Guillermo Pozzati, El adiós, 1990
For tape. ARP 2600 synthesizer and resonant filters (designed during 1966 for its use at the Laboratorio de Fonología Musical of the University of Buenos Aires).
Miguel Calzón, La vida perdurable, 1993
For tape. Yamaha SY77 and TG77 synthesizers controlled by computer sequencers.
Jorge Antunes, Source, 1974
For voice, flute, viola, cello, piano, synthesizer and magnetic tape (24 min. 10 sec.)
Jorge Antunes, Vivaldia MCMLXXV, 1975
For voice, dancer, flute, English horn, French horn, viola, cello, piano and magnetic tape (21 min. 20 sec.)
Web site
Anarchive 2 : Digital Snow. – Montréal : Époxy Communications, 2002. {{www.digitalsnow.org}}
Part of Web site
«Music Composition Area». – Schulich School of Music of McGill University. {{www.mcgill.ca}}
Text in periodical
Clayton, Trevor . – «La restauration du Highlife au Ghana = Restoring Ghana's Highlife». – Bulletin [on line]. – Vol. 35, no. 4 (Juillet/Août 2003). – N. p. {{www.fondation-langlois.org}}
Group exhibition catalogue
Foresta, Don. – Mondes multiples = Many worlds. – [S.l. : s.n.], [1988]. – [20] p.
Book
From mouth cavity to laptop : the sound of Nordic art = Fran munhala till laptop : ljud i nordisk konst. – Edtied by Maria Bjurestam, Maria Hägglund, Mona Petersson and Liv Strand. – Göteborg : Kabusa Böcker ; Oslo : LARM, 2007. – 275 p. – Includes two audio CDs.
Festival
2nd International Computer Art Festival, The Kitchen, New York, N. Y., United States, June 1-15, 1974.
Festival
Eleventh Annual New York Avant Garde Festival, Shea Stadium, Queens, N. Y., United States, November 16, 1974.
Festival
Tenth Annual New York Avant Garde Festival, Grand Central Station, New York, N. Y., United States, December 9, 1973.