Theme: Architecture

Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.

Grain Silo No. 5.
View of the grain belt inside Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.

Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.

Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.

Usman Haque (with J. Pletts and L. Turin), Scents of Space (2002). Courtesy of the artists.

Stealth Group, The Wild City: Urban genetics, 2000-2001.

"Urban Genetics" is a system of codes extracted through monitoring and denoting the rules of urban design and chaotic transformation in Belgrade.

Courtesy of Stealth Group.

Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.

Courtesy of the Walker Art Center.

Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.

Courtesy of the Walker Art Center.

Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.

Courtesy of the Walker Art Center.

Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.

Courtesy of the Walker Art Center.

[The User], Symphony for Dot Matrix Printers, 1997-1999.

Thomas McIntosh and Emmanuel Madan performing at the FCMM, Montreal, 1998.

Courtesy of [The User].

Nicolas Reeves and the Laboratory NXI GESTATIO, La Harpe à Nuages, 1997-2000.

Courtesy of the artist.

CAPACETE, A Banca no 2, 2002.

Installation during the São Paulo Bienale with the collaboration of Marie-Ange Guilleminot (France), 2002.

Courtesy of CAPACETE.

Greylands, Faux Sales Office (Trailer), 1999.

Photo: Adrian Göllner/Greylands.

Courtesy of Greylands.

Greylands, Faux Housing Development, 1999.

Photo: Adrian Göllner/Greylands.

Courtesy of Greylands.

Martin Kusch, As Far as In-between, 1994.

Interactive video installation. Photo: Martin Kusch.

Courtesy of the artist.

Martin Kusch, As Far as In-between, 1994.

Interactive video installation. Photo: Martin Kusch.

Courtesy of the artist.

Nicolas Reeves, the Laboratory NXI GESTATIO and the ateliers Untitled, Coireault: The First Mutation of the White Doe, circa 1999.

Courtesy of the artist.

Nicolas Reeves, the Laboratory NXI GESTATIO and the ateliers Untitled, Doncieux: The Second Mutation of the White Doe, circa 1999.

Courtesy of the artist.

Nicolas Reeves and the Laboratory NXI GESTATIO, La Harpe à Nuages, 1997-2000.

Courtesy of the artist.

Nicolas Reeves, the Laboratory NXI GESTATIO and the ateliers Untitled, Coireault: The First Mutation of the White Doe, circa 1999.

Courtesy of the artist.

Rafael Lozano-Hemmer, Vectorial Elevation (1999-2002). Courtesy of the artist.

Rafael Lozano-Hemmer, Vectorial Elevation, Relational Architecture 4, 1999-2002.

Artium Square, Vitoria, Basque Country, Spain, 2002.

Photo: David Quintas. Courtesy of the artist.