Text in periodical
Hanhardt, John G. ; Villaseñor, Maria Christina. – «Video/media culture of the late twentieth century». – Art Journal. – Vol. 54, no. 4 (Winter 1995). – P. 20-25.
Program
ISEA95 Montréal : programme détaillé = Detailed program. – Montréal : ISEA : Inter-Société des arts électroniques, 1995. – 122 p.
Group exhibition catalogue
Catalogue 95 : le projet L.A.C. : Léman Animations Chimériques. – Montreux : Association L.A.C., 1995. – 6 leaflets, 16 cards. – French and English text.
Text in catalogue
«Réincarnation». – Catalogue 95 : le projet L.A.C. : Léman Animations Chimériques. – Montreux : Association L.A.C., 1995. – N. p.
Text in catalogue
Nowlin, Stephen. – «Digital mediations : introduction». – Digital Mediations. – Pasadena : Alyce de Roulet Williamson Gallery, [1995]. – P. [2-3].
Text in periodical
Jones, Mark J. – «Press Enter : between seduction and disbelief. An exhibition on art, technology and the self». – CyberStage. – No. 3 (Summer 1995). – Under «Review». – P. 12.
Text in catalogue
«Jim Campbell». – BiblioVertigo. – DeKalb : Northern Illinois University Art Museum, 1995. – N. p.
Text in catalogue
«Hallucination». – Art as signal : inside the loop. – Champaign : Krannert Art Museum, University of Illinois at Urbana-Champaign, 1995. – N. p.
Text in catalogue
«Jim Campbell». – The interaction 95' : dialogue with media art : introduction to interactive installations. – edited by Itsuo Sakane. – Gifu : Gifu Pref ; Ogaki : International Academy of Media Arts and Sciences, 1995. – P. 44-47.
Text in catalogue
Riley, Robert R. – «Figuration and intimacy in electronic media : John Massey, Jim campbell, and Julia Scher». – Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – P. 113-121.
Text in periodical
Rapoport, Sonya. – «Bay area cyber art». – Leonardo. – Vol. 28, no. 1 (1995). – P. 77.
Group exhibition catalogue
Art as signal : inside the loop. – Champaign : Krannert Art Museum, University of Illinois at Urbana-Champaign, 1995. – [32] p.
Text in catalogue
Morse, Margaret. – «Tender technology : from the next generation of electronic art». – Art as signal : inside the loop. – Champaign : Krannert Art Museum, University of Illinois at Urbana-Champaign, 1995. – N. p.
Text in catalogue
Dompierre, Louise. – «Pools of reflection». – Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – P. 25-39.
Group exhibition catalogue
The interaction 95' : dialogue with media art : introduction to interactive installations. – edited by Itsuo Sakane. – Gifu : Gifu Pref ; Ogaki : International Academy of Media Arts and Sciences, 1995. – 55 p.
Text in catalogue
«Jim Campbell». – Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – P. 162.
Group exhibition catalogue
BiblioVertigo. – DeKalb : Northern Illinois University Art Museum, 1995. – 12 p.
Group exhibition catalogue
Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – 176 p.
Group exhibition catalogue
Digital Mediations. – Pasadena : Alyce de Roulet Williamson Gallery, [1995]. – [12] p.
Text in periodical
Davis, Randal. – «Wired : interactive at works/San Jose». – Artweek. – Vol. 25, no. 22 (Nov. 17, 1994) . – P. [].
Text in periodical
Watten, Barrett. – «Science fair : color in the shadows». – Artweek. – Vol. 25, n. 4 (Feb. 17, 1994). – P. 11.
Text in periodical
Jenkins, Steven. – «A conversation with Jim Campbell». – Artweek. – Vol. 25 (Feb.17, 1994). – P. 11-12.
Archive document : File
Jim Campbell and Elliot Anderson. – 1994-1995. – Set of 12 elements. – File. – The person who processed the documents established the arrangement of items. – Includes one VHS videotape recording, two curriculum vitae, one business card, one photocopy of a periodical article, one list of equipment, one diagram, two fax, one letter, two photocopies of letters.
