Text in periodical
Bellemare-Brière, Véronique. – «Imagier du temps : George Legrady, codage numérique». – Parcours : l'informateur des arts. – Vol. 3, n° 3 (1997). – P. 12.
Text in periodical
Fargier, Jean-Paul. – «La fin des haricots». – Turbulences vidéo. – N° 12 (été 1996). – P. 16-18.
Group exhibition catalogue
Everybody's talking : Visies van hedendaagse kunstenaars op communicatie = Views of contemporary artists on communication. – Helmond : Gemeente Museum, 1996. – 36 p.
Digital document
Actualité du virtuel = Actualizing the virtual [CD-ROM]. – Paris : Centre Georges Pompidou, 1996. – Accompanied by a 43 p. booklet.
Book
Actualité du virtuel = Actualizing the virtual. – Paris : Centre Georges Pompidou, 1996. – 43 p. – Booklet accompanying a CD-ROM.
Group exhibition catalogue
Gagnon, Paulette. – L'oeil du collectionneur. – Montréal : Musée d'art contemporain de Montréal, 1996. – 63 p. – French and English text.
Text in catalogue
«George Legrady». – Newmediatopia, newmedialogia. – Edited by Irina Alpatova. – Moskva : Soros Center for Contemporary Arts, 1996. – P. 164.
Text in periodical
Zapp, Andrea. – «Elusive tracks and mise-en-scène : some thoughts on montage as an open dialogue between artist and viewer». – Artintact. – Translated by Thomas Morrison. – No. 3 (1996). – Under «Slippery traces : three lines of pursuit». – Also in German under the title «Spurensuche und Mise en scène : Einige Gedanken zur Montage als offenem Zwiegesprachäch zwischen Autor und Zuschauer», p. 95-99. – P. 109-113.
Text in periodical
Peternák, Miklós. – «Detailed traces of secrets». – Artintact. – No. 3 (1996). – Under «Slippery traces : three lines of pursuit». – Also in German under the title «Detaillierte Spuren von Geheimnissen», p. 89-94, translated by Hannelore Schmör. – P. 105-109.
Group exhibition catalogue
Multimedia Graphics 1. – London : Thames and Hudson ; Amsterdam : BIS Publishers ; München : Bangert Verlag, 1996. – [] p.
Text in periodical
Legrady, George. – «The postcard trail». – Artintact. – No. 3 (1996). – Under «Slippery traces : three lines of pursuit». – Also in German under the title «Die Spur der Postkarten», p. 85-89, translated by Astrid Sommer. – P. 101-104.
Text in periodical
Czegledy, Nina. – «Euro-festival watch». – MIX Magazine Independent Art and Culture. – Vol. 22, no. 3 (Winter 1996). – P. 33-34.
Text in book
«George Legrady : the Equivalents II». – Photography after photography : memory and representation in the digital age. – Edited by Florian Rötzer, Stefan Iglhaut and Hubertus v. Amelunxen. – Amsterdam : G+B Arts, 1996. – P. 216-221.
Text in book
Legrady, George. – «Image, language, and belief in synthesis». – Photography after photography : memory and representation in the digital age. – Edited by Florian Rötzer, Stefan Iglhaut and Hubertus v. Amelunxen. – Amsterdam : G+B Arts, 1996. – P. 88-91.
Text in periodical
Boutoulle, Myriam. – «Réseaux, interactivité et réalité virtuelle». – Beaux-Arts Magazine. – N° 141 (Janvier 1996). – P. 10.
Text in periodical
Boutoulle, Myriam. – «3 artists working with computer technologies at the 1995 Lyon Biennial». – Beaux-Arts Magazine. – N° 141 (Jan. 1996). – P. 10.
Text in periodical
Slemmons, Rod. – «The new automat». – BlackFlash. – Vol. 14, no. 1 (Spring 1996). – P. 4-7.
Group exhibition catalogue
Photography after photography : memory and representation in the digital age. – Edited by Florian Rötzer, Stefan Iglhaut and Hubertus v. Amelunxen. – Amsterdam : G+B Arts, 1996. – 308 p.
Periodical issue
Artintact 3 : CD-ROMagazin interaktiver Kunst = Artists' interactive CD-ROMagazine. – (1996). – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Ostfildern : Cantz Verlag, 1996. – 124 p. – Includes a CD-ROM.
