Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.
Text in periodical
Ward, Melony. – «On the beach». – Canadian Art. – Vol. 19, no.2 (Summer 2002). – P. 92.
Text in catalogue
Huhtamo, Erkki. – «Silicon remembers ideology, or David Rokeby's meta-interactive art». – David Rokeby : the giver of names. – Guelph : MacDonald Stewart Art Centre, 1998. – P. [].
Book
Dinkla, Söke. – Pioniere interaktiver Kunst von 1970 bis heute. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Ostfildern : Cantz Verlag, 1997. – 270 p.
Text in periodical
Jones, Mark J. – «Press Enter : between seduction and disbelief. An exhibition on art, technology and the self». – CyberStage. – No. 3 (Summer 1995). – Under «Review». – P. 12.
Group exhibition catalogue
Press enter : between seduction and disbelief. – Edited by Louise Dompierre. – Toronto : The Power Plant - Contemporary Art Gallery, 1995. – 176 p.
Text in catalogue
Rokeby, David. – «Silicon remembers carbon». – Der Prix ars electronica 93 : Internationales Kompendium der Computerkünste 93 = International compendium of the computer arts 93. – Edited by Christine Schöpf, Christian Schrenk and Paul Pritchard. – Linz : ORF Landesstudio Oberösterreich : ORF Landesstudio Oberösterreich, 1993. – P. [].
Part of Web site
Huhtamo, Erkki. – «Silicon remembers ideology, or David Rokeby's meta-interactive art». – David Rokeby : media installation artist. – [S.l.] : D. Rokeby. – Originally published in 1998. {{www.interlog.com}}
Group exhibition
ArsLab 2 : I sensi del virtuale = The Senses of the Virtual, Promotrice Belle Arti, Turin, Italy, 1995. – Organisation : Assessorato per le Risorse Culturali e la Comunicazione, Turin. {{www.alpcom.it}}
Festival
World Wide Video Festival, The Hague, Netherlands, 1983. – Organisation : Stichting Kijkhuis, The Hague.
Group exhibition
Press Enter : Between Seduction and Disbelief, The Power Plant - Contemporary Art Gallery, Toronto, Ont., Canada, April 21-June 11, 1995.