Book
Buskirk, Martha. – The contingent object of contemporary art. – Cambridge : MIT Press, 2003. – 305 p.
Text in periodical
Leffingwell, Edward. – «Billy Klüver at Sonnabend». – Art in America. – No. 6 (June 2002). – Under «Review of exhibitions». – P. 130-131.
Text in periodical
Caux, Jacqueline. – «New York, new sound, new spaces». – Art Press. – N° 280 (juin 2002). – P. 12-14.
Text in periodical
La Prade, Erik. – «The early days of E.A.T.». – IEEE Multimedia. – Vol. 9, no. 2 (Apr./June, 2002). – P. 4-5.
Text in periodical
Shanken, Edward A. – «Art in the information age : technology and conceptual art». – Leonardo. – Vol. 35, no. 4 (2002). – P. 433-438.
Video document : Monography
Klüver, Billy. – The story of E.A.T. by Billy Klüver. – Berkeley Heights : B. Klüver, 2002. – DVD Video, col., stereo sound, 53 min 14 s.
Book
Kellman, Tila L. – Figuring redemption : resighting my self in the art of Michael Snow. – Waterloo : Wilfrid Laurier University Press, 2002. – 207 p.
Book
Conceptual art. – Edited by Peter Osborne. – London : Phaidon Press, 2002. – 304 p. – (Themes and movements).
SOLO Exhibition catalogue
Trisha Brown : dance and art in dialogue : 1961-2001. – Andover : Addison Gallery of American Art, 2002. – 339 p.
Book
Black mountain college : experiment in art. – Edited by Vincent Katz ; With essays by Martin Brody, Robert Creeley, Vincent Katz and Kevin Power. – Cambridge : MIT Press, 2002. – 328 p.
Book
Fahlström, Öyvind. – Essais choisis. – Dijon : Les Presses du réel, 2002. – 246 p. – (Relectures).
Book
Bury, Stephen. – Artists' multiples 1935-2002. – Aldershot : Ashgate Publishing, 2001. – 194 p.
Group exhibition catalogue
Leiber, Steven. – Extra art : a survey of artists' ephemera, 1960-1999. – Santa Monica : Smart Art Press, 2001. – 190 p. – Text of the introduction English and French.
Book
Le Grice, Malcolm. – Experimental cinema in the digital age. – London : British Film Institute, 2001. – 330 p.
Book
Reproductibilité et irreproductibilité de l'oeuvre d'art. – Edited by Véronique Goudinoux and Michel Weemans. – Bruxelles : La Lettre Volée, 2001. – 249 p. – (Essais).
Text in book
Klüver, Billy. – «The great Northeastern power failure». – Multimedia : from Wagner to virtual reality. – Edited by Randall Packer and Ken Jordan. – New York : W. W. Norton ; Washington : Zakros InterArts, 2001. – Originally published in 1966. – P. 33-38.
Group exhibition catalogue
Guggenheim Museum collection : a to z. – Edited by Nancy Spector. – Second revised edition. – New York : Solomon R. Guggenheim Foundation, 2001. – 392 p. – Originally published in 1992.
Archive document
9 Evenings : Afterthoughts / [Billy Klüver]. – August 5, 1998. – 3 sheets. – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds.
Video : Documentary / Report
Robert Rauschenberg : carnal clocks : 1969. – 1998. – VHS, col., silent, 5 min.
Book
Goldberg, RoseLee. – Performance : live art since the 60s. – London : Thames and Hudson, 1998. – 240 p.
Video document : Interview
[Interviews made within the framework of producing documentaries on "9 Evenings: Theatre and Engineering" / Produced by Experiments in Art and Technology; interviewers: Barbro Schultz Lundestam, Julie Martin, Billy Klüver]. – [Recorded September 4, 1997]. – 1 videocassette (2 hr. 4 min.): master copy, analogical, col., sd., stereo, DVCAM (Sony). – Interview with John Giorno, cameraperson in "Open Score" by Robert Rauschenberg; performance presented during "9 Evenings: Theatre and Engineering," 69th Regiment Armory (New York, N.Y., United States), October 14-23, 1966. – Reference copy available (1 VHS videocassette). – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds..
Book
Bijvoet, Marga. – Art as inquiry : toward new collaboration between art, science and technology. – New York : Peter Lang Publishing, 1997. – 283 p. – (Series XX ; 32).
