Guillermo Pozzati, El adiós, 1990
For tape. ARP 2600 synthesizer and resonant filters (designed during 1966 for its use at the Laboratorio de Fonología Musical of the University of Buenos Aires).
Miguel Calzón, La vida perdurable, 1993
For tape. Yamaha SY77 and TG77 synthesizers controlled by computer sequencers.
Jorge Antunes, Source, 1974
For voice, flute, viola, cello, piano, synthesizer and magnetic tape (24 min. 10 sec.)
Jorge Antunes, Vivaldia MCMLXXV, 1975
For voice, dancer, flute, English horn, French horn, viola, cello, piano and magnetic tape (21 min. 20 sec.)
Web site
Mustica. – Paris : Institut de Recherche et Coordination Acoustique / Musique (IRCAM). {{mustica.ircam.fr}}
Text in periodical
«Frankensteins Netz / Prométhée Numérique / Wiretapping the Beast : Composition based on an Internet-installation by Atau Tanaka». – Audiohyperspace [on line]. – N. p. {{www.swr.de}}
Text in periodical
Breitsameter, Sabine. – «Networks and interfaces : the media artist Atau Tanaka». – Audiohyperspace [on line]. – (July 2002). – N. p. {{www.swr.de}}
Group exhibition catalogue
PRIX ARS ELECTRONICA : 2002 cyberarts. – Edited by Christine Schöpf and Hannes Leopoldseder. – Ostfildern : Hatje Cantz, 2002. – 248 p.
Archive document : File
Festival synthèse. – 1996. – 1 element. – File. – The person who processed the documents established the arrangement of items. – Includes one program.
Book
Women, art, and technology. – Edited by Judy Malloy. – Cambridge : MIT Press, 2003. – 541 p. – (Leonardo book series).
Festival
15th Annual Avant Garde Festival of New York, The Passenger Ship Terminal at 55th Street, New York, N. Y., United States, July 20, 1980.
Festival
14th Annual New York Avant Garde Festival and 2nd Annual Cambridge River Festival, Charles River, Cambridge, Mass., United States, May 20, 1978.