Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.
Grain Silo No. 5.
View of the grain belt inside Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.
Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.
Grain Silo No. 5.
View from the exterior of Grain Silo No. 5.
Courtesy of Quartier Éphémère.
Photo: Diana Shearwood.
Usman Haque (with J. Pletts and L. Turin), Scents of Space (2002).
Courtesy of the artists.
Stealth Group, The Wild City: Urban genetics, 2000-2001.
"Urban Genetics" is a system of codes extracted through monitoring and denoting the rules of urban design and chaotic transformation in Belgrade.
Courtesy of Stealth Group.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
[The User], Symphony for Dot Matrix Printers, 1997-1999.
Thomas McIntosh and Emmanuel Madan performing at the FCMM, Montreal, 1998.
Courtesy of [The User].
Nicolas Reeves and the Laboratory NXI GESTATIO, La Harpe à Nuages, 1997-2000.
Courtesy of the artist.
CAPACETE, A Banca no 2, 2002.
Installation during the São Paulo Bienale with the collaboration of Marie-Ange Guilleminot (France), 2002.
Courtesy of CAPACETE.
Greylands, Faux Sales Office (Trailer), 1999.
Photo: Adrian Göllner/Greylands.
Courtesy of Greylands.
Greylands, Faux Housing Development, 1999.
Photo: Adrian Göllner/Greylands.
Courtesy of Greylands.
Martin Kusch, As Far as In-between, 1994.
Interactive video installation. Photo: Martin Kusch.
Courtesy of the artist.
Martin Kusch, As Far as In-between, 1994.
Interactive video installation. Photo: Martin Kusch.
Courtesy of the artist.
Nicolas Reeves, the Laboratory NXI GESTATIO and the ateliers Untitled, Coireault: The First Mutation of the White Doe, circa 1999.
Courtesy of the artist.
Nicolas Reeves, the Laboratory NXI GESTATIO and the ateliers Untitled, Doncieux: The Second Mutation of the White Doe, circa 1999.
Courtesy of the artist.
Nicolas Reeves and the Laboratory NXI GESTATIO, La Harpe à Nuages, 1997-2000.
Courtesy of the artist.
Nicolas Reeves, the Laboratory NXI GESTATIO and the ateliers Untitled, Coireault: The First Mutation of the White Doe, circa 1999.
Courtesy of the artist.
Rafael Lozano-Hemmer, Vectorial Elevation (1999-2002). Courtesy of the artist.
Rafael Lozano-Hemmer, Vectorial Elevation, Relational Architecture 4, 1999-2002.
Artium Square, Vitoria, Basque Country, Spain, 2002.
Photo: David Quintas. Courtesy of the artist.