Boryana Dragoeva & Ventsislav Zankov, 8 TV Sets, 2000.
Video installation presented at CFront 2000.
Courtesy of the Art Today Foundation. Photo : Nikolay Minchev.
Usman Haque (with J. Pletts and L. Turin), Scents of Space (2002).
Courtesy of the artists.
Jim Campbell, Digital Watch, 1991.
Black and white video cameras, 50 video monitor, custom electronics, watch.
Courtesy of the artist and San Francisco Museum of Modern Art, Doris and Donald G. Fisher Fund.
Jim Campbell, Hallucination, 1988-1990.
Black/white video camera, 50 inch rear projection video monitor, laser disc players, custom electronics.
Courtesy of the artist.
Jim Campbell, Hallucination, 1988-1990.
Black/white video camera, 50 inch rear projection video monitor, laser disc players, custom electronics.
Courtesy of the artist.
Jim Campbell, Portrait of a Portrait of Harry Nyquist (2000).
Courtesy of the artist.
Jim Campbell, Political Protest New York 2004 - 3 (détail), 2005.
121 x 180 cm. Duratrans, light box.
Courtesy of Jim Campbell.
Paul Sermon, Telematic Dreaming, 1992.
ISDN telematic installation. Susan Kozel performed in this installation for two months.
Images du futur 1995.
Martin Kusch and Marie-Claude Poulin, schème, Fixed body with a "gone" head, physically present but mentally elsewhere, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Jim Campbell, Political Protest New York 2004 - 3, 2005.
121 x 180 cm. Duratrans, light box.
Courtesy of Jim Campbell.
Jim Campbell, Political Protest New York 2004 - 2, 2005.
121 x 180 cm. Duratrans, light box.
Courtesy of Jim Campbell.
Jim Campbell, Political Protest New York 2004 - 1, 2005.
121 x 180 cm. Duratrans, light box.
Courtesy of Jim Campbell.
Partial view of the exhibition Money, presented by CRAC, June 16 to August 5, 2001.
Courtesy of CRAC.
Toni Dove, Artificial Changelings, 1998
Toni Dove, Artificial Changelings, 1998.
Interactive laser disk and sound installation using video motion sensing. Video still of the installation Artificial Changelings, 1998. Photo: DP Einar Westerlund, (copositing) J.J. Gifford.
Courtesy of the artist.
Toni Dove, Spectropia, 2001.
Interactive movie/installation shot on digital video. Image of Spectropia, 2001. Director of photography: Sam Levy. Compositing: Toni Dove.
Courtesy of the artist.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
Martin Kusch and Marie-Claude Poulin, schème, Siamese Twins Connected to a Projected Space Illusion, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin and Line Nault during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch and Marie-Claude Poulin, schème, Siamese Twins Connected to a Projected Space Illusion, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin and Line Nault during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch and Marie-Claude Poulin, schème, Fixed body with a "gone" head, physically present but mentally elsewhere, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch, As Far as In-between, 1994.
Interactive video installation. Photo: Martin Kusch.
Courtesy of the artist.
Martin Kusch, As Far as In-between, 1994.
Interactive video installation. Photo: Martin Kusch.
Courtesy of the artist.
Kosio Minchev, Nostalgia, 2000.
Video installation presented at CFront 2000.
Courtesy of the Art Today Foundation. Photo : Nikolay Minchev
Luc Courchesne, The Visitor: Living by Numbers, 2001.
Courtesy of the artist.
Luc Courchesne, Horizons (2007).
Video still. Projected video in a loop, 9 min., colour, sound, variable dimensions.
Courtesy of the artist and Pierre-François Ouellette art contemporain gallery.
Luc Courchesne, Landscape One, 1997.
General view. Multi-user interactive panoramic video installation.
Photo: Richard-Max Tremblay. Courtesy of the artist.
Luc Courchesne, Landscape One, 1997.
General view. Multi-user interactive panoramic video installation.
Photo: Richard-Max Tremblay. Courtesy of the artist.
Luc Courchesne, Landscape One, 1997.
Detail. Multi-user interactive panoramic video installation.
Photo: Richard-Max Tremblay. Courtesy of the artist.
Luc Courchesne, Landscape One, 1997.
General view. Multi-user interactive panoramic video installation.
Photo: Richard-Max Tremblay. Courtesy of the artist.
Golan Levin, Hidden Worlds of Noise and Voice, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Hidden Worlds of Noise and Voice, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Messa di Voce, 2003.
Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003.
Courtesy of the artist.
Golan Levin, Messa di Voce, 2003.
Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003.
Courtesy of the artist.
Golan Levin, RE:MARK, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, RE:MARK, 2002.
Interactive audiovisual installation.
Courtesy of the artist.
Golan Levin, Messa di Voce (2003). Courtesy of the artist.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
Jim Campbell, I Have Never Read the Bible, 1995.
Installation.
Courtesy of the artist.
Jim Campbell, Shadow (for Heisenberg), 1993-1994.
Custom electronics, video camera, glass cube with LCD material, statue.
Courtesy of the artist.