Name: Robert Rauschenberg

8 web sites

Text in periodical
Morse, Meredith. – «e-Collaborations in Sixties America: 9 Evenings, the Dancer's Body, and Electronic Technologies». – Scan [on line]. – Vol. 4, no. 1 (April 2007). – N. p. {{scan.net.au}}

Text in periodical
Swartz, Anne. – «Technology, poetry, mystery and pleasure». – NY Arts Magazine. – (July/Aug. 2006). – P. [?]. Also available on the Internet. {{www.nyartsmagazine.com}}

Program
E.A.T. 1966 - 2002. – 2002. {{courses.washington.edu}}

Part of Web site
Lacerte, Sylvie. – «E.A.T, Experiments in Art Technology». – Observatoire Leonardo des arts et des technosciences (OLATS). – Boulogne-Billancourt : Observatoire Leonardo pour les Arts et les Techno-Sciences. – Text written in 2002. {{www.olats.org}}

Text in book
Shanken, Edward A. – «Gemini rising, moon in Apollo : attitudes on the relationship between art and technology in the US, 1966-71». – ISEA97 Chicago : conference proceedings. – Chicago : The School of the Art Institute of Chicago, [1998]. – P. 58-61. Also available on the Internet. {{www.duke.edu}}

Part of Web site
Bardiot, Clarisse. – «9 Evenings: Theatre and Engineering». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Texte written in 2006. {{www.fondation-langlois.org}}

Text in periodical
Swartz, Anne. – «Technology, Poetry, Mystery and Pleasure». – NY Arts Magazine. – July / August 2006. – P. [?]. Also available on the Internet. {{www.nyartsmagazine.com}}

Part of Web site
Obrist, Hans Ulrich. – «Turning to Technology : legendary engineer Billy Klüver on artist-engineer collaborations». – CRAC in context. – Edited by Jon Brunberg. – Stockholm : Creative Room for Art and Computing. – Text written in 1998. {{www.crac.org}}

2 audiovisual documents

9 Evenings: Robert Rauschenberg, Open Score, 1966.
Photo by Peter Moore © Barbara Moore/Licensed by VAGA, NY.

Robert Rauschenberg, Open Score, 1966.

Performance presented as part of 9 Evenings: Theatre and Engineering, The 69th Regiment Armory, New York, N.Y., United States, October 14-23, 1966.

The first part of the piece was a tennis game between Frank Stella and Mimi Kanarek. A small FM transmitter was placed in the handle of the tennis racquets and a contact microphone attached to the rim of the racquet. Each time a ball was hit a loud BONG rang out through the Armory and one of the lights went out. The game continued until the Armory became dark.

Photo Peter Moore © Barbara Moore / Licensed by VAGA, NY. Reproduction of this image, including downloading, is prohibited without written authorization from VAGA, Artists Rights Society, 65 Bleecker Street, 12th floor, New York 10012, 212 420 9160, info @ arsny.com;

9 Evenings: Öyvind Fahlström, Kisses Sweeter Than Wine, 1966.
Photo by Peter Moore © Barbara Moore/Licensed by VAGA, NY.

Öyvind Fahlström, Kisses Sweeter Than Wine, 1966.

Performance presented as part of 9 Evenings: Theatre and Engineering, The 69th Regiment Armory, New York, N.Y., United States, October 1966.

Photo Peter Moore © Barbara Moore / Licensed by VAGA, NY. Reproduction of this image, including downloading, is prohibited without written authorization from VAGA, Artists Rights Society, 65 Bleecker Street, 12th floor, New York 10012, 212 420 9160, info @ arsny.com;