Text in periodical
Rouillé, André. – «Chaos des images, dérive des matériaux». – paris-art.com [on line]. – [2007]. – N. p. {{www.paris-art.com}}
Web site
Messier, Paul ; Vitale, Timothy. – Video Preservation. – 2007. {{videopreservation.stanford.edu}}
Web site
Nouvelles formes narratives et création audio-vidéo = New forms of narrative and audio/video practice. – 2007. {{www.nfn-audiovideo.ca}}
Part of Web site
«Online course : video documentation of installations». – Inside installations : preservation and presentation of installation art. – Amsterdam : International Network for the Conservation of Contemporary Art. {{www.inside-installations.org}}
Web site
Primera generación. Arte e imagen en movimiento, 1963-1986 = First Generation : Art and the Moving Image, 1963-1986. – 2006. {{www.museoreinasofia.es}}
Digital document
Rauh, Felix. – Memoriav recommandations : vidéo : la sauvegarde de documents vidéo [On-line]. – Bern : Memoriav, 2006. – 32 p. – Acrobat (PDF) file. {{www.memoriav.ch}}
Part of Web site
Corbett, Linda. – «Vera Frenkel». – Centre for contemporary Canadian art : the Canadian art database = Centre de l'art contemporain canadien : la base de données sur l'art canadien. – Toronto : Centre for Contemporary Canadian Art ; Eyeris Inc.. – Video clips. – The video clips are in english. {{www.ccca.ca}}
Text in periodical
Bizzocchi, Jim. – «Video as ambience: reception and aesthetics of flat-screen video display». – Crossings : Electronic Journal of Art and Technology [on line]. – Vol. 4, no. 1 (Dec. 2004). – N. p. {{crossings.tcd.ie}}
Text in periodical
Mariátegui, José-Carlos. – «Videoarte electrónico en Perú». – Miradas : revista del audiovisual [on line]. – No. 7 (2004). – N. p. {{www.miradas.eictv.co.cu}}
Text in periodical
Soeborg, Torben. – «Two new books about preservation of video art and variable media art». – VIDEOART\e-monitor [on line]. – No. 16 (May 25, 2003). – N. p. {{www.videoart.suite.dk}}
Part of Web site
Cates, Jon ; Satrom, Jon ; Syverson, Ben. – «Dan Sandin». – Criticalartware. – [?] : Criticalartware. – Interview with Dan Sandin made in 2003. {{criticalartware.net}}
Part of Web site
Ross, David A. – «Radical Software Redux». – Radical Software. – New York : Radical Software ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. {{www.radicalsoftware.org}}
Part of Web site
Depocas, Alain. – «Pourquoi nous soutenons ce projet». – Radical Software. – New York : Radical Software ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. {{www.radicalsoftware.org}}
Part of Web site
Gigliotti, Davidson. – «Bref historique de RainDance». – Radical Software. – New York : Radical Software ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. – English and French text. {{www.radicalsoftware.org}}
Book
De houdbaarheid van videokunst : Conservering van de Nederlandse videokunst collectie = The sustainability of video art : Preservation of Dutch video art collections. – Edited by Gaby Wijers, Ramon Coelho and Evert Rodrigo. – Amsterdam : The Foundation for the Conservation of Modern Art, 2003. – 80 p.
Also available on the Internet. {{nimk.nl}}
Digital document
Spielmann, Yvonne. – Video and computer : the aesthetics of Steina and Woody Vasulka [On-line]. – 2003. – Acrobat (PDF) file. – PDF version. – English and French text. – Text written in 2003. {{www.fondation-langlois.org}}
Part of Web site
«Video preservation - the basics». – Video history project. – Designed by Sherry Miller Hocking, Mona Jimenez and Dave Jones. – Newark Valley : The Experimental Television Center. – Text written in 2000. {{www.experimentaltvcenter.org}}
Digital document
Wheeler, Jim. – Videotape preservation handbook [digital document]. – 2002. – Text written in 2002. {{www.amianet.org}}
Group exhibition catalogue
Transimages [CD-ROM]. – Saint-Ouen : Synesthésie, 2002. – HTML and Flash files.
Also available on the Internet. {{www.synesthesie.com}}
Digital document
MPEG-4 – the media standard : the landscape of advanced multimedia coding [On-line]. – San Ramon : MPEG-4 Industry Forum, 2002. – Acrobat (PDF) file. {{www.m4if.org}}
Book
McCarthy, Kevin F. ; Ondaatje, Elizabeth Heneghan. – From celluloid to cyberspace : the media arts and the changing arts world. – Santa Monica : RAND, 2002. – 79 p.
