Text in periodical
Allen, Greg. – «The dark side of success». – The New York Times. – (Jan. 2, 2005). – P. 2, 28, 30.
Text in periodical
Gauthier, Francine. – «Impact du numérique sur les normes et les supports traditionnels de préservation». – Archives. – Vol. 37, n° 2 (2005-2006). – P. 31-72.
Book
Collecting the new : museums and contemporary art. – Edited by Bruce Altshuler. – Princeton : Princeton University Press, 2005. – 195 p.
Text in periodical
Gagnon, Jean ; Depocas, Alain. – «Documentation and conservation of the media arts heritage». – Leonardo. – Vol. 38, no. 5 (2005). – P. 369.
Book
The InterPARES project : the long-term preservation of authentic electronic records : findings of the InterPARES project. – Edited by Luciana Duranti. – [San Miniato] : Archilab, [2005]. – 364 p. – Acrobat (PDF) file. – (Saggistica/Strumenti ; 5).
Book
Ione, Amy. – Innovation and visualization : trajectories, strategies, and myths. – Amsterdam, New York : Rodopi, 2005. – 271 p. – (Consciousness, literature and the arts ; 1).
Text in periodical
Bandhari, Rachel ; Crookham, Alan. – «Tate archive online». – Art Libraries Journal. – Vol. 30, no. 1 (2005). – P. 10-14.
Text in periodical
Pham, Alex. – «Art That Goes on the Blink». – Los Angeles Times. – (Oct. 4, 2004). – P. [].
Text in periodical
Chandler, Graham. – «Le jugement dernier du numérique». – Muse. – Vol. 22, n° 5 (sept./oct. 2004). – P. 26-29.
Text in periodical
Stumm, Carey. – «Preservation of electronic media in libraries, museums, and archives». – The Moving Image. – Vol 4, no. 2 (Fall 2004). – P. 38-63.
Text in periodical
Lavoie, Brian ; Dempsey, Lorcan. – «Thirteen ways of looking at...digital preservation». – D-Lib Magazine [on line]. – Vol. 10, no. 7/8 (July/Aug. 2004). – N. p.
Book
European film heritage on the threshold of the digital era : the first project's final report : conclusions - guidelines - recommendations. – Bruxelles : Film Restoration & Conservation Strategies, Royal Film Archive of Belgium, 2004. – 48 p. – Includes a CD-ROM.
Digital document
European film heritage on the threshold of the digital era [CD-ROM]. – Bruxelles : Film Restoration & Conservation Strategies, Royal Film Archive of Belgium, 2004. – Silent. – Acrobat (PDF) file. – CD-ROM accompanying the publication «European film heritage on the threshold of the digital era : the first project's final report : conclusions - guidelines - recommendations», 2004.
Text in periodical
Laudouar, Janique. – «Décryptage de l'oeuvre : kit de survie à l'usage du visiteur». – Les dossiers de l'ingénierie éducative. – N° 47-48 (juin/juil./août/sept./oct. 2004). – P. 116-119.
Book
New media art : practice and context in the UK : 1994-2004. – Edited by Lucy Kimbell. – London : The Arts Council of England, 2004. – 300 p.
Video document : Documentary / Report
La Beauté du geste. – Directed by Jeanne Crépeau. – Montréal : Cinémathèque québécoise, 2004. – DVD Video, col., stereo sound, 1 h 30 min. – Include the program for the benefit evening held on December 1, 2004 inside the 13 pages booklet. – Cover title «Une soirée bénéfice pour la Cinémathèque québécoise».
Text in book
Ippolito, Jon. – «Accommodating the unpredictable : the variable media questionnaire». – Performance documentation and preservation in an online environment. – Edited by Kenneth Schlesinger. – New York : Theater Library Association, 2004. – (Performing arts resources ; vol. 24). – P. 94-101.
Text in book
Ippolito, Jon. – «Digital performance : damnation or salvation». – Performance documentation and preservation in an online environment. – Edited by Kenneth Schlesinger. – New York : Theater Library Association, 2004. – (Performing arts resources ; vol. 24). – P. 89-93.
Text in book
Rinehart, Richard. – «Archiving the avant garde : documenting and preserving variable media art». – Performance documentation and preservation in an online environment. – Edited by Kenneth Schlesinger. – New York : Theater Library Association, 2004. – (Performing arts resources ; vol. 24). – P. 74-88.
Text in book
Franck, Philippe. – «Image-spectacle, image-scène, image-corps, image-texte, image-réseau, image-signe, image-code». – Exposer l'image en mouvement. – Edited by Anne-Laure Chamboissier, Philippe Franck and Éric Van Essche. – Bruxelles : La Lettre Volée, 2004. – (Collection essais). – P. 137-150.
Periodical
Future anterior. – New York : The Graduate School of Architecture, Planning and Preservation,Columbia University, 2004. – Vol. 1, no. 1 (Spring 2004)-.
Book
Guidelines on the production and preservation of digital audio objects. – Baden-Baden : International Association of Sound and Audiovisual Archives, 2004. – 80 p.
Book
Exposer l'image en mouvement. – Edited by Anne-Laure Chamboissier, Philippe Franck and Éric Van Essche. – Bruxelles : La Lettre Volée, 2004. – 208 p. – (Collection essais).
Proceedings
Museums and the web 2004 : selected papers. – Edited by David Bearman and Jennifer Trant. – Toronto : Archives & Museum Informatics, 2004. – 253 p. – Includes a CD-ROM.
