Fondation
Daniel
Langlois
Explore
Artwork: Passage Sets / One Pulls Pivots at the Tip of the Tongue
38 documents in the collection
Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.
Text in book
Weibel, Peter. – «Narrated theory : multiple projection and multiple narration (past and future)». – The new screen media : cinema/art/narrative. – Edited by Martin Rieser and Andrea Zapp. – London : British Film Institute, 2002. – P. 42-53.
Book
Rush, Michael. – New media in late 20th-Century art. – London : Thames and Hudson, 1999. – 224 p.
Text in catalogue
«Bill Seaman». – Body mécanique : artistic explorations of digital realms : gallery guide. – Columbus : Wexner Center for the Arts, 1998. – P. 3.
Text in catalogue
«The speed of art : a family guide». – Body mécanique : artistic explorations of digital realms : gallery guide. – Columbus : Wexner Center for the Arts, 1998. – P. 23-27.
Text in book
Wirths, Axel. – «Bill Seaman : Passagen Kombinationen / man manövriert Drehungen auf der Zungenspitze : Überarbeitete deutsche Version». – Der elektronische Raum : 15 Positionen zur Medienkunst. – Ostfildern : Cantz Verlag ; Bonn : Kunst- und Ausstellunghalle der Bundesrepublik Deutschland, 1998. – P. 174-175.
Text in book
Huhtamo, Erkki. – «Weich und Hart : oder Bill Seamans emotionale Architektur». – Der elektronische Raum : 15 Positionen zur Medienkunst. – Ostfildern : Cantz Verlag ; Bonn : Kunst- und Ausstellunghalle der Bundesrepublik Deutschland, 1998. – P. 176-187.
Group exhibition catalogue
Body mécanique : artistic explorations of digital realms : gallery guide. – Columbus : Wexner Center for the Arts, 1998. – 28 p.
Text in periodical
Haynes, Deborah J. – «On the need for ethical aesthetics : or, where I stand between neo-Luddites and cyberians». – Art Journal. – Vol. 56, no. 3 (Fall 1997). – P. 75-82.
Text in periodical
«Serious games : art : interaction : technology». – Barbican Art Gallery Bulletin. – (19 June/17 August 1997). – N. p.
Text in catalogue
Schwarz, Hans-Peter. – «Bill Seaman : Passage sets / One pulls pivots at the pip of the tongue, 1995». – Media-art-history : media museum : ZKM - Center for Art and Media Karlsruhe. – München : Prestel ; Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1997. – P. 142-145.
Text in catalogue
Cornwell, Regina. – «Artists and interactivity : fun or funambulist». – Serious games : art, interaction, technology. – London : Barbican Art Gallery, 1996. – P. 10-16.
Text in catalogue
Graham, Beryl. – «Not a show about technology : a show about interaction». – Serious games : art, interaction, technology. – London : Barbican Art Gallery, 1996. – P. 6-9.
Text in book
«[Bill Seaman]». – Hardware : Software : Artware : Die Konvergenz von Kunst und Technologie : Kunstpraktiken am ZKM Institut für Bildmedien 1992-1997 = Confluence of art and technology : art practice at the ZKM Institute for Visual Media 1992-1997. – Ostfildern : Cantz Verlag ; Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1997. – P. 82-85.
Text in digital document
«Passage Sets, 1992». – Media art history = Medien Kunst Geschichte [CD-ROM]. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1997. – German and English text.
Text in periodical
Ho, Christopher. – «The illusion of illumination». – Performing Arts Journal. – Vol. 19, no. 1 (Jan. 1997). – P. 28-37.
Group exhibition catalogue
Media art history = Medien Kunst Geschichte [CD-ROM]. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1997. – Stereo sound. – QuickTime file ; also contain DIR, AIFF file. – CD-ROM accompanying the publication «Media-art-history : media museum : ZKM - Center for Art and Media Karlsruhe», 1997. – Also published in German.
Group exhibition catalogue
Schwarz, Hans-Peter. – Media-art-history : media museum : ZKM - Center for Art and Media Karlsruhe. – München : Prestel ; Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1997. – 191 p. – Includes a CD-ROM.
Text in catalogue
Seifert, Oliver. – «Bill Seaman : Passage sets / One pulls pivots at the tip of the tongue, 1994-1995». – Mediascape. – New York : Guggenheim Museum, 1996. – P. 44.
Group exhibition catalogue
Graham, Beryl. – Serious games : art, interaction, technology. – London : Barbican Art Gallery, 1996. – 61 p.
