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Steina and Woody Vasulka, Home, 1973 (excerpt). Colour, 16 min. 48 sec. Steina and Woody Vasulka fonds.

"Man-Scan", produced in collaboration with Keith Smith / Sonia Sheridan, 1974. — 1 slide: col.; 35 mm. The Daniel Langlois Foundation for Art, Science, and Technology, Sonia Landy Sheridan fonds. 0501-110.

Steina (with Tom Joyce), Pyroglyphs, 1985 (excerpt). Colour, 27 min. 15 sec. Steina and Woody Vasulka fonds.

David Rokeby, Machine for Taking Time (Boul. Saint-Laurent), 2006-2007. Image taken by the East side camera on November 1, 2006, 9:44 pm. Courtesy of David Rokeby.

Nicole Franchy, Satellite Cities (2009). Interactive video installation. Detail: Plexiglas scale model with circuit systems and LED lights on. Courtesy of the artist.

Vera Frenkel, String Games: Improvisations for Inter-City Video, 1974-2005. Gift of the artist, 2006, as part of the Sonja and Michael Koerner residency. Collection of the Agnes Etherington Art Centre, Queen's University, Kingston, Ontario (49-026). Courtesy of Vera Frenkel and the Agnes Etherington Art Centre.

George Legrady, The Noise Factor, 1988. From the CD-ROM George Legrady, From Analogue to Digital: Photography and Interactive Media, 1997. Courtesy of George Legrady.

Jim Campbell, Portrait of a Portrait of Harry Nyquist, 2000. Courtesy of the artist.

Jim Campbell, Political Protest New York 2004 - 1, 2005. 121 x 180 cm. Duratrans, light box. Courtesy of Jim Campbell.

Laura Kikauka, Record Room, 2006. Funny Farm (Meaford, Ontario). Photo: Lary Seven. Courtesy of Laura Kikauka.

Leandro Lima, Gisela Motta, Alvo (Target) (2008). Interactive installation. Courtesy of the artists.

Lorella Abenavoli, Bitume et acier, 1995. Asphalt and steel. