Fondation
Daniel
Langlois
Explore
Name: Bill Seaman, 1956
53 web sites
Web site
ISEA2004, 12th international symposium on electronic art. – Amsterdam : ISEA : Inter-Society for the Electronic Arts, 2004. {{www.isea2004.net}}
Text in periodical
Chatonsky, Grégory. – «Le tempo des possibles (espaces de la fiction programmatique)». – Ligeia. – N° 45-48 (juil./août/sept./oct./nov./déc. 2003). – P. 74-81.
Also available on the Internet. {{www.olats.org}}
Text in periodical
Slutsky, Mark. – «Roll the bones». – Mirror [on line]. – (Apr. 12, 2001). – P. [?].
Also available on the Internet. {{www.montrealmirror.com}}
Group exhibition catalogue
Prix Ars Electronica. – Linz : ORF Landesstudio Oberösterreich, 2001. – English and German text. {{www.aec.at}}
Part of Web site
Seaman, William. – «Passage sets / One pulls pivots at the pip of the tongue». – Prix Ars Electronica. – Linz : ORF Landesstudio Oberösterreich, 2001. – Also in German. {{www.aec.at}}
Text in periodical
Kidd, Courtney. – «In a city awash, Seaman offers a refuge». – The Sydney Morning Herald [on line]. – (Dec. 6, 2000). – N. p. {{www.smh.com.au}}
Text in periodical
Keane, Jondi. – «Fictive certainty underwrites writing». – The Journal of the Australian Association of Writing Programs [on line]. – Vol. 4, no 2 (Oct. 2000). – N. p. {{www.gu.edu.au}}
Text in periodical
«Bill Seaman : Red Dice». – Absolutearts.com [on line]. – (Aug. 2000). – N. p. {{www.absolutearts.com}}
Text in periodical
Baumgärtel, Tilman. – «Heute ist morgen». – Telepolis [on line]. – (June 3, 2000). – N. p. {{www.heise.de}}
Text on email list
Wark, McKenzie. – «Bill Seaman's Red Dice». – Nettime. – (Mar. 12, 2000). – N. p. {{www.nettime.org}}
Part of Web site
Lynn, Victoria. – «Red Dice : Bill Seaman». – Artspace. – Woolloomooloo : Artspace. {{www.artspace.org.au}}
Part of Web site
Dowling, Susan. – «History of the WGBH New Television Workshop». – Ars Electronica : katalog archiv. – Linz : Ars Electronica FuturLab. – Originally published in 1986. – Also in German under the title «Die Geschichte des "WGBH New Television Workshop"». {{www.aec.at}}
Text in book
Seaman, Bill. – «Motioning toward the emergent definition of e-phany physics». – Art, technology, consciousness : mind@large. – Edited by Roy Ascott. – Bristol : Intellect Books, 2000. – P. 39-44.
Also available on the Internet. {{faculty.risd.edu}}
Digital document
Bowers, John et al. – Constructing and manipulating the virtual : gesture transformation, soundscaping and dynamic environments for extended artistic performance [On-line]. – [Europe] : Electronic Arenas for Culture, Art, Performance and Entertainment, 1998. {{www.nada.kth.se}}
Text in periodical
MacLean, Helene. – «EITC´97». – i3 magazine [on line]. – No 2 (Mar. 1998). – N. p. {{www.i3net.org}}
Part of Web site
Seaman, Bill. – «Fields of meaning / becoming in recombinant poetics». – Ensemble logic + choragraphy. – Adelaide : Electronic Writing Research Ensemble, 1998. {{ensemble.va.com.au}}
Part of Web site
«["The World Generator / The Engine of Desire", 1996-98 : Bill Seaman with programmer Gideon May]». – Portable sacred grounds : telepresence world. – Tokyo : NTT InterCommunication Center, [1998]. {{www.ntticc.or.jp}}
Group exhibition catalogue
Portable sacred grounds : telepresence world. – Tokyo : NTT InterCommunication Center, [1998]. {{www.ntticc.or.jp}}
Part of Web site
Parés i Burgès, Narcís. – «Estudi de l'Editor d'Entorns de Bill Seaman ». – IUA. – Barcelona : Institut universitari de l'audiovisual. {{www.iua.upf.es}}
Text in periodical
Shikata, Yukiko. – «The 1st International CAiiA Research Conference : towards a new global awareness». – Network Museum & Magazine Project [on line]. – (Dec. 24, 1996). – N. p. {{park.org}}
Text in periodical
Seaman, Bill. – «Research title : recombinant poetics - navigation, construction, virtual behaviours, and 're-embodied intelligence' in interactive art». – Leonardo Electronic Almanac [on line]. – Vol. 4, no 3 (Mar. 1996). – Subscriber only. – N. p. {{www-mitpress.mit.edu}}
Text in periodical
