Festival
Performa07 : The Second Biennial of Visual Art Performance, New York, N.Y., United States, October 27-November 20, 2007. – Organisation : Performa, New York. {{07.performa-arts.org}}
Live event
Robert Rauschenberg : Open Score. Film Screening with an Introduction by Julie Martin, The National Academies, Washington, D. C., United States, July 12, 2007. – As part of the exhibition "Speculative Data and the Creative Imaginary : Shared Visions between Art and Technology". {{www7.nationalacademies.org}}
Group exhibition
9 Evenings Reconsidered : Art, Theatre, and Engineering, 1966, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Mass., United States, May 4-July 9, 2006. – Circulating exhibition.
Solo exhibition
Robert Rauschenberg : Combines, The Metropolitan Museum of Art, New York, N. Y., United States. – Circulating exhibition. {{www.metmuseum.org}}
Group exhibition
Art Basel Miami Beach, Miami Beach Convention Center, Miami Beach, Fla., United States, December 1-4, 2005. {{www.artbaselmiamibeach.com}}
Group exhibition
Starting at zero : Black Mountain College, 1933-1957, Arnolfini Gallery, Bristol, England, United-Kingdom, December 1, 2005-January 15, 2006. – Circulating exhibition.
Group exhibition
Empreinte moi, Galerie Emmanuel Perrotin, Paris, France, October 29-December 3, 2005.
Group exhibition
Sons & Lumières : une histoire du son dans l'art du XXe siècle = Sounds & Lights : a History of Sound in the Arts of the 20th Century, Centre Georges Pompidou, Paris, France, September 22, 2004-January 3, 2005. {{www.cnac-gp.fr}}
Group exhibition
Temporal Values - From Minimal to Video / von Minimal zu Video , ZKM/Center for Art and Media Karlsruhe, Karlsruhe, Germany, December 20, 2003-April 18, 2004. {{www.zkm.de:81}}
Group exhibition
Extra art : a survey of artist's ephemera, 1960-1999, California College of Arts and Crafts, San Francisco, Calif., United States, October 12-December 8, 2001.
Solo exhibition
Robert Rauschenberg : Haywire : Major Technological Works of the 1960s, Aktionsforum Praterinsel, Munich, Germany, March 22-May 19, 1997.
Group exhibition
L'oeil du collectionneur, Musée d'art contemporain de Montréal, Montreal, Que., Canada, October 18, 1996-January 5, 1997.
Group exhibition
22a Bienal Internacional de São Paulo, São Paulo, Brazil, October 12-December 11, 1994. – Organisation : Fundação Bienal de São Paulo, São Paulo.
Group exhibition
Extending the perimeters of twentieth-century photography, San Francisco Museum of Modern Art, San Francisco, Calif., United States, August 2-October 6, 1985.
Group exhibition
Les vingt ans du Musée à travers sa collection, Musée d'art contemporain de Montréal, Montreal, Que., Canada, January 27-April 21, 1985.
Television event
Good Morning, Mr. Orwell, Broadcasted over PBS and FR3, January 1, 1984. – Organisation : WNET, New York ; FR3 ; Centre Georges Pompidou, Paris. – Television program presenting international interventions link by satellite.
Multidimensional event
Electra, Musée d'Art Moderne de la ville de Paris, Paris, France, December 10, 1983-February 5, 1984.
Group exhibition
Judson Dance Theater : 1962-1966, Bennington College, Bennington, Vt., United States, 1981.
Group exhibition
New York Collection for Stockholm, 420 West Broadway, New York, N. Y., United States ; John Weber Gallery, New York, N. Y., United States, October 1973 ; Sonnabend Gallery, New York, N. Y., United States, October 27-December 2, 1973 ; Moderna museet, Stockholm, October 27-December 9, 1973. – Organisation : Experiments in Art and Technology, Berkeley Heights.
Group exhibition
New York Collection for Stockholm Portfolio, Castelli Graphics, New York, N. Y., United States, September 29-October 13, 1973.
Group exhibition
Artcash, Automation House, New York, N. Y., United States, December 4-8, 1971. – Organisation : Experiments in Art and Technology, Berkeley Heights ; American Foundation on Automation and Employment, New York. – Fund-raising.
Group exhibition
Three towards infinity : new multiple art, Whitechapel Art Gallery, London, England, United-Kingdom, November 19, 1970-January 3, 1971. – Organisation : Arts Council of Great Britain, London.
Solo exhibition
[Soundings], The Museum of Modern Art, New York, N. Y., United States, October 22-January 26, 1968.
Group exhibition
Benefit Exhibition of Work for Experiments in Art and Technology, Leo Castelli Gallery, New York, N. Y., United States, December 6-10, 1966. – Organisation : Experiments in Art and Technology, New York, N. Y., United-States.
Live event
Grass Field, The Armory, New York, N. Y., United States, October 13-22, 1966. – Organisation : The Foundation for Contemporary Performance Arts, New York ; Experiments in Art and Technology, Berkeley Heights. – As part of «9 Evenings : Theatre and Engineering».
Text in periodical
Morse, Meredith. – «e-Collaborations in Sixties America: 9 Evenings, the Dancer's Body, and Electronic Technologies». – Scan [on line]. – Vol. 4, no. 1 (April 2007). – N. p. {{scan.net.au}}
Part of Web site
Bardiot, Clarisse. – «9 Evenings: Theatre and Engineering». – Fondation Daniel Langlois pour l'art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. – Texte written in 2006. {{www.fondation-langlois.org}}
Text in periodical
Swartz, Anne. – «Technology, Poetry, Mystery and Pleasure». – NY Arts Magazine. – July / August 2006. – P. [?].
Also available on the Internet. {{www.nyartsmagazine.com}}
Video document : Interview
[Interviews made within the framework of producing documentaries on "9 Evenings: Theatre and Engineering" / Produced by Experiments in Art and Technology; interviewers: Barbro Schultz Lundestam, Julie Martin, Billy Klüver]. – [Recorded September 4, 1997]. – 1 videocassette (2 hr. 4 min.): master copy, analogical, col., sd., stereo, DVCAM (Sony). – Interview with John Giorno, cameraperson in "Open Score" by Robert Rauschenberg; performance presented during "9 Evenings: Theatre and Engineering," 69th Regiment Armory (New York, N.Y., United States), October 14-23, 1966. – Reference copy available (1 VHS videocassette). – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds..
Archive document
A glimpse or more at some technical aspects not seen by the third partner of nine evenings - the public / Herb Schneider. – October 1966. – 20 sheets. – Contains a detailed list of the abreviations used in the diagrams of each of the performances of the "9 Evenings: Theatre and Engineering" event, The Armory (New York, N.Y., United States), October 13-23, 1966. – This photocopied document corresponds to a document included in the serie "Project files, 1966-1992, bulk 1966-1973", of the "Experiments in Art and Technology Records, 1966-1993", Research Library, The Getty Research Institute, Los Angeles, California (940003). – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings [...].
Video document : Interview
[Interviews made within the framework of producing documentaries on "9 Evenings: Theatre and Engineering" / Produced by Experiments in Art and Technology; interviewers: Barbro Schultz Lundestan, Julie Martin, Billy Klüver]. – [Recorded June 8, 1996]. – 2 videocassettes (ca 1h.): master copy, analogical, col., sd., stereo, BETACAM SP (Sony BCT-30MA). – Interview with Robert Rauschenberg, designer of "Open Score"; performance presented during "9 Evenings: Theatre and Engineering," 69th Regiment Armory (New York, N. Y., United States), October 14-23, 1966. – The Daniel Langlois foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds.