Text in periodical
Duquette, Esther. – «Art, technologie et conservation : un big-bang dans les musées». – Montréal Campus. – Vol. 29, n° 8 (3 déc. 2008). – P. 13.
Also available on the Internet. {{www.montrealcampus.ca}}
Thesis
Verschooren, Karen A. – .art : situating internet art in the traditional institution for contemporary art. – Cambridge : Massachusetts Institute of Technology, 2007. – 202 p.
Also available on the Internet. {{cms.mit.edu}}
Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}
Digital document
Genest, Gwendolina. – Net art : schemas d'accessibilites et evolution du role des acteurs. [digital document]. – 2005. – Mémoire de DESS. – Maître de mémoire : Alain Raymond. – Université Paris 13. – DESS Design d'Interface Internet et Multimédia. {{cyberquebec.ca}}
Digital document
Winget, Megan. – Like a wave upon the sand : digital preservation of variable media art [digital document]. – 2005. {{www.ischool.utexas.edu}}
Part of Web site
«Seeing Double: Emulation in Theory and Practice opens at the Guggenheim March 19, 2004». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Text written in 2004. {{www.fondation-langlois.org}}
Web site
ISEA2004, 12th international symposium on electronic art. – Amsterdam : ISEA : Inter-Society for the Electronic Arts, 2004. {{www.isea2004.net}}
Web site
Capturing Unstable Media. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 2004. {{capturing.projects.v2.nl}}
Program
Registration brochure : AIC 32nd annual meeting, June 9-14, 2004, Portland, Oregon. – Washington : American Institute for Conservation of Historic and Artistic Works, 2004. – 20 p. – Pre-program.
Also available on the Internet. {{aic.stanford.edu}}
Archive document : Press release
Cinq nouveaux membres au Conseil des arts de Montréal : second mandat pour le président, Maurice Forget. – Montréal : Le Conseil des arts de Montréal, 2003. – 2 p. – Press release. – Also in English under the title «Five new members at the Conseil des arts de Montréal : second mandate for its president, Maurice Forget». {{www.artsmontreal.org}}
Text in periodical
Soeborg, Torben. – «Two new books about preservation of video art and variable media art». – VIDEOART\e-monitor [on line]. – No. 16 (May 25, 2003). – N. p. {{www.videoart.suite.dk}}
Book
Beyond productivity : information, technology, innovation, and creativity. – Edited by William J. Mitchell, Alan S. Inouye and Marjory S. Blumenthal. – Washington : National Academies Press, 2003. – 251 p.
Also available on the Internet. {{www.nap.edu}}
Program
Archiving the avant garde : documenting and preserving variable media art. – 2003. {{www.bampfa.berkeley.edu}}
Text in periodical
Hochfield, Sylvia. – «Sticks and stones and lemon cough drops». – ARTnews. – Vol. 101, no. 8 (Sept. 2002). – P. 116-122.
Also available on the Internet. {{artnews.com}}
Text in periodical
«Le musée Guggenheim et la fondation Daniel Langlois mettent sur pied un réseau de conservation des nouveaux médias». – Food [on line]. – N° 16 (mars 2002). – N. p. {{ebab.free.fr}}
Text in periodical
«Takeover art [Ars Electronica looks to its name]». – Mutella [on line]. – No. 6 (July 31, 2001). – N. p. {{www.metamute.com}}
Part of Web site
«UMaine New Media Group 'Still Water' Wins $300,000 Research Grant». – University of Maine. {{www.umaine.edu}}
Part of Web site
«New media art preservation». – Wikipedia : the free encyclopedia, 2001. {{en.wikipedia.org}}
Part of Web site
Jones, Caitlin. – «Understanding medium: preserving content and context in variable media art». – Keep Moving Images. – London : The Lux Centre for film and video. {{kmi.lux.org.uk}}
Part of Web site
«Kunstdokumentation in Kanada, Neue Hinweise für die Kunstrecherche». – Basis Wien. – Wien : Basis Wien. {{www.basis-wien.at}}
Web site
The Database of Virtual Art. – Edited by Oliver Grau. – Krems : Danube University Krems. {{www.virtualart.at}}
Part of Web site
«International Art Archives - Contemporary Art». – Art Spaces Archives Project. – [S.l.] : Art Spaces Archives Project. {{www.as-ap.org}}
Part of Web site
«Abstracts + material». – 404 Object Not Found : Was bleibt von der Medienkunst? = What remains of media art?. – Dortmund : Hartware MedienKunstVerein, 2003. {{www.404project.net}}
Web site
Variable media network = Réseau des médias variables. – New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. {{www.variablemedia.net}}
Part of Web site
Le Grand/Slash [Charles Trahan]. – «Archiver le virtuel : Le Grand/Slash rencontre Alain Depocas de la fondation Daniel Langlois». – Le refuge global. – Montréal : Canadian Broadcasting Corporation. – HTML and RealAudio files. – Abstract and audio file of an interview broadcast in the context of the program «Macadam tribus» on the radio of Radio-Canada, on February 11, 2001. {{radio-canada.ca}}
Text in periodical
Janda, Ludek. – «Aktivní Dokumentace Zaznamenává Zivot Díla : Rozhovor s Alainem Depocasem». – Illuminace : Casopis pro teorii, historii a estetiku filmu. – Vol. 18, no. 4 (2006). – Interview with Alain Depocas. – P. 145-153.
Text in periodical
Leclerc, Andréane. – «Le centre de recherche et de documentation (CR+D) de la fondation Daniel Langlois pour l'art, la science et la technologie : un milieu novateur». – Argus. – Vol. 32, n° 3 (hiver 2003). – P. 41-43.
Text in periodical
Franck, Philippe. – «Mémoires du techno passé et futur variable cherchent archivage sûrs = The memories of yesterday's technology and an unknown future wish to be preserved». – Le Magazine arts de la scène / écritures numériques = The magazine performing arts / digital scripts. – N° 2 (avril-oct. 2005). – Interview with Alain Depocas. – P. 24-27.
Multidimensional event
Ars Electronica 2001 : Festival für Kunst, Technologie und Gesellschaft : Takeover - Wer macht die Kunst von morgen = Ars Electronica 2001 : Festival of Art, Technology and Society : Takeover - Who's Doing the Art of Tomorrow?, Ars Electronica Center, Linz, Austria, September 1-6, 2001. {{www.aec.at}}
Conference / Symposium
Preserving the Immaterial : A Conference on Variable Media, Solomon R. Guggenheim Museum, New York, N. Y., United States, March 30-31 2001. {{www.guggenheim.org}}
Conference / Symposium
Cartographies : les états généraux des nouveaux médias / The General Assembly on New Media Art, Ex-Centris, Montreal, Que., Canada, October 12-14, 1999. – Organisation : ISEA : Inter-Société des arts électroniques, Montréal ; Festival international du nouveau cinéma et des nouveaux médias de Montréal, Montreal. {{www.isea.qc.ca}}