César Bolaños, Flexum, 1969
For magnetic tape and wind, string and percussion instruments (13 min. 29 sec.)
César Bolaños and Mauricio Milchberg, Canción sin Palabras, 1970
For piano (2 performers) and magnetic tape (14 min. 22 sec.)
César Bolaños and Mauricio Milchberg, Sialoecibi, 1970
For piano and one reciter-mime-actor (9 min. 03 sec.)
Ricardo Dal Farra, Procesos, 1986
For analog and digital electronic musical instruments (17 min. 08 sec.)
César Bolaños, Alfa-Omega, 1967
For 2 reciters, theatrical mixed choir (biblical texts), electric guitar, amplified double bass, 3 percussionists (46 min. 24 sec.)
César Bolaños, I-10-AIFG/Rbt1, 1968
For 3 reciters, French horn, trombon, electric guitar, 2 percussionists (11 min. 36 sec.)
Rolando Cori Traverso, Bailecitos con la novia, 1999
Electronics by computer, voice and guitar (8 min. 08 sec.)
Gilles Mercier, Deformaciones, 1993
For digital tape (or CD) or Yamaha SY77 synthesizer with Cakewalk sequencer running in Pentium II.
Web site
Mustica. – Paris : Institut de Recherche et Coordination Acoustique / Musique (IRCAM). {{mustica.ircam.fr}}
Text in periodical
«Frankensteins Netz / Prométhée Numérique / Wiretapping the Beast : Composition based on an Internet-installation by Atau Tanaka». – Audiohyperspace [on line]. – N. p. {{www.swr.de}}
Text in periodical
Breitsameter, Sabine. – «Networks and interfaces : the media artist Atau Tanaka». – Audiohyperspace [on line]. – (July 2002). – N. p. {{www.swr.de}}
Group exhibition catalogue
Klüver, Billy ; Martin, Julie. – E.A.T. -the story of E.A.T. : experiments in art and technology 1960-2001. – Tokyo : NTT InterCommunication Center, 2003. – 173 p.
Archive document : File
[Memories and reflexions of David Tudor by friends and collaborators] / Merce Cunningham, John Driscoll, Ronald Kuivila (et al.). – 1997. – 75 sheets. – File assembling together some of the original contributions, in english, of friends and collaborators of David Tudor for the publication of an issue of the German periodical MusikTexte, no. 69/70 (April 1997). – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds.
Archive document : File
[« Variations VII » : 1966-1972 / [John Cage]. – 1966-1972. – Textual documents (16 sheets). – Photocopies of the notes written retrospectively by John Cage in 1972 on "Variations VII" as presented in the context of "9 Evenings: Theatre and Engineering", The Armory (New York, N.Y., US), October 15-16, 1966. – The original documents are housed at the Astor, Lenox and Tilden Foundations, Music Division of the New York Public Library for the Performing Arts (New York, N.Y., United States). – The Daniel Langlois Foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds [...].
Festival
15th Annual Avant Garde Festival of New York, The Passenger Ship Terminal at 55th Street, New York, N. Y., United States, July 20, 1980.
Festival
14th Annual New York Avant Garde Festival and 2nd Annual Cambridge River Festival, Charles River, Cambridge, Mass., United States, May 20, 1978.