Text in periodical
Gibbs, Michael. – «Low-Fi : indexes to infinity». – Art Monthly. – No. 251 (Nov. 2001). – P. 48.
Text in periodical
Bishop, Mitchell Hearns. – «Evolving exemplary pluralism : Steve McQueen's Deadpan and Eija-Liisa Ahtila's Anne, Aki and God : two case studies for conserving technology-based installation art». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 179-191.
Proceedings
Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – Washington : American Institute for Conservation of Historic and Artistic Works, 2001. – N. p. – Proceedings of the conference «TechArcheology : A Symposium on Installation Art Preservation».
Text in periodical
Real, William A. – «Toward guidelines for practice in the preservation and documentation of technology-based installation art». – Journal of the American Institute for Conservation. – Vol. 40, no. 3 (Fall/Winter 2001). – P. 211-231.
Text in periodical
Bureaud, Annick. – «Cd-rom : oeuvre ou document ». – Art Press. – N° 265 (févr. 2001). – P. 91.
Text in periodical
Chouinard, Tommy. – «Centre de recherche et de documentation en multimédia : l'art à l'index». – Voir. – (11 janv. 2001). – P. 61.
Book
Amia compendium of moving image cataloging practice. – Edited by Abigail Leab Martin. – Hollywood : Association of Moving Image Archivists ; Chicago : The Society of American Archivists, 2001. – 272 p.
Book
Welger-Barboza, Corinne. – Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque. – Paris : L'Harmattan, 2001. – 313 p.
Text in periodical
Moore, Barbara ; Moore, Peter. – «Now playing in another world». – Aperture. – No. 164 (Summer 2001). – P. 16-25.
Text in catalogue
Depocas, Alain. – «Digital preservation : recording the recoding : the documentary strategy». – Ars Electronica 2001 : takeover : who's doing the art of tomorrow = Wer macht die Kunst von morgen. – Heidelberg : Springer Verlag ; Linz : Ars Electronica Center, 2001. – Also in German under the title «Digitale Konservierung : Die Aufzeichnung der Neukodierung : Die Strategie der Dokumentation», p. 340-345. – P. 334-339.
Proceedings
ICHIM01 : international cultural heritage informatics meeting : cultural heritage and technologies in the third millenium . – Edited by David Bearman and Franca Garzotto. – Pittsburgh : Archives & Museum Informatics ; Milano : Politecnico di Milano, 2001. – 2 vol. (655 p., 518 p.). – Include a CD-ROM.
Book
Deloche, Bernard. – Le Musée virtuel : vers une éthique des nouvelles images. – Paris : Presses Universitaires de France, 2001. – 265 p. – (Questions actuelles).
Digital document
Voices and images of California art [CD-ROM]. – San Francisco : San Francisco Museum of Modern Art, 2000. – Accompanied by a 97 p. booklet.
Group exhibition catalogue
Art as experiment, art as experience : an exploration of 15 works from the Anderson collection [CD-ROM]. – San Francisco : San Francisco Museum of Modern Art, 2000. – HTML and Acrobat (PDF) files. – Accompanied by a 30 p. booklet.
Digital document
Uninvited Guests. – Guest house [CD-ROM]. – Concept : Thomas Keller and Paul Clarke. – Bristol : DA2 : Digital Arts Development Agency, 2000. – HTML and QuickTime files ; also contain WAV, EPS, TIF, JPEG, GIF file.
Text in periodical
Dalton, Jennifer. – «Dream trash/trash dream : the artist as collector, historian and archivist». – PAJ : A Journal of Performance and Art. – No. 62 (May 1999). – P. 63-70.
Book
Modern art : who cares. – Edited by IJsbrand Hummelen and Dionne Sillé. – Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. – 445 p.
Text in book
«An international computer network for the exchange of information on artists' materials and techniques». – Modern art : who cares. – Edited by IJsbrand Hummelen and Dionne Sillé. – Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. – P. 336-337.
Proceedings
Computing and visual culture : representation and interpretation : CHArt conference proceedings, volume one. – Edited by Tanya Szrajber. – London : CHArt : Computers and the History of Art, 1999. – 151 p.
Text in periodical
Segelstein, Ariane. – «Prototype d'une base de données sur les produits utilisés en conservation préventive pour le stockage, l'exposition et le transport des collections». – Techne. – N° 8 (1998). – With an English abstract. – P. 81-86.
Book
Lanzi, Elisa. – Introduction to vocabularies : Enhancing access to cultural heritage information. – Los Angeles : The Getty Information Institute, 1998. – 79 p.
Group exhibition catalogue
Deep storage : collecting, storing, and archiving in art. – Edited by Ingrid Schaffner and Matthias Winzen. – München : Prestel, 1998. – 303 p.
Text in book
Jones, Matthew. – «Conventional art as web exhibits : a new electronic art form». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 103-105.
Text in book
Rubin, Cynthia Beth. – «Breaking the code : art that does not stand on its own». – Seventh international symposium on electronic art : proceedings. – Edited by Michael B. Roetto. – Montréal : ISEA : Inter-Société des arts électroniques, 1997. – P. 151-152.
Proceedings
Quelles mémoires pour l'art contemporain : actes du XXXe congrès de l'association internationale des critiques d'art. – Rennes : Presses Universitaires de Rennes, 1997. – 273 p.
Text in book
Schiphorst, Thecla. – «IMMERCE : Cunningham multi-media prototype : a visual data-base based on the dances of Merce Cunningham». – Actes : 6e symposium des arts électroniques = Proceedings : 6th international symposium on electronic art. – Montréal : ISEA : Inter-Société des arts électroniques, [1995]. – P. 252-253.