Frieling, Rudolf. – «Hot spots : Texte in Bewegung und die elektronischen Medien». – Kunstforum International [on line]. – (Febr.-Apr. 1996). – N. p. {{www.kunstforum.de}}
Part of Web site
Ippolito, Jon. – «[Untitled]». – Mediascape. – New York : Guggenheim Museum, 1996. {{www.artnetweb.com}}
Text in periodical
Gasperini, Jim. – «For those dressed in black». – Wired [on line]. – Vol. 3, no. 7 (July 1995). – N. p. {{www.wired.com}}
Part of Web site
Daniels, Dieter. – «Ars ex machina : Zur Kunst auf CD-Rom». – The Thing Vienna. – Wien : The Thing, Vienna. – Revised edition of the text published in Artintact no 1 (1995). {{www.thing.at}}
Part of Web site
«Bill Seaman : Passage sets / One pulls pivots at the pip of the tongue : poetic reflection on a sensual future». – DEAF95. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 1995. {{wayback.v2.nl}}
Web site
The Database of Virtual Art. – Edited by Oliver Grau. – Krems : Danube University Krems. {{www.virtualart.at}}
Web site
The Poly-sensing Environment and Object Based Emergent Intention Matrix: Toward an integrated Physical / Augmented Reality Space. – Los Angeles : University of California at Los Angeles. {{users.design.ucla.edu}}
Web site
Digi-Arts. – Paris : United Nations Educational, Scientific and Cultural Organization. {{www.portal.unesco.org}}
Part of Web site
Dinkla, Söke. – «The history of the interface in interactive art». – Media-Scape 2 : Open Traditions, 1994. {{home.snafu.de}}
Group exhibition catalogue
The language of interactivity. – Sydney : Radiant Productions : Australian Film Commission. {{www.afc.gov.au}}
Part of Web site
Shaw, Jeffrey. – «The virtual museum as an artwork». – John Klima. {{www.cityarts.com}}
Text in periodical
Baigorri, Laura. – «Futuros emergentes : arte en la era post-biológica». – Bitniks [on line]. – 3.0. – N. p. {{www.bitniks.es}}
Text in periodical
Haber, John. – «Medium Rare». – Postmodernism and art history : gallery reviews from around New York [on line]. – N. p. {{www.haberarts.com}}
Part of Web site
«The World Generator / The Engine of Desire C96/00». – UCLA Academic Technology Services. {{www.ats.ucla.edu}}
Part of Web site
«Dés Chiffrés : une installation multimédia de l'artiste Bill Seaman présentée au musée des beaux-arts du canada du 15 juillet au 9 octobre 2000 : communiqué». – Musée des beaux-arts du Canada = National Gallery of Canada. – Ottawa : National Gallery of Canada. – Also in English under the title «Red Dice : an installation by media artist Bill Seaman on view at the National Gallery of Canada 15 July - 9 October 2000 : press release». {{national.gallery.ca}}
1 audiovisual document
9 pages in this Web Site
Yvonne Spielmann, Interview with Bill Seaman Since the late seventies/early eighties Bill Seaman has been working with linear video tape and he has carried on the preoccupation with this medium in the installation works that combine videodisk with computer-driven menu systems.
Bill Seaman The work of Bill Seaman evolves in the context of an already developed aesthetic language of video.
250 documents in the collection
Text in periodical
«Ein Festival als Gesamtkunstwerk». – Neue Zürcher Zeitung. – (Juli 9, 1992). – P. [].
Archive document : File
Australian video festival. – [1988-1990]. – Set of 15 elements. – The person who processed the documents established the arrangement of items. – Includes nine letters, one manuscript notes set, four programs, one advertising document.
Archive document : File
Long beach museum of art. – [1982-1994]. – Set of 27 elements. – File. – The person who processed the documents established the arrangement of items. – Includes two programs, two invitation cards, two communiques, two catalogues, one periodical issue, eight photocopies of periodical articles, ten letters.
186 events
Exhibition
[Passagen Kombinationen / Man Manövriert Drehungen auf der Zungenspitze], Karlsruhe, Germany, 1998. – Organisation : ZKM/Center for Art and Media Karlsruhe, Karlsruhe.
Conference / Symposium
[Bill Seaman's conference], University of Technology, Sydney, New South Wales, Australia, 1991.