Text in book
Frieling, Rudolf. – «Hot spots : text in motion and the textscape of electronic media». – Clicking in : hot links to a digital culture. – Translated by Don Reneau. – Edited by Lynn Hershman Leesson. – Seattle : Bay Press, 1996. – P. 267-278.
Text in catalogue
«Bill Seaman». – Electra : prosjekt for elektroniske medier. – Oslo : Henie-Onstad Kunstsenter, 1996. – P. 24-25.
Text in catalogue
Seaman, Bill. – «Bill Seaman». – Serious games : art, interaction, technology. – London : Barbican Art Gallery, 1996. – P. 49.
Text in periodical
Duncan, Ann. – «Technology for art's sake : there's much whirring and buzzing at ISEA 95 but is there enough poetry». – The Gazette. – (Sept. 23, 1995). – P. H6.
Group exhibition catalogue
MultiMediale 4 : das Medienkunstfestival des ZKM Karlsruhe. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe, [1995]. – 110 p.
Program
ISEA95 Montréal : programme détaillé = Detailed program. – Montréal : ISEA : Inter-Société des arts électroniques, 1995. – 122 p.
Group exhibition catalogue
Le nouveau festival international du cinéma, de la vidéo et des nouvelles technologies de Montréal. – Montréal : Le nouveau festival international du cinéma, de la vidéo et des nouvelles technologies, 1995. – 128 p.
Group exhibition catalogue
DEAF 95 : realities. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 1995. – 45 p. – English and Dutch text.
Text in catalogue
Seaman, Bill. – «Bill Seaman : Passage sets / One pulls pivots at the pip of the tongue». – MultiMediale 4 : das Medienkunstfestival des ZKM Karlsruhe. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe, [1995]. – With English summary. – P. 44-45.
Text in catalogue
«Bill Seaman : Passage sets / One pulls pivots at the pip of the tongue : poetic reflexion on a sensual future = Poëtische reflectie op een sensuele toekomst». – DEAF 95 : realities. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 1995. – English and Dutch text. – P. 14-15.
Text in catalogue
«Bill Seaman». – Internationaler Videokunstpreis 1995 = International Award for Video Art 1995. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Baden-Baden : Südwestfunk Baden-Baden, [1995]. – German and English text. – P. 14-17.
Text in catalogue
«Passage sets / One pulls pivots at the pip of the tongue». – Le nouveau festival international du cinéma, de la vidéo et des nouvelles technologies de Montréal. – Montréal : Le nouveau festival international du cinéma, de la vidéo et des nouvelles technologies, 1995. – Also in English. – P. 79.
2 pages in this Web Site
Yvonne Spielmann, Interview with Bill Seaman Since the late seventies/early eighties Bill Seaman has been working with linear video tape and he has carried on the preoccupation with this medium in the installation works that combine videodisk with computer-driven menu systems.
Bill Seaman Through his various works, Bill Seaman has developed a cinematic language with the help of new technologies.
9 web sites
Text in periodical
Frieling, Rudolf. – «Hot spots : Texte in Bewegung und die elektronischen Medien». – Kunstforum International [on line]. – (Febr.-Apr. 1996). – N. p. {{www.kunstforum.de}}
Part of Web site
[Seaman, Bill]. – «Passage sets : one pulls pivots at the tip of the tongue». – 235 Media : Media Art Distribution. – Köln : 235 Media. {{www.art.235media.de}}
Part of Web site
«Red Dice : Bill Seaman : a visual arts project for the Telstra Adelaide festival 2000». – Cacsa. – Adelaide : Contemporary Art Centre of South Australia. {{www.cacsa.org.au}}
23 events
Exhibition
[Passagen Kombinationen / Man Manövriert Drehungen auf der Zungenspitze], Karlsruhe, Germany, 1998. – Organisation : ZKM/Center for Art and Media Karlsruhe, Karlsruhe.
Festival
In (between) the Images : Moving Images in their External and Internal Expansion, Graz, Austria, December 4-6, 1998. – Organisation : The Thing, Vienna, Vienna. {{www.thing.at}}
Group exhibition
Mostra de Arte Eletrônica, Museu Brasileiro da Escultura Marilisa Rathsam, São Paulo, Brazil, May 1999. – Organisation : ZKM/Center for Art and Media Karlsruhe, Karlsruhe ; Goethe-Institut Inter Nationes, Munich.