Also available on the Internet. {{www.rand.org}}
Text in periodical
Messier, Paul. – «Dara Birnbaum's Tiananmen square : break-in transmission : a case study in the examination, documentation, and preservation of a video-based installation». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 193-209.
Also available on the Internet. {{cool.conservation-us.org}}
Text in periodical
Laurenson, Pip. – «Developing strategies for the conservation of installations incorporating time-based media with reference to Gary Hill's Between cinema and a hard place». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 259-266.
Also available on the Internet. {{www.tate.org.uk}}
Text on email list
Kelomees, Raivo. – «A conversation between Steina Vasulka and Raivo Kelomees on July, 26th during performance and video art festival "GooseFlesh"». – Syndicate. – (Aug. 6, 2001). – N. p. {{amsterdam.nettime.org}}
Program
Festival international nouveau cinéma nouveaux médias = Montreal international festival new cinema new media. – Montréal : Festival of Nouveau Cinema, 2001. – French and English text. {{www.fcmm.com}}
Web site
Videotörténet, videomúvészet, videoarchívum = Video history, video art, video archive. – Budapest : C3 Center for Culture & Communication, [2001]. {{www.c3.hu}}
Part of Web site
Dowling, Susan. – «History of the WGBH New Television Workshop». – Ars Electronica : katalog archiv. – Linz : Ars Electronica FuturLab. – Originally published in 1986. – Also in German under the title «Die Geschichte des "WGBH New Television Workshop"». {{www.aec.at}}
Web site
Video commune : the video collaborations of Nam June Paik. – New York : Electronic Arts Intermix : Solomon R. Guggenheim Museum, 2000. {{videocommune.eai.org}}
Text in periodical
Hill, Chris. – «Attention! production! audience! : performing video in its first decade, 1968-1980». – Massage [on line]. – No. 1 (1998). – N. p. {{www.nomadnet.org}}
Text in periodical
Burris, Jon. – «Did the Portapak cause video art ? : notes on the formation of a new medium». – Millenium Film Journal. – No. 29 (Fall 1996). – P. 3-28.
Also available on the Internet. {{mfj-online.org}}
Part of Web site
Vasulka, Steina. – «Reflections». – Digitale 96. – Köln : Academy of Media arts, [1996]. {{www.khm.de}}
Book
Critical Art Ensemble. – The electronic disturbance. – New York : Autonomedia, 1994. – 147 p. – (New autonomy series).
Also available on the Internet. {{www.critical-art.net}}
Book
Vasulka, Woody ; Vasulka, Steina. – Eigenwelt der Apparatewelt : Pioniere der Elektronischen Kunst = Pioneers of electronic art. – Edited by by Peter Weibel, edited by David Dunn. – Santa Fe : The Vasulkas ; Linz : Ars Electronica Center, 1992. – 240 p.
Also available on the Internet. {{www.vasulka.org}}
Group exhibition catalogue
Ars Electronica : Festival für Kunst, Technologie und Gesellschaft. – Linz : Ars Electronica Center, [1988]. – 287 p.
Also available on the Internet. {{www.aec.at}}
Periodical
Millenium Film Journal. – New York : Millenium Film Workshop, [1977]-. – No. 1 ([1977])-. – Certain texts available on the Internet. {{mfj-online.org}}
Archive document : File
Santa Fe council for the arts. – [s.d.]. – 1 element. – File. – The person who processed the documents established the arrangement of items. – Includes one communique.
Archive document : File
Städtische galerie im Lenbachhaus. – 1981. – 1 element. – File. – The person who processed the documents established the arrangement of items. – Includes one program.
Archive document : File
San Sebastian film festival. – 1983. – Set of 3 elements. – File. – The person who processed the documents established the arrangement of items. – Includes one communique, one program, one post card.
Group program
Themes in Electronic Image Processing, The Kitchen, New York, N. Y., United States, December 1-31, 1981.
Festival
The First Australian Video Festival, Art Gallery of New South Wales, Sydney, New South Wales, Australia, 1986.
Group exhibition
The Winnipeg Perspective 1985, Winnipeg Art Gallery, Winnipeg, Man., Canada, February 21-March 24, 1985.