Text in periodical
Rouillé, André. – «Chaos des images, dérive des matériaux». – paris-art.com [on line]. – [2007]. – N. p. {{www.paris-art.com}}
Digital document
Rinehart, Richard. – Nailing down bits: digital art and intellectual property = Bien fixer les éléments d'information : l'art numérique et la propriété intellectuelle [On-line]. – Gatineau : Canadian Heritage Information Network, 2006. – 46 p. – Acrobat (PDF) file. {{www.pro.rcip-chin.gc.ca}}
Text in periodical
Laurenson, Pip. – «Developing strategies for the conservation of installations incorporating time-based media with reference to Gary Hill's Between cinema and a hard place». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 259-266.
Also available on the Internet. {{www.tate.org.uk}}
Archive document
[Brief chronology of Experimental Television Center 1971-1978]. – [1971-1978]. – [3] p. – Chronology. – Included in the file entitled «Experimental television center».
Archive document : List / Inventory
Art en réseau : liste de bandes allemandes. – Mons-en-Baroeul : Heure exquise!, [before June 2000]. – [9] p. – List of video works. – Included in the file entitled «Foresta, Don».
Archive document : File
[Miller Hocking, Sherry]. – 1982. – Set of 3 elements. – File. – The person who processed the documents established the arrangement of items. – Includes one chronology, one manuscript, one photocopy of a periodical article.
Group program
Image Processing : the Electronic Manipulation of Video, The Kitchen, New York, N. Y., United States, December 4-29, 1981.
Group program
Themes in Electronic Image Processing, The Kitchen, New York, N. Y., United States, December 1-31, 1981.
Group exhibition
Book/Ends Wired : Electronic Media at the Arts Center, Capital Region Center for the Arts, Troy, N. Y., United States, September 15-November 2, 2000. – As part of «Book/Ends : The Transformation of the Book and the Redefinition of the Humanities».