Fondation
Daniel
Langlois
Explore
Theme: Histoire ET Vidéo
38 documents in the collection
Video document : Art work
Shahbazi, Solmaz ; Zolghadr, Tirdad. – Tehran 1380. – 2006 (2002). – Col., mono sound, 45 min. – Includes in the DVD 10 of the boxset «40 years videoart.de : Part 1 : Digital heritage : study edition of video art in Germany from 1963 to the present = 40 jahre videokunst.de : Teil 1 : Digitales erbe : studienedition zur videokunst in Deutschland von 1963 bis heute / Ostfildern : Hatje Cantz, 2006». – Produced in an original manner on format Mini-DV. – Iranian with English subtitles.
Text in periodical
Thomas, Ann. – «Interpreting the microcosm through photographs». – CV Ciel Variable. – N° 70 (janv. 2006). – P. 26-28.
Book
Markoff, John. – What the dormouse said : how the sixties counterculture shpaed the personal computer industry. – New York : Viking, 2005. – 310 p.
Book
Lee, Pamela, M. – Chronophobia : on time in the arts of the 1960s. – Cambridge : MIT Press, 2004. – 368 p.
Book
Essinger, James. – Jacquard's web : how a hand-loom led to the birth of the information age. – Oxford : Oxford University Press, 2004. – 302 p.
Book
Couchot, Edmond ; Hillaire, Norbert. – L'art numérique : comment la technologie vient au monde de l'art. – Paris : Flammarion, 2003. – 260 p.
Book
Trousson, Raymond. – Sciences, techniques et utopies : du paradis à l'enfer. – Paris : L'Harmattan, 2003. – 230 p. – (Utopies).
Text in book
Longavesne, Jean-Paul. – «Esthétique et rhétorique des arts technologiques : les machines interfaces». – Eshétique des arts médiatiques : interfaces et sensorialité. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2003. – (Collection Esthétique). – P. 37-52.
Text in book
Halary, Charles. – «Interfaces intimes : peau et vêtement en symbiose numérique». – Eshétique des arts médiatiques : interfaces et sensorialité. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2003. – (Collection Esthétique). – P. 205-227.
Digital document
Parrott Blue, Carroll ; Kang, Kristy H. A. . – The dawn at my back : memoir of a black Texas upbringing : an interactive cultural history [DVD-ROM]. – Los Angeles : The Labyrinth Project, Annenberg Center for Communication, University of Southern California, 2003. – Stereo sound.
Text in book
Boucher, Marc. – «L'image lumineuse et la scène». – Eshétique des arts médiatiques : interfaces et sensorialité. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2003. – (Collection Esthétique). – P. 245-272.
Text in book
Vandendorpe, Christian. – «Surfer dans un labyrinthe : pour une ergonomie de l'hypertexte». – Eshétique des arts médiatiques : interfaces et sensorialité. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2003. – (Collection Esthétique). – Revised and augmented edition. – Originally published in 2000. – P. 301-315.
Text in book
Fischer, Hervé. – «Mythanalyse des interfaces : le mythe de Janus». – Eshétique des arts médiatiques : interfaces et sensorialité. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2003. – (Collection Esthétique). – P. 317-324.
Book
Mapping Benjamin : the work of art in the digital age. – Edited by Hans Ulrich Gumbrecht and Michael Marrinan. – Stanford : Stanford University Press, 2003. – 349 p. – (Literary Studies / Media Studies).
Periodical issue
Continuité. – N° 99 (hiver 2003/2004). – Québec : Les éditions Continuité, 2003. – 58 p. – Issue title : «Patrimoine et technologies de l'information».
Program
Portraiture between narrative and abstraction = L'art du portrait entre la narration et l'abstraction. – Ottawa : Portrait Gallery of Canada, 2003. – [4] p. – Leaflet.
Book
Traité de la culture. – Edited by Denise Lemieux. – Sainte-Foy : Les Éditions de l'IQRC, 2002. – 1089 p.
Digital document
O'Neill, Pat ; Comella, Rosemary ; Kang, Kristy H. A. . – Tracing the decay of fiction : encounters with a film by Pat O'Neill [DVD-ROM]. – Los Angeles : The Labyrinth Project, Annenberg Center for Communication, University of Southern California, 2002. – Stereo sound.