Proceedings
Abstracts of papers presented at the 32nd AIC annual meeting : Portland, Oregon : June 9-14, 2004. – Washington : American Institute for Conservation of Historic and Artistic Works, 2004. – 74 p.
Proceedings
Résumés : 30e congrès et atelier : association canadienne pour la conservation et la restauration des biens culturels = Abstracts : 30th conference & workshop : canadian association for conservation of cultural property. – Ottawa : Canadian Association for Conservation of Cultural Property, [2004]. – 72 ; 68 p. – Document bound in tumble format.
Program
Final program : AIC 32nd annual meeting : June 9-14, 2004 : Portland, Oregon. – Washington : American Institute for Conservation of Historic and Artistic Works, [2004]. – 37 p.
Text in book
Jones, Caitlin. – «Unstable formats : preservation and the variable media network». – New media art : practice and context in the UK : 1994-2004. – Edited by Lucy Kimbell. – London : The Arts Council of England, 2004. – P. 94-97.
Periodical issue
Open. – Vol. 3, nr. 7 (2004). – Rotterdam : NAI Publishers, 2004. – 196 p. – Issue title : «(No) memory : storing and recalling in contemporary art and culture».
Proceedings
Performance documentation and preservation in an online environment. – Edited by Kenneth Schlesinger. – New York : Theater Library Association, 2004. – xvi, 126 p. – (Performing arts resources ; vol. 24).
Digital document
Collecting, archiving, and exhibiting : digital design data [CD-ROM]. – Chicago : Department of Architecture, and Interior Architecture, The School of the Art Institute of Chicago, 2004. – Acrobat (PDF) 6.0 file .
Proceedings
Les artistes contemporains et l'archive : interrogation sur le sens du temps et de la mémoire à l'ère de la numérisation = Contemporary artists and archives : on the meaning of time and memory in the digital age. – Rennes : Presses Universitaires de Rennes, 2004. – 282, [50] p.
Text in book
Benichou, Anne. – «De l'archive comme oeuvre à l'archive de l'oeuvre. Vera Frenkel». – Les artistes contemporains et l'archive : interrogation sur le sens du temps et de la mémoire à l'ère de la numérisation = Contemporary artists and archives : on the meaning of time and memory in the digital age. – Rennes : Presses Universitaires de Rennes, 2004. – Also in English under the title «From the archive as artwork to the artwork archive. Vera Frenkel», p. 217-228. – P. 204-216.
Text in book
Benichou, Anne. – «From the archive as artwork to the artwork archive. Vera Frenkel». – Les artistes contemporains et l'archive : interrogation sur le sens du temps et de la mémoire à l'ère de la numérisation = Contemporary artists and archives : on the meaning of time and memory in the digital age. – Rennes : Presses Universitaires de Rennes, 2004. – Also in English under the title «De l'archive comme oeuvre à l'archive de l'oeuvre. Vera Frenkel», p. 204-216. – P. 217-228.
Text in book
Gauguet, Bertrand. – «Les collections d'archives de George Legrady». – Les artistes contemporains et l'archive : interrogation sur le sens du temps et de la mémoire à l'ère de la numérisation = Contemporary artists and archives : on the meaning of time and memory in the digital age. – Rennes : Presses Universitaires de Rennes, 2004. – Also in English under the title «George Legrady's collections of archives», p. 257-264. – P. 247-256.
Text in book
Gauguet, Bertrand. – «George Legrady's collections of archives». – Les artistes contemporains et l'archive : interrogation sur le sens du temps et de la mémoire à l'ère de la numérisation = Contemporary artists and archives : on the meaning of time and memory in the digital age. – Rennes : Presses Universitaires de Rennes, 2004. – Also in French under the title «Les collections d'archives de George Legrady», p. 247-256. – P. 257-264.
Book
Digital libraries : policy, planning and practice. – Edited by Judith Andrews and Derek Law. – Aldershot : Ashgate Publishing, 2004. – 263 p.
Proceedings
ICHIM Berlin 04 : actes de la conférence : patrimoine et culture numérique = Proceedings : digital culture and heritage [CD-ROM]. – Edited by Xavier Perrot, Claudia Schallert and Eleanor Lisney. – Toronto : Archives & Museum Informatics, 2004. – HTML and Acrobat (PDF) files ; also contain JPEG, MS Word, MPEG, GIF file.
Periodical issue
Tate papers. – No. 8 (Autumn 2007). – London : Tate, 2007. – N. p. – Issue title : «Inherent Vice: The Replica and its Implications in Modern Sculpture Workshop». {{www.tate.org.uk}}
Web site
Messier, Paul ; Vitale, Timothy. – Video Preservation. – 2007. {{videopreservation.stanford.edu}}
Conference / Symposium
2001 Annual AMIA Conference, Portland, Or., United States, November 6-10, 2001. – Organisation : Association of Moving Image Archivists, Hollywood. {{www.amianet.org}}
Conference / Symposium
TechArcheology : A Symposium on Installation Art Preservation, San Francisco Museum of Modern Art, San Francisco, Calif., United States, January 5-6, 2000.
Conference / Symposium
Preserving the Immaterial : A Conference on Variable Media, Solomon R. Guggenheim Museum, New York, N. Y., United States, March 30-31 2001. {{www.guggenheim.org}}