Event: 9 Evenings

145 documents in the collection

Page 1 - 2 - 3 - 4

Archive document
Rauschenberg, Robert. – Rauschenberg note. – September 29, 1966. – [1] p. – Artist's statement. – Included in the file entitled «Press package for 9 evenings : theatre and engineering».

Archive document
Performance and rehearsal schedule. – New York : Experiments in Art and Technology, October 1, 1966. – [1] p. – Archives documents. – Rehearsal schedule.

Archive document
9 evenings : theatre and engineering. – New York : Experiments in Art and Technology, 1966. – [1] p. – Leaflet.

Archive document : Correspondence / Letter
Hartnet, Sue. – [Letter]. – November 30, 1966. – [1] p. – Unspecified addresses.

Text in periodical
«The switched-on theater». – The Reporter. – Vol. 15, no. 6 (Nov./Dec. 1966). – P. 12-17.

Archive document : Press release
[Announcement of screening of the film 9 evenings]. – [March 1967]. – [1] p. – Press release.

Text in periodical
«Art and science : two worlds merge». – Bell Telephone Magazine. – Vol. 46, no. 6 (Nov./Dec. 1967). – P. 12-19.

Text in periodical
Klüver, Billy. – «Interface : artists/engineers». – E.A.T. proceedings. – No. 1 (Apr. 21, 1967). – P. [1-23].

Periodical issue
Newsletter. – No. 1 (May 2, 1968). – Detroit : Experiments in Art and Technology, 1968. – [2] p.

Text in periodical
Lindgren, Nilo. – «Art and technology II. : a call for collaboration». – IEEE Spectrum. – (May 1969). – P. 46-56.

Periodical issue
E.A.T. proceedings. – No. 9 (May 19, 1969). – New York : Experiments in Art and Technology, 1969. – [39] p. – Issue title : «Experiments in Art and Technology : October 1966 - May 1969».

Text in periodical
Lippard, Lucy R. – «Total theatre». – Art International. – (Jan. 20, 1967). – P. 39.

Text in periodical
Fong, Monique. – «Lettre de New York». – Les lettres nouvelles. – (Mars/avril1967) . – P. 111.

Text in periodical
O'Connor, John J. – «Art and technology make it official». – Electronic News. – (Oct. 21, 1967). – P. 16.

Text in periodical
Davis, Douglas. – «Art and technology : the new combine». – Art in America. – (Jan./Feb. 1968). – P. 29.

Text in periodical
«Integrar el arte con la technologia : experiencia neoyorquina con eco en Buenos Aires». – Analisis. – (Feb. 5, 1968). – P. 34.

Text in periodical
Aarons, Anita. – «Technology week in Toronto». – Architecture Canada. – (June 1968). – P. 38.

Text in periodical
Thériault, Normand. – «EAT : le mariage heureux de l'art et de la technique». – La Presse. – (Oct. 1968). – P. 16.

Text in periodical
«[E.A.T., New York : au-dela de la distinction entre le travail et le loisir]». – Domus. – (Dec. 1968). – P. 42.

Book
Burnham, Jack. – Beyond modern sculpture : the effects of science and technology on the sculpture of this century. – New York : George Braziller, [1968]. – 402 p.

Text in periodical
Margolies, John S. – «Tv : the next medium». – Art in America. – Vol. 57, no. 5 (Sept./Oct. 1969). – P. 48-55.

Text in book
Klüver, Billy ; Martin, Julie. – «Working with Rauschenberg». – Robert Rauschenberg : a retrospective. – New York : Guggenheim Museum Publications, 1997. – P. 310-327.

Text in book
London, Barbara J. – «Video : its context». – Video by artists 2. – Edited by Elke Town. – Toronto : Art Metropole, 1986. – P. 16-29.

Text in periodical
Lista, Marcella. – «Expanded body : Variation V et la conversion des arts à l'ère électronique». – Cahiers du Musée national d'art moderne. – (N° 74 hiver 2000-2001). – P. 98-119.

Book
Popper, Frank. – L'art cinétique. – Second edition revised and expanded. – Paris : traiteur, 1967. – 301 p.

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5 audiovisual documents

9 Evenings: Robert Rauschenberg, Open Score, 1966.
Photo by Peter Moore © Barbara Moore/Licensed by VAGA, NY.

Robert Rauschenberg, Open Score, 1966.

Performance presented as part of 9 Evenings: Theatre and Engineering, The 69th Regiment Armory, New York, N.Y., United States, October 14-23, 1966.

The first part of the piece was a tennis game between Frank Stella and Mimi Kanarek. A small FM transmitter was placed in the handle of the tennis racquets and a contact microphone attached to the rim of the racquet. Each time a ball was hit a loud BONG rang out through the Armory and one of the lights went out. The game continued until the Armory became dark.

Photo Peter Moore © Barbara Moore / Licensed by VAGA, NY. Reproduction of this image, including downloading, is prohibited without written authorization from VAGA, Artists Rights Society, 65 Bleecker Street, 12th floor, New York 10012, 212 420 9160, info @ arsny.com;

[Plotting Board of the Proportional Control System / designed and constructed by Fred Waldhauer] (1966, 1 item: oscillators, resistors and an amplifier in a metal and plastic container; 26 X 36 X 8.5 cm + light pen). Components used to remote control sound sources during David Tudor's performance Bandoneon! (a combine) and Deborah Hay's performance Solo presented in the context of "9 Evenings: Theatre and Engineering" held at the Armory (New York, N.Y., USA) in 1966. The light pen was added in the 1990's as a demonstration item. The Daniel Langlois Foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds.
Photo: Éric Legendre.

9 Evenings: Theatre and Engineering

Various electronic components prepared during rehearsal week in the Berkeley gymnasium, Berkeley Heights (New Jersey, United States). In the middle distance is the Proportional Control System command box.

Still from the factual footage shot in 16 mm film by Alfons Schilling. The Daniel Langlois Foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds.

Fred Waldhauer, Proportional Control System, 1996.
Photo by Peter Moore © Barbara Moore/Licensed by VAGA, NY.

Fred Waldhauer, Proportional Control System, 1966.

Fred Waldhauer operates the Proportional Control System with two electronic pens for David Tudor's performance, Bandoneon! (a combine) at 9 Evenings: Theatre and Engineering.

Photo Peter Moore © Barbara Moore / Licensed by VAGA, NY. Reproduction of this image, including downloading, is prohibited without written authorization from VAGA, Artists Rights Society, 65 Bleecker Street, 12th floor, New York 10012, 212 420 9160, info @ arsny.com;

9 Evenings: Öyvind Fahlström, Kisses Sweeter Than Wine, 1966.
Photo by Peter Moore © Barbara Moore/Licensed by VAGA, NY.

Öyvind Fahlström, Kisses Sweeter Than Wine, 1966.

Performance presented as part of 9 Evenings: Theatre and Engineering, The 69th Regiment Armory, New York, N.Y., United States, October 1966.

Photo Peter Moore © Barbara Moore / Licensed by VAGA, NY. Reproduction of this image, including downloading, is prohibited without written authorization from VAGA, Artists Rights Society, 65 Bleecker Street, 12th floor, New York 10012, 212 420 9160, info @ arsny.com;