Livre / Anthologie
Art @ Science. — Sous la direction de Christa Sommerer et Laurent Mignonneau. — Wien : Springer Verlag, 1997. — 330 p. — Comprend une bibliographie. — ISBN 3211829539.
Livre / Anthologie
- Cote CR+D : ANT ART 00001376
- Document en Anglais
- État dans la collection du CR+D : ORIGINAL
Ce document contient les textes suivants (liste partielle) :
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Sommerer, Christa ; Mignonneau, Laurent. — «Introduction : art and science - a model of a new dynamic interrelation». — Art @ Science, 1997.-
Quéau, Philippe. — «Virtual communities : the art of presence». — Art @ Science, 1997.-
Grazia Mattei, Maria. — «Telematic art». — Art @ Science, 1997.-
Nakatsu, Ryohei. — «Image/speech processing adopting an artistic approach : toward integration of art and technology». — Art @ Science, 1997.-
Cox, Donna J. — «What can artist do for science : “cosmic voyage” IMAX film». — Art @ Science, 1997.-
Prusinkiewicz, Przemyslaw. — «In search of the right abstraction : the synergy between art, science and information technology in the modeling of natural phenomena». — Art @ Science, 1997.-
Terzopoulos, Demetri. — «Artificial life for computer animation». — Art @ Science, 1997.-
Ray, Thomas S. — «Evolution as an artist». — Art @ Science, 1997.-
Bec, Louis. — «Artificial life under tension : a lesson in epistemological fabulation». — Art @ Science, 1997.-
Kusahara, Machiko. — «Transition of concept of life in art and culture from automata to network». — Art @ Science, 1997.-
Naimark, Michael. — «Art (“and” or “versus” ) technology : some personal observation». — Art @ Science, 1997.-
Fleischmann, Monika ; Strauss, Wolfgang. — «Images of the body in the house of illusion». — Art @ Science, 1997.-
Sommerer, Christa ; Mignonneau, Laurent. — «Art as a living system». — Art @ Science, 1997.-
Shaw, Jeffrey. — «Convergence of art, science and technology?». — Art @ Science, 1997.-
Weibel, Peter. — «The unreasonnable effectiveness of the methodological convergence of art and science». — Art @ Science, 1997.-
Mayer-Kress, Gottfried. — «Reflection of chaos in music and art». — Art @ Science, 1997.-
Rössler, Otto E. — «Can a program force the programmer to reply». — Art @ Science, 1997.-
Itoh, Toshiharu. — «ICC (InterCommunication Center) : the matrix of communication and imagination». — Art @ Science, 1997.-
Schwarz, Hans-Peter. — «New art needs new art venues : art, technology and the museum : ars sine scientia nihil est». — Art @ Science, 1997.-
Richards, Peter. — «From London to Nagasaki : the roots of interactive art @ the exploration». — Art @ Science, 1997.-
Sakane, Itsuo. — «The historical background of science-art and its potential future impact». — Art @ Science, 1997.-
Klein, Michael. — «The evolution of images between chaos and new media». — Art @ Science, 1997.-
Goodman, Cynthia. — «Art and technology : the ineluctable liason [sic]». — Art @ Science, 1997.-
Huhtamo, Erkki. — «Seeing at a distance : towards an archeology of the “small screen”». — Art @ Science, 1997.-
Ascott, Roy. — «The technoetic dimension of art». — Art @ Science, 1997.Ce document est le sujet de :
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Candy, Linda ; Edmonds, Ernest. — Explorations in art and technology, 2002.La base de données du CR+D contient l'indexation suivante :
(Veuillez noter que les indexations ne sont pas toujours exhaustives.)
Individu :
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David RokebyŒuvre :
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Paul Garrin, Border PatrolThèmes :
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Art et Science-
Art et Technologie-
Arts électroniques-
Arts médiatiques-
Complexité / Chaos-
Intelligence artificielle-
Réalité virtuelle-
Télématique ET ArtÉditeur :
- Springer Verlag