Text in periodical
«Art bio(techno)logique = Bio(techno)logical art». – Art Press. – N° 276 (févr. 2002). – Thematic file. – P. 37-54.
Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.
Text in periodical
Lavrador, Judicaël. – «Bio art : la gènes génération = Biological art : the genes generation». – Beaux-Arts Magazine. – N°222 (Nov.2002). – P. 58-61.
Group exhibition catalogue
Art and medicine : medicine as metaphor. – Tokyo : NTT Publishing, 2002. – 15 p.
SOLO Exhibition catalogue
Olafur Eliasson. – Paris : Musée d'Art Moderne de la ville de Paris, 2002. – N. p. – French and English text.
Book
Autopilot : Carsten Nicolai. – [S.l.] : Raster-noton ; Tokyo : The Watari Museum of Contemporary Art ; Berlin : Galerie Eigen+Art ; London : Milch London Arts, 2002. – 103 p. – Include a compact disc. – German and English text.
Program
Ars Electronica 2002 : UNPLUGGED : art as the scene of global conflicts. – Linz : Ars Electronica Center, 2002. – 40 p. – Pre-program. – German and English text.
Text in periodical
Friedling, Melissa Pearl. – «Paradise lost and found». – Afterimage. – Vol. 29, no. 4 (Jan./Feb. 2002). – P. 12.
Digital document
faf_15 : fineart forum 15th anniversary CD-ROM : 1987-2002 [CD-ROM]. – Kelvin Grove : FineArt Forum, 2002. – HTML file.
Book
Scientific serendipity : ANAT art and science residency program 1999/2001. – Adelaide : Australian Network for Art and Technology, 2002. – 52 p.
Book
The cyborg experiments : the extensions of the body in the media age. – Edited by Joanna Zylinska. – Chicago : Continuum, 2002. – 239 p. – (Technologies : studies in culture and theory).
Proceedings
BEAP 02 : the aesthetics of care : the artstic, social and scientific implications of the use of biological/medical technologies for artistic purposes. – Crawley : SymbioticA : the Art and Science Collaborative Research Laboratory, 2002. – N. p.
Book
Segments & spécimens : réflexions sur les relations entre photographie et médecine. – Québec : Éditions J'ai VU, 2002. – 96 p.
Book
L'art contemporain au risque du clonage. – Edited by Richard Conte. – Paris : Publications de la Sorbonne, 2002. – 224 p. – (Arts et monde contemporain ; 3).
Book
Gilardi , Piero. – Not for sale : à la recherche de l'art relationnel 1982-2000. – Dijon : Les Presses du réel, 2002. – 217 p.
Group exhibition catalogue
Artificial natural networks : 11 projects on the web, in the forest, along the dike, in the water and in the village of Zeewolde. – Wageningen : De verbeelding art landscape nature, 2002. – N. p.
Text in periodical
Rahm, Philippe. – «Bredaguer/Péjus : une oeuvre malade». – Art Press. – N° 274 (déc. 2001). – Also in English under the title «Subjective architecture». – P. 28-31.
Book
Fischer, Hervé. – Le choc du numérique. – Montréal : VLB éditeur, 2001. – 395 p. – (Gestations).
Periodical issue
Artlink. – Vol. 21, no. 3 (Sept. 2001). – Henley Beach : Artlink, 2001. – 96 p. – Issue title : «e-volution of new media».
Text in periodical
Bureaud, Annick. – «L'art de l'ère spatiale». – Art Press. – N° 269 (juin 2001). – P. 92.
Text in periodical
Dickey, Christopher. – «I love my glow bunny». – Wired. – Vol. 9, no. 4 (Apr. 2001). – P. 88-100.
Text in periodical
Kemp, Martin. – «Science in culture : suggestive signatures». – Nature. – Vol. 410, no. 6837 (Mar. 22, 2001). – P. 414.
Text in periodical
Taylor, Richard. – «Architect reaches for the clouds : how fractals may figure in our appreciation of a proposed new building». – Nature. – Vol. 410, no. 6824 (Mar. 1, 2001). – P. 18.
