Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.
Grain Silo No. 5.
View of the grain belt inside Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.
Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.
Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.
Marc Fournel, SKIN-PÔ, 2006.
Diagram of the installation's components. SKIN-PÔ evolved directly from the Tontauben installation, the first phase of the Transduction project.
Courtesy of the artist.
Usman Haque (with J. Pletts and L. Turin), Scents of Space (2002).
Courtesy of the artists.
[The User], Symphony for Dot Matrix Printers, 1997-1999.
6th Barcelona International Festival of Advanced Music and Multimedia Art, Centre de Cultura Contemporània de Barcelona, Barcelona, Spain, 17-19 juin 1999.
Photo: Agence stock photo.
Courtesy of [The User].
David Rokeby, Very Nervous System, 1986-present. Courtesy of the artist.
URSA observatory, Helsinki, Finland.
Radio Astronomy was installed during ISEA 2004 at the Observatory of U.R.S.A. Astronomical Association, Kaivopuisto Park, Helsinki, Finland.
Photo: Alain Depocas.
[The User], Symphony for Dot Matrix Printers, 1997-1999.
Thomas McIntosh and Emmanuel Madan performing at the FCMM, Montreal, 1998.
Courtesy of [The User].
Nicolas Reeves and the Laboratory NXI GESTATIO, La Harpe à Nuages, 1997-2000.
Courtesy of the artist.
Thomas McIntosh with Mikko Hynninnen, Brian Clark, Emmanuel Madan, Ondulation (research and development phase), 2002.
Photo: Diana Shearwood. Courtesy of Thomas McIntosh.
Ventspils International Radio Astronomy Centre (VIRAC), Irbene, Latvia.
Courtesy of radioqualia.
Golan Levin, Dialtones (A Telesymphony), 2001.
Concert presented in Switzerland in 2002.
Courtesy of the artist.
Golan Levin, Dialtones (A Telesymphony), 2001.
Concert presented in Austria in 2001,
Courtesy of the artist.
Marie Chouinard, Cantique n° 3 (2004).
Courtesy of the Compagnie Marie Chouinard.
Peter Blasser, the rollable synthesizer, 2002.
Canvas, wood, circuits.
Courtesy of the artist.
Peter Blasser, the egongs, 2001.
Hand drawn circuits installed on eastern red cedar.
Courtesy of the artist.
Peter Blasser, the portland chucky, 2001.
Redwood driftwood.
Courtesy of the artist.
Steve Heimbecker, Wind Array Cascade Machine & Pod, 2003.
Diagram.
Courtesy of the artist.
Peter Blasser, the blowing bear, 1999.
Hand drawn circuits installed on oak driftwood from Lake Erie.
Courtesy of the artist.
Bill Vorn and Louis-Philippe Demers, La Cour des Miracles, 1997.
Interactive robotic installation.
Photo: Bill Vorn.
Courtesy of Bill Vorn and Louis-Philippe Demers.
Ventspils International Radio Astronomy Centre, Irbene, Latvia
Adam Zaretsky, Working sketch for MMMM (or Macro Micro Music Massage), 2001.
Ballpoint pen on water colour paper.
Courtesy of the artist.
Adam Zaretsky, Working sketch for WorkHorse Zoo, 2001.
Ballpoint pen on water colour paper.
Courtesy of the artist.
Adam Zaretsky, Humper-Discoverer, 2000.
Collage by Adam Zaretsky, video stills by Yoshie Suzuki and Wayne Sullins.
Courtesy of the artist.
Adam Zaretsky, Jammin' w/E. coli, 2000.
Collage by Adam Zaretsky, video stills by Yoshie Suzuki and Wayne Sullins.
Courtesy of the artist.
Bill Vorn and Louis-Philippe Demers, Le Procès, 1999.
Robotic performance.
Photo: Bill Vorn.
Courtesy of Bill Vorn and Louis-Philippe Demers.
Bill Vorn, Evil/Live, 1997.
Interactive audio-visual installation.
Photo: Miguel Trillo.
Courtesy of Bill Vorn and the SONAR Festival (Barcelona, Spain).
Bill Vorn, Evil/Live 2, 2002.
Interactive audio-visual installation.
Courtesy of Bill Vorn.
[The User], Symphony for dot matrix printers, 1997-1999.
Performance at the FCMM, 1998.
Courtesy of [The User].
[The User], Symphony for dot matrix printers, 1997-1999.
Photo: Frédéric Ste-Marie.
Courtesy of [The User].
Samuel Bianchini, If I Were U / Si j'étais toi, 2000.
IIWU graphic interface screen capture.
Courtesy of Samuel Bianchini.
Isabelle Choinière et Le Corps Indice, La Mue de l'Ange, 1999.
Image taken from performance.
Courtesy of Le Corps Indice.
Nicolas Reeves and the Laboratory NXI GESTATIO, La Harpe à Nuages, 1997-2000.
Courtesy of the artist.
David Rokeby, Echoing Narcissus, 1987.
Interactive sound sculpture. Installation view.
Courtesy of David Rokeby.
David Rokeby, The Giver of Names, 1991-present.
Interactive computer installation. A screen shot from the first full version of The Giver of Names, Macdonald Stewart Art Centre, Guelph (Ontario, Canada), January 1998.
Courtesy of David Rokeby.
David Rokeby, Watch, 1995.
Real-time computer installation.
Courtesy of David Rokeby.
[The User], Symphony for dot matrix printers, 1997-1999.
Photo: Frédéric Ste-Marie.
Courtesy of [The User].