois Foundation for Art, Science, and Technology

Jones, C. and L. Muller (2008) "The Giver of Names: Documentary Collection", The Daniel Langlois Foundation for Art, Science, and Technology []

Jones, C. and L. Muller (2008) “Between real and ideal: Documenting media art,” Leonardo, Volume 41[4], pp. 418-419

Kvale, S. (1996). InterViews - An Introduction to Qualitative Research Interviewing. Sage Publications, London and New Delhi

Mackay, Nancy (2007) Curating Oral Histories, Left Coast Press, Walnut Creek, CA

Muller, L., E. Edmonds and M. Connell (2006a) “Living laboratories for interactive art” CoDesign: International Journal of Co Creation in Design and the Arts, Volume 2[4], pp.195-207

Muller, L., G. Turner, G. Khut and E. Edmonds (2006b) “Creating Affective Visualisations for a Physiologically Interactive Artwork” In Proceedings of the 10th International Conference of Information Visualisation, London, pp. 651-658

Reimer, D. (Ed) (1984) Voices: A guide to oral history, Sound and Moving Image Division: Provincial Archives of British Columbia, Victoria, B.C.

Richards, L. (2005) Handling Qualitative Data: A Practical Guide, Sage Publications, London and New Delhi

Rinehart, R. (2007). “The Media Art Notation System: Documenting and Preserving Digital/Media Art.” Leonardo, Volume 4[2], pp.181-187.

Lizzie Muller © 2008 FDL