Group exhibition catalogue
Unter der Haut : Transformationen des Biologischen in der zeitgenössischen Kunst = Under the skin : biological transformations in contemporary art. – Ostfildern : Hatje Cantz, 2001. – 135 p.
Proceedings
Feedback : perception and interaction in the electronic arts : proceedings : the eighth biennial symposium on arts and technology. – New London : The Center for Arts and Technology, 2001. – 186 p.
Text in catalogue
Dinkla, Söke. – «Biological transformations in contemporary art». – Unter der Haut : Transformationen des Biologischen in der zeitgenössischen Kunst = Under the skin : biological transformations in contemporary art. – Ostfildern : Hatje Cantz, 2001. – Also in German, under the title «Transformationen des Biologischen in der Zeitgenössischen Kunst», p. 22-27. – P. 28-33.
Text in periodical
Grice, Gordon. – «Paging Dr. Moreau». – Artbyte. – vol. 3, no. 5 (Jan.-Feb.2001). – P. 56-61.
Text in periodical
Gessert, George. – «Art is nature : an artist's perspective on a new paradigm». – Art Papers. – vol. 25, no. 2 (March-April 2001). – P. 16-19.
Text in periodical
Seaman, Bill. – «OULIPO / VS / Recombinant poetics». – Leonardo. – Vol. 34, no. 5 (2001). – P. 423-430.
Book
Thériault, Michèle ; Tomas, David. – Duction. – Montréal : Carapace, 2001. – N. p. – French and English text.
Book
Brown, Richard. – Biotica : art, emergence and artificial life. – London : Computer Related Design, Royal College of Art, 2001. – 117 p.
Group exhibition catalogue
Perspektíva = Perspective. – Edited by Miklós Peternák et Nikolett Erõss. – Budapest : Mücsarnok/Kunsthalle : C3 Center for Culture & Communication, 2001. – 514 p.
Group exhibition catalogue
Heiferman, Marvin ; Kismaric, Carole. – Paradise now : picturing the genetic revolution. – Edited by Ian Berry. – Saratoga Springs : The Tang Teaching Museum and Art Gallery at Skidmore College, 2001. – 124 p.
Group exhibition catalogue
Ideen für die Zukunft : Weltweite Projekte, Global Dialogue und Themenpark der EXPO 2000 Hannover = Visions of the future : projects around the world, the global dialogue and the thematic area at EXPO 2000 Hanover. – Edited by Birgit Breuel. – Berlin : Jovis ; Hannover : EXPO 2000 Hannover, 2001. – 264 p.
Group exhibition catalogue
Bender, Susan ; Berry, Ian. – The world according to the newest and most exact observations : mapping art + science. – Saratoga Springs : The Tang Teaching Museum and Art Gallery at Skidmore College, 2001. – 96 p.
Text in book
Sherlock, Maureen P. – «Either/or/neither/nor». – Gallery [Dante] Marino Cettina : future perspectives. – Edited by Marina Grzinic. – Umag : Marino Cettina Gallery, 2001. – P. 130-135.
Part of Web site
«Ideas in residence / creative dislocations : sense of place and digital connections in the rural landscape». – Acadia University. – Wolfville : Acadia University. {{pearl.acadiau.ca}}
Part of Web site
«Indepth arts news : "bloom : mutation, toxicity and the sublime"». – Absolute Art News. – Columbus : World Wide Arts Resources, 1995-. {{www.absolutearts.com}}
Group exhibition catalogue
Human Nature. – Bloomington : Indiana University, 2007-. {{www.indiana.edu}}
Group exhibition
Romancing the Brain, Pittsburgh Center for the Arts, Pittsburgh, Pa., United States, September 18-November 11, 1999.
Solo exhibition
Eduardo Kac : Genesis, Julia Friedman Gallery, Chicago, Ill., United States, May 4-June 2, 2001. {{www.juliafriedman.com}}
Group exhibition
Unter der Haut : Transformationen des Biologischen in der zeitgenössischen Kunst / Under the Skin : Biological Transformations in Contemporary Art, Wilhelm Lehmbruck Museum - Zentrum internationaler Skulptur, Duisburg, Germany, May 6-June 17, 2001. {{www.duisburg.de}}