Elizabeth Vander Zaag, Whispering Pines, 1993.
Image taken from the Whispering Pines CD-ROM.
Actress: Sidney Shadbolt. In the collection of the Morris and Helen Belkin Art Gallery (University of British Columbia, Vancouver, British Columbia, Canada) and the Kamloops Art Gallery (Kamloops, British Columbia, Canada).
Courtesy of the artist.
Luc Courchesne, Panoscopic Image (2005).
Courtesy of the artist.
Luc Courchesne, Portrait One (1990).
Luc Courchesne in conversation with Marie (Paule Ducharme).
Courtesy of the artist. Collection of the National Gallery of Canada.
Tod Machover, Brain Opera, 1994-2000.
Visual Design Director: Sharon Daniel.
Collection of the Haus der Musik Wien (Vienna, Austria).
Courtesy of Sharon Daniel.
Usman Haque (with J. Pletts and L. Turin), Scents of Space (2002).
Courtesy of the artists.
Radical Software, Volume I, Number 1, 1970
Jim Campbell, Portrait of a Portrait of Harry Nyquist (2000).
Courtesy of the artist.
David Rokeby, Very Nervous System, 1986-present. Courtesy of the artist.
Radical Software, Volume I, Number 3, 1971
Jim Campbell, Political Protest New York 2004 - 3 (détail), 2005.
121 x 180 cm. Duratrans, light box.
Courtesy of Jim Campbell.
Mike MacDonald, Touched by the Tears of a Butterfly, 1995.
Video installation.
Video still.
Courtesy of the artist.
Radical Software, Volume I, Number 2, 1970
Martin Kusch and Marie-Claude Poulin, schème, Fixed body with a "gone" head, physically present but mentally elsewhere, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Jim Campbell, Political Protest New York 2004 - 3, 2005.
121 x 180 cm. Duratrans, light box.
Courtesy of Jim Campbell.
Jim Campbell, Political Protest New York 2004 - 2, 2005.
121 x 180 cm. Duratrans, light box.
Courtesy of Jim Campbell.
Jim Campbell, Political Protest New York 2004 - 1, 2005.
121 x 180 cm. Duratrans, light box.
Courtesy of Jim Campbell.
Bill Seaman, Gideon May, The World Generator (1996-1997). Courtesy of the artists.
Toni Dove, Artificial Changelings, 1998
Toni Dove, Artificial Changelings, 1998.
Interactive laser disk and sound installation using video motion sensing. Video still of the installation Artificial Changelings, 1998. Photo: DP Einar Westerlund, (copositing) J.J. Gifford.
Courtesy of the artist.
Marie Chouinard, Cantique n° 3 (2004).
Courtesy of the Compagnie Marie Chouinard.
Toni Dove, Spectropia, 2001.
Interactive movie/installation shot on digital video. Image of Spectropia, 2001. Director of photography: Sam Levy. Compositing: Toni Dove.
Courtesy of the artist.
Lynn Hershman, Tillie, the Telerobotic Doll, 1995-1998.
Courtesy of the artist.
Dr. Mark Lythgoe, Magnetic resonance image (MRI) used for the project Mapping Perception, 2000.
3 Dimensional functional MRI of Mark Lythgoe's head. The red area indicates the region of the brain active when smell is tested in a subject during an fMRI scan.
Courtesy of Dr. Mark Lythgoe, Institute of Child Health and Proboscis.
Martin Kusch and Marie-Claude Poulin, schème, Siamese Twins Connected to a Projected Space Illusion, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin and Line Nault during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch and Marie-Claude Poulin, schème, Siamese Twins Connected to a Projected Space Illusion, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin and Line Nault during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch and Marie-Claude Poulin, schème, Fixed body with a "gone" head, physically present but mentally elsewhere, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Tod Machover, Brain Opera, 1994-2000.
Visual Design Director: Sharon Daniel.
Collection of the Haus der Musik Wien (Vienna, Austria).
Courtesy of Sharon Daniel.
Tod Machover, Brain Opera, 1994-2000.
Visual Design Director: Sharon Daniel.
Collection of the Haus der Musik Wien (Vienna, Austria).
Courtesy of Sharon Daniel.
Tod Machover, Brain Opera, 1994-2000.
Visual Design Director: Sharon Daniel.
Collection of the Haus der Musik Wien (Vienna, Austria).
Courtesy of Sharon Daniel.
Lynn Hershman, Reach (Phantom Limb Series), 1988.
Gelatin silver print.
Courtesy of the artist.
Lynn Hershman, Shutter (Phantom Limb Series), 1988.
Gelatin silver print.
Courtesy of the artist.
Lynn Hershman, Seduction (Phantom Limb Series), 1988.
Gelatin silver print.
Courtesy of the artist.
Luc Courchesne, The Visitor: Living by Numbers, 2001.
Courtesy of the artist.
Luc Courchesne, Horizons (2007).
Video still. Projected video in a loop, 9 min., colour, sound, variable dimensions.
Courtesy of the artist and Pierre-François Ouellette art contemporain gallery.
Luc Courchesne (2003).
Photo: Jean Gagnon.
© 2003 FDL
Radical Software, Volume I, Number 4, 1971
Radical Software, Volume II, Number 1, 1972
Radical Software, Volume II, Number 4, 1973
Radical Software, Volume II, Number 5, 1973
Isabelle Choinière et Le Corps Indice, La Mue de l'Ange, 1999.
Image taken from performance.
Courtesy of Le Corps Indice.
Radical Software, Volume I, Number 5, 1972
David Rokeby, Echoing Narcissus, 1987.
Interactive sound sculpture. Installation view.
Courtesy of David Rokeby.
David Rokeby, The Giver of Names, 1991-present.
Interactive computer installation. A screen shot from the first full version of The Giver of Names, Macdonald Stewart Art Centre, Guelph (Ontario, Canada), January 1998.
Courtesy of David Rokeby.
David Rokeby, Watch, 1995.
Real-time computer installation.
Courtesy of David Rokeby.
Radical Software, Volume II, Number 2, 1973
Radical Software, Volume II, Number 3, 1973