Conference / Symposium
Eight Biennial Arts and Technology Symposium at Connecticut College : Feedback : Perception and Interaction In the Electronic Arts, Connecticut College, New London, Conn., United States, March 1-3, 2001. – Organisation : The Center for Arts and Technology, New London. {{cat.conncoll.edu}}
Conference / Symposium
Art. Science. Technology : About Today Researches, Université Paris 1, Paris, France, December 9, 2000. – Organisation : Centre de Recherches d'Esthétique du Cinéma et des Arts Audiovisuels, Paris.
Conference / Symposium
De l'avènement des arts numériques et de réseau : pour une réhabilitation de la mémoire = About the Appearance of Digital and Technological Arts : For a Rehabilitation of the Memory, Université de Paris 1, U.F.R. d'Arts Plastiques et Sciences de l'Art, Centre Saint-Charles, Paris, France, December 6, 2000. – Organisation : Centre de Recherches d'Esthétique du Cinéma et des Arts Audiovisuels, Paris. {{creca.paris1.free.fr}}
Group exhibition
Paradise Now : Picturing the Genetic Revolution, Exit Art, New York, N. Y., United States, September 9-October 28, 2000. – Circulating exhibition. {{www.geneart.org}}
Conference / Symposium
MOSAIC 2000 : Millennial Open Symposium on the Arts and Interdisciplinary Computing, University of Washington, Seattle, Wash., United States, August 21-24, 2000. {{www.cs.washington.edu}}
Conference / Symposium
Subtle Technologies Conference, University of Toronto, Toronto, Ont., Canada, May 13-14, 2000. – Organisation : InterAccess Electronic Media Arts Centre, Toronto. {{interaccess.org}}
Group exhibition
N01se, Kettle's Yard, Cambridge, England, United-Kingdom, January 22-March 26, 2000 ; The Fitzwilliam Museum ; The Whipple Museum of the History of Science ; Museum of Archaeology & Anthropology, University of Cambridge, Cambridge, England, United-Kingdom, January 18-April 16, 2000 ; Two10 Gallery ; London, England, United-Kingdom, January 27-May 8, 2000. {{www.kettlesyard.co.uk}}
Group exhibition
Romancing the Brain, Pittsburgh Center for the Arts, Pittsburgh, Pa., United States, September 18-November 11, 1999.
Conference / Symposium
Seventh Biennial Arts and Technology Symposium at Connecticut College : Minds, Machines and Electronic Culture, Connecticut College, New London, Conn., United States, March 4-7, 1999. – Organisation : The Center for Arts and Technology, New London. {{cat.conncoll.edu}}
Conference / Symposium
Simplicity and Complexity in the Arts and in the Creative Process, Site Santa Fe, Santa Fe, N. M., United States, December 4-5, 1998.
Group exhibition
New Science, Art Gallery of Alberta, Edmonton, Alb., Canada, September 13-November 9, 1997.
Group exhibition
Short Cuts : Anschlüsse an den Körper : ein Cross-over durch Kunst, Wissenschaft und KörperBilder = Links to the body : a cross-over from art, science to bodyimages, Deutsche Arbeitsschutzausstellung, Dortmund, Germany, August 22-October 5, 1997.
Group exhibition
Art and Science : Sensitive Chaos, NTT InterCommunication Center, Tokyo, Japan, July 29-September 7, 1997.
Solo exhibition
Art and Science : Paul DeMarinis : Archeology of Media, NTT InterCommunication Center, Tokyo, Japan, July 29-September 7, 1997.
Solo exhibition
After Chernobyl & The Future's Mirror, Leeds City Art Gallery, Leeds, England, United-Kingdom, February-April, 1997. – Circulating exhibition. – Organisation : Locus+, Newcastle upon Tyne.
Solo exhibition
The Future's Mirror, Low Wood Hotel, Windermere, England, United-Kingdom, November 11-13, 1996. – Circulating exhibition. – Organisation : Locus+, Newcastle upon Tyne.
Conference / Symposium
XXXe congrès de l'Association Internationale des Critiques d'Art, Rennes, France, August 25-September 2, 1996.
Solo exhibition
Nach Chernobyl, Hancock Natural History Museum, Newcastle upon Tyne, England, United-Kingdom, July 12-September 8, 1996. – Circulating exhibition. – Organisation : Locus+, Newcastle upon Tyne.
Group exhibition
L'ère binaire : nouvelles interactions, Musée communal d'Ixelles, Brussel, Belgium, September 4-November 29, 1992. – Circulating exhibition.
Multidimensional event
Différentiel(s) 92 : Art/Cognition : pratiques artistiques et sciences cognitives , Aix-en-Provence, France, July 5-17, 1992. – Organisation : Cypres/École d'art d'Aix-en-Provence, Marseille.
Conference / Symposium
Arttransition '90 : an International Conference on Art, Science and Technology, Massachusetts Institute of Technology, Cambridge, Mass., United States, October 29-November 1, 1990. – Organisation : Center for Advanced Visual Studies, Massachusetts Institute of Technology, Cambridge.
Group exhibition
Schönheit im Chaos : Bilder aus der Theorie Komplexer Systeme = Frontiers of Chaos : Computer Graphics Face Complex Dynamics, Galerie in der Böttcherstrasse, Bremen, Germany, May-June 1985. – Organisation : Forschungsgeuppe Komplexe Dynamik, Bremen. – The exhibition has been presented worldwide under the auspices of the Goethe-Institut.
Solo exhibition
Sonia Landy Sheridan : Art Science, University Art Gallery, New Mexico State University, Las Cruces, N. M., United States, September 17-October 16, 1978.
Solo exhibition
Energized artscience : patterns of motion : an exhibition of the unique work of Sonia Landy Sheridan, Museum of Science and Industry, Chicago, Ill., United States, May 3-June 4, 1978.
Group exhibition
Software, Jewish Museum, New York, N. Y., United States, September 16-November 8, 1970.
Part of Web site
«Ideas in residence / creative dislocations : sense of place and digital connections in the rural landscape». – Acadia University. – Wolfville : Acadia University. {{pearl.acadiau.ca}}
Part of Web site
«Indepth arts news : "bloom : mutation, toxicity and the sublime"». – Absolute Art News. – Columbus : World Wide Arts Resources, 1995-. {{www.absolutearts.com}}
Group exhibition catalogue
Human Nature. – Bloomington : Indiana University, 2007-. {{www.indiana.edu}}
Text in periodical
Bryant, Gloria. – «What's happening!». – WE. – Vol. 19, no. 1 (Jan. 1967). – P. 14-21.
Text in periodical
Whitman, Simone. – «Theater and engineering : an experiment : notes by a participant». – Artforum. – (Feb. 1967). – P. 26-30.
Text in periodical
Brockman, John. – «'Theatre, engineering' : all the fun was backstage». – The Village Voice. – (Oct. 27, 1966). – P. 9-[].