Book
Changing states : contemporary art and ideas in an era of globalisation. – Edited by Gilane Tawadros. – London : Institute of International Visual Arts, 2004. – 336 p.
Book
Ascott, Roy. – Telematic embrace : visionary theories of art, technology, and consciousness. – Edited by Edward A. Shanken. – Berkeley : University of California Press, 2003. – 427 p.
Book
A arte pesquisa : volume 2 : história, teoria e crítica da arte. – Edited by Maria Beatriz de Medeiros. – São Paulo : Associação Nacional de Pesquisadores em Artes Plásticas : Mestrado em Artes, Universidade de Brasília, 2003. – 352 p.
Group exhibition catalogue
Art, lies and videotape: exposing performance. – Edited by Adrian George. – London : Tate Publications, 2003. – 99 p.
Book
Schillinger, Joseph. – The mathematical basis of the arts. – Harwich Port : Clock & Rose Press, 2003. – 696 p.
Book
Arts en bibliothèques. – Edited by Nicole Picot. – Paris : Le Cercle de la Librairie, 2003. – 270 p. – (Bibliothèques).
Book
Buci-Glucksmann, Christine. – La folie du voir : une esthétique du virtuel. – Paris : Galilée, 2002. – 271 p. – (Débats).
Group exhibition catalogue
Iconoclash : beyond the image wars in science, religion, and art. – Edited by Bruno Latour and Peter Weibel. – Karlsruhe : ZKM/Center for Art and Media Karlsruhe ; Cambridge : MIT Press, 2002. – 703 p.
Book
Black mountain college : experiment in art. – Edited by Vincent Katz ; With essays by Martin Brody, Robert Creeley, Vincent Katz and Kevin Power. – Cambridge : MIT Press, 2002. – 328 p.
Group exhibition catalogue
Leiber, Steven. – Extra art : a survey of artists' ephemera, 1960-1999. – Santa Monica : Smart Art Press, 2001. – 190 p. – Text of the introduction English and French.
Group exhibition catalogue
Stafford, Barbara Maria ; Terpak, Frances. – Devices of wonder : from the world in a box to images on a screen. – Los Angeles : Getty Research Institute, 2001. – 405 p.
Text in book
Ross, Christine. – «Inhibitions perceptives : ce que l'art contemporain a à dire aux sciences cognitives». – Penser l'indiscipline : recherches interdisciplinaires en art contemporain = Creative con/fusions : interdisciplinary practices in contemporary art. – Edited by Lynn Hughes and Marie-Josée Lafortune. – Montréal : Optica, 2001. – P. 179-187u.
Book
Harrison, Charles. – Essays on art & language. – Cambridge : MIT Press, 2001. – 302 p. – Originally published in 1991.
Group exhibition catalogue
The uncanny : experiments in cyborg culture. – Edited by Bruce Grenville. – Vancouver : Vancouver Art Gallery : Arsenal Pulp Press, 2001. – 279 p.
Book
Welger-Barboza, Corinne. – Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque. – Paris : L'Harmattan, 2001. – 313 p.
Book
Reproductibilité et irreproductibilité de l'oeuvre d'art. – Edited by Véronique Goudinoux and Michel Weemans. – Bruxelles : La Lettre Volée, 2001. – 249 p. – (Essais).
Proceedings
ICHIM01 : international cultural heritage informatics meeting : cultural heritage and technologies in the third millenium . – Edited by David Bearman and Franca Garzotto. – Pittsburgh : Archives & Museum Informatics ; Milano : Politecnico di Milano, 2001. – 2 vol. (655 p., 518 p.). – Include a CD-ROM.
Group exhibition catalogue
Perspektíva = Perspective. – Edited by Miklós Peternák et Nikolett Erõss. – Budapest : Mücsarnok/Kunsthalle : C3 Center for Culture & Communication, 2001. – 514 p.
Book
Penser l'indiscipline : recherches interdisciplinaires en art contemporain = Creative con/fusions : interdisciplinary practices in contemporary art. – Edited by Lynn Hughes and Marie-Josée Lafortune. – Montréal : Optica, 2001. – 199 p.
Group exhibition catalogue
Vision machine. – Paris : Somogy éditions d'art ; Nantes : Musée des beaux-arts de Nantes, 2000. – 255 p.
Book
Balpe, Jean-Pierre. – Contextes de l'art numérique. – Paris : Hermes Science, 2000. – 249 p. – (Technologies et cultures).
Group exhibition catalogue
Blühm, Andreas ; Lippincott, Louise. – Light! : the industrial age 1750-1900 : art and science, technology and society. – London : Thames and Hudson, 2000. – 271 p.