Program
Le Monde. – (Déc. 1995). – Paris : Le Monde, 1995. – 16 p. – Issue title : «La biennale de Lyon».
Text in periodical
Atkins, Robert. – «The art world and I go on line». – Art in America. – Vol. 83, no. 12 (Dec. 1995). – P. 58-65, 109.
Text in periodical
Rogoff, Irit. – «False endings : anecdoted histories, deterritorialised subjects and Central European imaginaries : reflections on George Legrady's "An anecdoted archive from the cold war"». – Art & Design. – Vol. 10, no. 7/8 (July./Aug. 1995). – P. 85-89.
Group exhibition catalogue
3e biennale d'art contemporain de Lyon : installation, cinéma, vidéo, informatique. – Paris : Réunion des Musées nationaux, 1995. – 572 p. – French and English text.
Program
ISEA95 Montréal : programme détaillé = Detailed program. – Montréal : ISEA : Inter-Société des arts électroniques, 1995. – 122 p.
Text in periodical
«Art and cultural difference : hybrids and clusters». – Art and design. – Vol. 10 (July-Aug. 1995). – P. 5-96.
Text in book
Legrady, George. – «Interface metaphors and new narratives in interactive media». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 155-157.
Digital document
Do not enter : new voices, new visions : 1994 : a selection of the winners from the first competition [CD-ROM]. – New York : Voyager, 1995. – 2 CD-ROM. – Stereo sound. – QuickTime file.
Text in periodical
Komár, Erzsébet. – «[Entretien avec George Legrady = Interview with George Legrady]». – Filmkultúra. – Vol. 8 (1995). – P. [].
Text in periodical
Bartlett, Mark. – «[The clearing]». – SEE magazine. – Vol. 1, no. 1 (Winter 1995). – P. [].
Text in periodical
Timár, Katalin. – «[Entretien avec George Legrady = Interview with George Legrady]». – Balkon. – Vol. 1 (1995). – P. [].
SOLO Exhibition catalogue
George Legrady : interactive media art. – Rovaniemi : Rovaniemi Art museum, 1995. – [] p.
Text in book
Legrady, George. – «Image, language and belief in synthesis». – Critical issues in electronic media. – Edited by Simon Penny. – Albany : State University of New York Press, 1995. – (SUNY series in film history and theory). – P. 187-203.
Text in book
Legrady, George. – «An anecdoted archive from the cold war». – Interactive media festival : 1995. – Edited by Timothy Druckrey and Lisa Goldman. – Los Angeles : Interactive Media Festival, 1995. – P. 14.
Text in periodical
Lovink, Geert. – «[Interview with George Legrady]». – Mediamatic. – Vol. 8, no. 2/3 (Spring 1995). – P. 133-138.
Group exhibition catalogue
Interactive media festival : 1995. – Edited by Timothy Druckrey and Lisa Goldman. – Los Angeles : Interactive Media Festival, 1995. – 48 p.
Archive document : File
George Legrady. – 1994-1995. – Set of 15 elements. – File. – The person who processed the documents established the arrangement of items. – Includes one floppy disk, four forms, one equipment list, three fax, six e-mails.
Group exhibition catalogue
Database imaginary. – Banff : The Banff Centre for the Arts, 2004. {{databaseimaginary.banff.org}}
Part of Web site
«Making visible the invisible». – University of Caliornia : Media art and technology program. – Santa Barbara : University of California, Santa Barbara. {{www.mat.ucsb.edu}}
Web site
Digi-Arts. – Paris : United Nations Educational, Scientific and Cultural Organization. {{www.portal.unesco.org}}
Multidimensional event
ISEA 2002 [ORAI] : Eleventh International Symposium on Electronic Art, Nagoya, Japan, October 27-31, 2002. – Organisation : Mediaselect, Nagoya. {{www.isea.jp}}
Group exhibition
Digital Photography : Captured Images : Volatile Memory : New Montage, SF Camerawork, San Francisco, Calif., United States, June 9-August 13, 1988. – Circulating exhibition.
Group exhibition
Lab 6 : International Multimedia Exhibition, The Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland, March 27-April 27, 1997.