Text in periodical
Helfand, Glen. – «The bends». – Camerawork : a journal of photographic arts. – Vol. 27, no. 1 (Spring/Summer 2000). – P. +14-+19.
Group exhibition catalogue
Iterations : the new image. – Edited by Timothy Druckrey. – New York : International Center of Photography ; Cambridge : MIT Press, 1993. – 199 p.
Text in periodical
Cornwell, Regina. – «Interactive art : touching the "body in the mind"». – Discourse. – Vol 14, no. 2 (Spring 1992). – P. 203-221.
Text in periodical
Marchessault, Janine. – «Incorporating the gaze». – Parachute. – N° 65 (janv./févr./mars 1992). – P. 24-28.
Text in periodical
Baker, Kenneth. – «The end is the thing at Modern». – San Francisco Chronicle. – (Sept. 21, 1991). – P. [].
Text in periodical
Carrière, Daniel. – «Quand les machives rêvent». – Le Devoir. – (18 mai 1991). – P. [].
Text in periodical
Morgan, Anne Barclay. – «Interactivity in the electronic age». – Sculpture. – Vol. 10, no. 3 (May/June 1991). – P. 36-43.
Archive document : File
Campbell, Jim. – 1991. – Set of 2 elements. – File. – The person who processed the documents established the arrangement of items. – Includes one letter, one proposition.
Text in catalogue
Riley, Robert. – «Remodeling : notes on Nayland Blake, Jim Campbell, James Luna, Jorge Pardo, and Millie Wilson». – Facing the finish : some recent California art. – San Francisco : San Francisco Museum of Modern Art, 1991. – P. 10-14.
Group exhibition catalogue
Facing the finish : some recent California art. – San Francisco : San Francisco Museum of Modern Art, 1991. – 62 p.
Text in periodical
Silvia, Elio. – «Allucinazioni e contatti profondi». – Il Sole. – {Apr. 22, 1990). – P. 27.
Text in periodical
Reveaux, Anthony. – «Polytechnical diversity». – Artweek. – Vol. 21, no. 15 (Apr. 19, 1990). – P. 1-20.
Text in periodical
Soe, Valerie. – «SFMOMA probes man's relationship to technology». – Film/TApe/World : the Film, Video & Computer Media Newsmagazine. – Vol. 3, no. 3 (Apr. 1990). – P. 10.
Text in periodical
Carrière, Daniel. – «Le printemps de PRIM vidéo». – Le Devoir. – (31 mars 1990). – P. C7.
Text in periodical
Baker, Kenneth. – «Artists channel bay area environment». – San Francisco Chronicle. – San Francisco : San Francisco Chronicle. – (Mar. 25, 1990). – P. 13-14.
Part of Web site
Schumacher, Donna. – «High Tech/Low Tech Hybrids». – Stretcher. {{www.stretcher.org}}
Web site
INTERACTIVE at the Salina Art Center. – Salina : Salina Art Center, 1996. {{www.et-arts.com}}
Part of Web site
«Mortal Coil». – Sesnon gallery . – Santa Cruz : Mary Porter Sesnon Art Gallery, Porter College, University of California, Santa Cruz. – Includes artists and curators statements about the exhibition. {{time.arts.ucla.edu}}
Group exhibition
BitStreams, Whitney Museum of American Art, New York, N. Y., United States, March 22-June 10, 2001. {{www.whitney.org}}
Group exhibition
Symposium International de lumière du Canada, Montréal, Qué., Canada, February 8-25, 2001. – Organisation : Montreal Museum of Fine Arts, Montreal. – As part of the «Festival Montréal en lumière». {{www.montrealenlumiere.com}}
Festival
Prix Ars Electronica 2000, Linz, Austria, April 7-May 30, 2000. – Organisation : ORF Landesstudio Oberösterreich, Linz. {{prixars.orf.at}}