Book
Stafford, Barbara Maria. – Visual analogy : consciousness as the art of connecting. – Cambridge : MIT Press, 1999. – 219 p.
Text in book
Terry, Brett. – «The work of art in the age of digital historiography». – Reframing consciousness. – Edited by Roy Ascott. – Exeter : Intellect Books, 1999. – P. 145-150.
Proceedings
Computing and visual culture : representation and interpretation : CHArt conference proceedings, volume one. – Edited by Tanya Szrajber. – London : CHArt : Computers and the History of Art, 1999. – 151 p.
Proceedings
Mortality immortality : the legacy of 20th-century art. – Edited by Miguel Angel Corzo. – Los Angeles : Getty Conservation Institute, 1999. – 192 p.
Proceedings
X encontro nacional da ANPAP: Anais : Volume I. – São Paulo : Associação Nacional de Pesquisadores em Artes Plásticas, [1999]. – 2 vol.
Book
Lafon, Jacques. – Pour une esthétique de l'image de synthèse : la trace de l'ange. – Paris : L'Harmattan, 1999. – 228 p. – (Esthétiques).
Book
L'art de l'exposition : une documentation sur trente expositions exemplaires du XXe siècle. – Edited by Bernd Klüser and Katharina Hegewisch. – Paris : Editions du Regard, 1998. – 422 p.
Book
The art of art history : a critical anthology. – Edited by Donald Preziosi. – Oxford : Oxford University Press, 1998. – 608 p. – (Oxford History of Art).
Book
Art in theory 1815-1900 : an anthology of changing ideas. – Edited by Charles Harrison, Paul Wood, and Jason Gaiger. – Oxford : Blackwell Publishers, 1998. – 1097 p.
Text in book
Couchot, Edmond. – «Les promesses de l'hybridation numérique». – Images numériques, l'aventure du regard. – Edited by Odile Blin and Jacques Sauvageot. – Rennes : École des Beaux-Arts de Rennes, 1997. – P. 29-35.
Book
Six years : the dematerialization of the art object from 1966 to 1972 : a [...]. – Edited and annotated by Lucy R. Lippard. – Berkeley : University of California Press, 1997. – 272 p. – Originally published in 1973.
Book
Images numériques, l'aventure du regard. – Edited by Odile Blin and Jacques Sauvageot. – Rennes : École des Beaux-Arts de Rennes, 1997. – 153 p.
Book
Stafford, Barbara Maria. – Good looking : essays on the virtue of images. – Cambridge : MIT Press, 1996. – 259 p.
Book
Crow, Thomas. – Rise of the sixties : american and european art in the era of dissent. – New York : Harry N. Abrams, 1996. – 192 p.
Group exhibition catalogue
Vera Frenkel : body missing. – Edited by Eva Schmidt. – Bremen : Gesellschaft für aktuelle Kunst, 1996. – 46 p. – German and English text.
Text in book
Poissant, Louise. – «Éléments pour une esthétique des arts médiatiques». – Esthétique des arts médiatiques. – Edited by Louise Poissant. – Sainte-Foy : Presses de l'Université du Québec, 1995. – (Esthétique). – P. 1-23 (tome 1).
Part of Web site
Cates, Jon et al. – «re:place collectively re:viewed». – re:place 2007 : Second international conference on the histories of media, art, science and technology, 2007. {{www.mediaarthistory.org}}
Web site
Primera generación. Arte e imagen en movimiento, 1963-1986 = First Generation : Art and the Moving Image, 1963-1986. – 2006. {{www.museoreinasofia.es}}
Web site
MediaArtHistoriesArchive : Archiving the histories of media art, science and technology. – Bonn : MediaArtHistoriesArchive, 2007. {{www.mediaarthistory.org}}
Conference / Symposium
Computing and Visual Culture : Representation and Interpretation : Fourteenth Annual Conference of CHArt : Computers and the History of Art, Victoria & Albert Museum, London, England, United-Kingdom, September 24-25, 1998. – Organisation : CHArt : Computers and the History of Art, London. {{www.chart.ac.uk}}
Conference / Symposium
CHArt Annual Conference 2001 : Digital Art History : A Subject in Transition : Opportunities and Problems, The British Academy, London, England, United-Kingdom, November 28-29, 2001. – Organisation : CHArt : Computers and the History of Art, London. {{www.chart.ac.uk}}
Conference / Symposium
X encontro nacional da ANPAP, São Paulo, Brazil, November 10-12, 1999. – Organisation : Associação Nacional de Pesquisadores em Artes Plásticas, São Paulo.