Text in periodical
Goldstein, Seth J. – «The Robert Wilson archive». – Fine Media. – Nr. 2 (1993). – P. 6-7.
Archive document
Artist data base. – New York : Experiments in Art and Technology, July 6, 1977. – N. p. – Archives documents. – Project description.
Book
Burian, Jarka. – The Scenography of Josef Svoboda. – Middletown : Wesleyan University Press, 1971. – 198 p.
Text in book
Depocas, Alain. – «[Fondation Daniel Langlois = Daniel Langlois Foundation]». – Proceedings : 1st international forum on documentation and contemporary languages = Atti : documentazione e linguaggi del contemporaneo. – Napoli : Palazzo delle arti Napoli : Electa Napoli, 2008. – English and Italian text. – P. 275-295.
Text in book
Depocas, Alain. – «The CR+D : a unique ressource in the technological and media arts». – Reaching out : innovation in Canadian librairies. – Edited by Yvon-André Lacroix. – Sainte-Foy : Les Presses de l'Université Laval ; Ottawa : Library and Archives Canada ; Montréal : Bibliothèque et Archives nationale du Québec, 2008. – Also available in French under the title "Le CR+D : une ressource unique sur les arts médiatiques et technologiques" in the French version of the book. – P. 91-93.
Text in book
Depocas, Alain. – «Le CR+D : une ressource unique sur les arts médiatiques et technologiques». – Rayonner et partager : l'innovation dans les bibliothèques canadiennes. – Edited by Yvon-André Lacroix. – Sainte-Foy : Les Presses de l'Université Laval ; Ottawa : Library and Archives Canada ; Montréal : Bibliothèque et Archives nationale du Québec, 2008. – Also available in English under the title "The CR+D : a unique ressource in the technological and media arts" in the English version of the book. – P. 92-94.
Text in book
Cooke, Jacqueline ; Harding, Anna. – «Working in parallel : artists and archivists re-examine the potential of the archive». – Archiving the present : manual on cataloguing modern and contemporary art in archives and databases = Gegenwart dokumentieren : handbuch zur erschließung moderner und zeitgenössischer kunst in archiven une databanken. – Edited by Lioba Reddeker. – Wien : Basis Wien, [2006]. – Also in German under the title «Parallel arbeiten : Künstler/innen une archivar/innen überprüfen das potenzial von archiven», p. 36-50. – P. 51-62.
Text in book
Depocas, Alain. – «The Daniel Langlois Foundation's Centre for Research and Documentation (CR+D)». – Hybrid : living in paradox : Ars Electronica 2005 : Festval für Kunst, Technologie und Gesellschaft. – Edited by Gerfried Stocker and Christine Schöpf. – Linz : Ars Electronica Center, 2005. – English and German text. – P. 408-409.
Bibliography
Artist's archives (Art and technology) [digital document]. – Montréal : Research and Documentation Centre, Daniel Langlois Foundation.
Text in book
Depocas, Alain. – «The Daniel Langlois Foundation's Centre for Research and Documentation (CR+D)». – Hybrid : living in paradox : Ars Electronica 2005 : Festval für Kunst, Technologie und Gesellschaft. – Edited by Gerfried Stocker and Christine Schöpf. – Linz : Ars Electronica Center, 2005. – English and German text. – P. 408-409.
Bibliography
Nicol, Monique. – «Art contemporain : bibliographie et webographie». – Arts en bibliothèques. – Edited by Nicole Picot. – Paris : Le Cercle de la Librairie, 2003. – (Bibliothèques). – P. 215-224.
Text in book
Bek, Reinhard. – «Conserving junk and movement : machines by Jean Tinguely». – Modern art, new museums : contributions to the Bilbao congress. – Edited by Ashok Roy and Perry Smith. – London : The International Institute for Conservation of Historic and Artistic Works, 2004. – P. 44-48.
Text in book
Hummelen, IJsbrand ; Scholte, Tatja. – «Sharing knowledge for the conservation of contemporary art : changing roles in a museum without walls». – Modern art, new museums : contributions to the Bilbao congress. – Edited by Ashok Roy and Perry Smith. – London : The International Institute for Conservation of Historic and Artistic Works, 2004. – P. 208-212.
Text in periodical
Durand, Anita. – «Perpétuer l'Instant? : Compte rendu d'un travail de mémoire de l'école supérieure d'Art d'Avignon». – Icom Committee for Conservation Working Group "Theory and History of Conservation-Restoration" Newsletter. – Acrobat (PDF) file. – No. 13 (Mar. 2007). – P. 12-14. {{icom-cc.icom.museum}}
Web site
PARIP : Practice as Research in Performance 2001-2006. – Bristol : The Arts and Humanities Research Council : University of Bristol. {{www.bris.ac.uk}}
Web site
Duff, Tagny. – PDOCA : Public Domain of Contemporary Art = Domain Public d'Art Actuel. – Montréal : PDOCA : Public Domain of Contemporary Art = Domain Public d'Art Actuel. {{www.pdoca.ca}}
Conference / Symposium
Computing and Visual Culture : Representation and Interpretation : Fourteenth Annual Conference of CHArt : Computers and the History of Art, Victoria & Albert Museum, London, England, United-Kingdom, September 24-25, 1998. – Organisation : CHArt : Computers and the History of Art, London. {{www.chart.ac.uk}}
Conference / Symposium
Museums and Interactive Multimedia : Second International Conference on Hypermedia and Interactivity in Museums (ICHIM 93), Cambridge, UK, England, Septembre 20-24, 1993. – Organisation : Archives & Museum Informatics, Toronto.
Conference / Symposium
Musée 2.0, Centre Georges Pompidou, Paris, France, April 1st, 2008. {{www.centrepompidou.fr}}