Group exhibition catalogue
Stafford, Barbara Maria ; Terpak, Frances. – Devices of wonder : from the world in a box to images on a screen. – Los Angeles : Getty Research Institute, 2001. – 405 p.
Book
Kwinter, Sanford. – Architectures of time : toward a theory of the event in modernist culture. – Cambridge : MIT Press, 2001. – 237 p.
Proceedings
ICHIM01 : international cultural heritage informatics meeting : cultural heritage and technologies in the third millenium . – Edited by David Bearman and Franca Garzotto. – Pittsburgh : Archives & Museum Informatics ; Milano : Politecnico di Milano, 2001. – 2 vol. (655 p., 518 p.). – Include a CD-ROM.
Text in book
Terry, Brett. – «The work of art in the age of digital historiography». – Reframing consciousness. – Edited by Roy Ascott. – Exeter : Intellect Books, 1999. – P. 145-150.
Text in book
Brown, Bruce. – «Memory is the message». – ISEA97 Chicago : conference proceedings. – Chicago : The School of the Art Institute of Chicago, [1998]. – P. 10-12.
Text in book
Gondeck-Becker, Debra ; Bermudez, Julio C. – «Cyberprint : toward an architecture of being». – ISEA97 Chicago : conference proceedings. – Chicago : The School of the Art Institute of Chicago, [1998]. – P. 23-27.
Text in book
Spielmann, Yvonne. – «History and theory of intermedia in visual culture». – ISEA97 Chicago : conference proceedings. – Chicago : The School of the Art Institute of Chicago, [1998]. – P. 61-62.
Book
Chirollet, Jean-Claude. – Les mémoires de l'art. – Foreword by François Dagognet. – Paris : Presses Universitaires de France, 1998. – 265 p. – (Sciences, modernités, philosophies).
Text in book
Sturken, Marita. – «The politics of video memory : electronic erasures and inscriptions». – Resolutions : contemporary video practices. – Edited by Michael Renov and Erika Suderburg. – Minneapolis : University of Minnesota Press, 1996. – P. 1-12.
Group exhibition catalogue
Vera Frenkel : body missing. – Edited by Eva Schmidt. – Bremen : Gesellschaft für aktuelle Kunst, 1996. – 46 p. – German and English text.
Book
Bolz, Norbert ; Reijen, Willem van. – Walter Benjamin. – Translated by Laimdota Mazzarins. – Atlantic Highlands (N.-J.) : Humanities Press, 1996. – 106 p. – Originally published in 1991.
Text in book
Legrady, George. – «Interface metaphors and new narratives in interactive media». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 155-157.
Text in book
Longavesne, Jean-Paul. – «Machines à peindre et informatique picturale : ironie de l'art digital». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 172-176.
Text in book
Lovink, Geert. – «Organized innocence and war in the New Europe : on electronic solitude and independent media». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 177-181.
Text in periodical
Jay, Martin. – «Les régimes scopiques de la modernité». – Réseaux. – Translated by Michèle Albaret. – N° 61 (sept./oct. 1993). – P. 99-112.
Text in catalogue
Dunn, David. – «A history of electronic music pioneers». – Eigenwelt der Apparatewelt : Pioniere der Elektronischen Kunst = Pioneers of electronic art. – Edited by by Peter Weibel, edited by David Dunn. – Santa Fe : The Vasulkas ; Linz : Ars Electronica Center, 1992. – P. 21-62.
Text in periodical
Claus, Jürgen. – «The electronic Bauhaus : gestalt technologies and the electronic chalenge to visual art». – Leonardo. – (1988). – P. 13-18.
1 audiovisual document
2 pages in this Web Site
Judith Barry, Not reconciled: Cairo Stories Not reconciled is an ongoing series of "as told to" stories that Judith Barry has collected over a period of 15 years in a variety of countries.
Igor Vamos, Grounded Grounded is allied with The Center for Land Use Interpretation which is dedicated to exploring the human-land dialectic.
3 events
Group exhibition
A pillangó hatás = The Butterfly Effect, C3 Center for Culture & Communication, Budapest, Hungary, January 20-February 25, 1996.
Conference / Symposium
Understanding the Balkans, Ohrid, Macedonia, October 13-16, 2000. – Organisation : The Contemporary Art Center, Skopje.
Group exhibition
Devices of Wonder : From the World in a Box to Images on a Screen, J. Paul Getty Museum, Los Angeles, Calif., United States, November 13, 2001-February 3, 2002.