Text in book
Klüver, Billy ; Martin, Julie. – «Four collaborations». – Robert Rauschenberg : Haywire : major technological works of the 1960s. – Ostfildern : Hatje, 1997. – P. 59-101.
SOLO Exhibition catalogue
Robert Rauschenberg : Haywire : major technological works of the 1960s. – Ostfildern : Hatje, 1997. – 111 p.
SOLO Exhibition catalogue
Hopps, Walter ; Davidson, Susan. – Robert Rauschenberg : a retrospective. – New York : Guggenheim Museum Publications, 1997. – 544 p.
Archive document
Sound into image : the collaboration between David Tudor and Sophia Ogielska / Billy Klüver, Julie Martin. – July 24, 1996. – 14 sheets. – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds.
Video document : Interview
[Interviews made within the framework of producing documentaries on "9 Evenings: Theatre and Engineering" / Produced by Experiments in Art and Technology; interviewers: Barbro Schultz Lundestan, Julie Martin, Billy Klüver]. – [Recorded June 8, 1996]. – 2 videocassettes (ca 1h.): master copy, analogical, col., sd., stereo, BETACAM SP (Sony BCT-30MA). – Interview with Robert Rauschenberg, designer of "Open Score"; performance presented during "9 Evenings: Theatre and Engineering," 69th Regiment Armory (New York, N. Y., United States), October 14-23, 1966. – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds.
Book
Theories and documents of contemporary art : a sourcebook of artists' writings. – Edited by Kristine Stiles and Peter Selz. – Berkeley : University of California Press, 1996. – 1003 p. – (California studies in the history of art ; 35).
Group exhibition catalogue
Gagnon, Paulette. – L'oeil du collectionneur. – Montréal : Musée d'art contemporain de Montréal, 1996. – 63 p. – French and English text.
Group exhibition catalogue
L'art du mouvement : collection cinématographique du Musée national d'art moderne : 1919-1996. – Edited by Jean-Michel Bouhours. – Paris : Centre Georges Pompidou, 1996. – 495 p.
Text in periodical
Green, Renee. – «Dropping science : art & technology revisited». – Flash Art. – Vol. 28, no. 185 (Nov./Dec. 1995). – P. 55-57.
Text in book
Search, Patricia. – «Electronic art and the law : intellectual proprety rights in cyberspace». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 257-262.
Book
Elektrografie : Analoge und digitale Bilder. – Edited by Klaus Urbons. – Köln : DuMont Buchverlag, 1994. – 264 p.
Archive document : Report / Memorandum
Experiments in Art and Technology : a brief history : 1966 - 1993. – Berkeley Heights : [Experiments in Art and Technology], April 21, 1993. – 14 p. – Report.
Book
Banes, Sally. – Democracy's body : Judson dance theater : 1962-1964. – Durham : Duke University Press, 1993. – 270 p.
Text in book
Reagan, Gertrude Myrrh. – «Scientists doing art, artists doing science». – Papers : FISEA 93. – Minneapolis : Minneapolis College of Art and Design, [1993]. – P. 125-135.
Text in periodical
Popper, Frank. – «The place of high-technology art in the contemporary art scene». – Leonardo. – Vol. 26, no. 1 (1993). – P. 65-69.
Text in periodical
Morse, Meredith. – «e-Collaborations in Sixties America: 9 Evenings, the Dancer's Body, and Electronic Technologies». – Scan [on line]. – Vol. 4, no. 1 (April 2007). – N. p. {{scan.net.au}}
Part of Web site
Bardiot, Clarisse. – «9 Evenings: Theatre and Engineering». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Texte written in 2006. {{www.fondation-langlois.org}}
Text in periodical
Swartz, Anne. – «Technology, Poetry, Mystery and Pleasure». – NY Arts Magazine. – July / August 2006. – P. [?].
Also available on the Internet. {{www.nyartsmagazine.com}}
Group exhibition
New York Collection for Stockholm Portfolio, Castelli Graphics, New York, N. Y., United States, September 29-October 13, 1973.
Solo exhibition
[Soundings], The Museum of Modern Art, New York, N. Y., United States, October 22-January 26, 1968.
Group exhibition
Benefit Exhibition of Work for Experiments in Art and Technology, Leo Castelli Gallery, New York, N. Y., United States, December 6-10, 1966. – Organisation : Experiments in Art and Technology, New York, N. Y., United-States.