Guillermo Pozzati, El adiós, 1990
For tape. ARP 2600 synthesizer and resonant filters (designed during 1966 for its use at the Laboratorio de Fonología Musical of the University of Buenos Aires).
Miguel Calzón, La vida perdurable, 1993
For tape. Yamaha SY77 and TG77 synthesizers controlled by computer sequencers.
Jorge Antunes, Source, 1974
For voice, flute, viola, cello, piano, synthesizer and magnetic tape (24 min. 10 sec.)
Jorge Antunes, Vivaldia MCMLXXV, 1975
For voice, dancer, flute, English horn, French horn, viola, cello, piano and magnetic tape (21 min. 20 sec.)
Web site
Mustica. – Paris : Institut de Recherche et Coordination Acoustique / Musique (IRCAM). {{mustica.ircam.fr}}
Text in periodical
«Frankensteins Netz / Prométhée Numérique / Wiretapping the Beast : Composition based on an Internet-installation by Atau Tanaka». – Audiohyperspace [on line]. – N. p. {{www.swr.de}}
Text in periodical
Breitsameter, Sabine. – «Networks and interfaces : the media artist Atau Tanaka». – Audiohyperspace [on line]. – (July 2002). – N. p. {{www.swr.de}}
Audio document
Bode, Peer ; Deutsch, Andrew ; Oliveros, Pauline. – Carrier. – Kingston : Deep Listening, 1998. – Compact Disc, 53 min 52 s. – Accompanied by a 8 p. booklet. – DL 8-1998.
Digital document
Active score music : Scribble : Small fish tale [DVD-ROM]. – Linz : Ars Electronica Center, 2001. – Stereo sound.
Book
The music machine : selected readings from Computer music journal. – Edited by Curtis Roads. – Cambridge : MIT Press, 1989. – 725 p.
Festival
15th Annual Avant Garde Festival of New York, The Passenger Ship Terminal at 55th Street, New York, N. Y., United States, July 20, 1980.
Festival
14th Annual New York Avant Garde Festival and 2nd Annual Cambridge River Festival, Charles River, Cambridge, Mass., United States, May 20, 1978.