Book
Dixon, Steve ; Smith, Barry. – Digital performance : a history of new media in theatre, dance, performance art, and installation. – Cambridge : MIT Press, 2007. – 809 p. – (Leonardo book series).
Text in periodical
Ashlock, Jesse. – «Please don't feed the animals : Natalie Jeremijenko's hands-on environmentalism». – RES. – Vol. 9, no. 4 (July/Aug. 2006). – P. 52-54.
Video document : Anthology
resdvd. – San Francisco : RES, 2006. – DVD Video, b&w, col., stereo sound. – DVD accompagnant le périodique «RES, Vol. 9 No. 4 (July/Aug. 2006). – Contains excerpts of works by Natalie Jeremijenko and Golan Levin and Zachary Lieberman.
Book
Tribe, Mark ; Jana, Reena. – Art des nouveaux médias. – Edited by Uta Grosenick. – Köln : Taschen, 2006. – 95 p.
Text in periodical
Tuters, Marc ; Varnelis, Kazys. – «Beyond locative media : giving shape to the internet of things». – Leonardo. – Vol. 39, no. 4 (2006). – P. 357-363.
Book
Else / Where : mapping new cartographies of networks and territories . – Edited by Janet Abrams and Peter Hall. – Minneapolis : University of Minnesota Press, 2005. – 320 p.
Text in book
Wilson, Stephen. – «La contribution potentielle des bioartistes à la recherche». – Art et biotechnologies. – Edited by Ernestine Daubner and Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2005. – (Esthétique). – P. 335-351.
Book
Art et biotechnologies. – Edited by Ernestine Daubner and Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2005. – 378 p. – (Esthétique). – Includes a DVD-ROM.
Book
Thacker, Eugene. – The global genome : biotechnology, politics and culture. – Cambridge : MIT Press, 2005. – 416 p. – (Leonardo book series).
Text in periodical
Ashlock, Jesse. – «Making the world 125 percent better : the new open labs». – RES. – Vol. 7, no. 4 (2004). – P. 56-59.
Text in periodical
Daubner, Ernestine. – «Natalie Jeremijenko's clones and robots : repetition/difference and other subversive representational strategies = Les clones et les robots de Natalie Jeremijenko : la répétition/différence et autres stratégies subversives de représentation». – Parachute. – N° 112 (oct./nov./déc. 2003). – P. 92-106.
Text in periodical
Ritoux, Nicolas. – «Art transgénique : quand la génétique devient un outil artistique». – La Presse. – (21 févr. 2003). – P. B1-B2.
Text in periodical
McCleave, Leslie. – «Of mice and men : genetically modified art». – RES. – Vol. 6, no. 1 (Jan./Feb. 2003). – P. 60-62.
Periodical issue
Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – Lódz : Lódzkie Towarzystwo Naukowe, 2003. – 273 p. – Issue title : «Cyberarts, cybercultures, cybersocieties».
Text in periodical
Wójtowicz, Ewa. – «Cyberperception : where art ends and technology begins». – Art inquiry = Recherches sur les arts. – Vol. 5, no. 14 (2003). – P. 69-74.
Digital document
PRPS websites [CD-ROM]. – 2002. – Silent. – HTML and JPEG files ; also contain GIF file.
Archive document : Report / Memorandum
Proboscis final report to fondation Daniel Langlois. – London : Proboscis, 2002. – [3] p. – Final report of the project submitted to the Daniel Langlois Foundation in 2001.
Archive document : Press release
Private Reveries, Public Spaces. – London : Proboscis, 2002. – [1] p. – Press release.
Text in periodical
Willis, Holly. – «Art in motion III : Luna Park : LA Freewaves : tv or not tv : Rhizome LA». – RES. – Vol. 5, no. 2 (Mar./Apr. 2002). – P. 15.
Text in periodical
Bureaud, Annick. – «Art biologique : quelle esthétique = The ethics and aesthtics of biological art». – Art Press. – N° 276 (févr. 2002). – P. 38-39.
Text in periodical
«Rétrospective - Gallery». – Art Press. – N° 276 (févr. 2002). – Directory of biological's works of art until December 2001. – P. 44-50.
Book
Wilson, Stephen. – Information arts : intersections of art, science, and technology. – Cambridge : MIT Press, 2002. – 945 p.
Group exhibition catalogue
Heiferman, Marvin ; Kismaric, Carole. – Paradise now : picturing the genetic revolution. – Edited by Ian Berry. – Saratoga Springs : The Tang Teaching Museum and Art Gallery at Skidmore College, 2001. – 124 p.
Group exhibition catalogue
Heon, Laura Steward ; Ackerman, John. – Unnatural science : an exhibition. – North Adams : Massachusetts Museum of Contemporary Art, 2000. – 125 p.
Group exhibition catalogue
Paradise now : picturing the genetic revolution. – New York : Exit Art, 2000. – [12] p.
Group exhibition catalogue
Star dot star. – Edited by Helen Sloan. – Sheffield : Site Gallery, 1998. – [46] p.
Program
Ars Electronica festival 96 : Memesis : Die Zukunft der Evolution = The future of evolution. – Linz : Ars Electronica Center, [1996]. – 51 p. – Pre-program.
Text in book
«The thinking-feeling of what happens : an interview with Brian Massumi». – Interact or die!. – Edtied by Joke Brouwer and Arjen Mulder. – Rotterdam : V2_Organisation, Institute for the Unstable Media, 2007. – P. 70-91.
Part of Web site
Weinberg, Anna. – «Mad Scientist : Natalie Jeremijenko is engineering a new approach to environmentalism». – Mad Scientist : Natalie Jeremijenko is engineering a new approach to environmentalism. {{www.goodmagazine.com}}
Text in periodical
«An engineer for the avant-garde». – Yale Alumni Magazine [on line]. – March/April 2004. – An article about Natalie Jeremijenko. – P. [?].
Also available on the Internet. {{www.yalealumnimagazine.com}}
Part of Web site
«Sovereign Whores and Seditious Technology : Panel Presentation». – Eyebeam Journal : dissecting art and technology. – New York : Eyebeam Gallery. – This audio podcast was taken from the May 13, 2006 panel discussion of Norene Leddy's Aphrodite Project: Platforms. Participants include Norene Leddy, Andrew Milmoe, Krzysztof Wodiczko, Tracy Quan, Natalie Jeremijenko, Melissa Gira and panel moderator Amanda McDonald Crowley.. {{www.eyebeam.org}}
Conference / Symposium
Doors of Perception, Amsterdam, Netherlands, Novembre 11-13, 2000. – Organisation : Doors of Perception, Amsterdam. {{doorsofperception.com}}
Group exhibition
Unnatural Science, Massachusetts Museum of Contemporary Art, North Adams, Mass., United States, Spring 2000-Spring 2001.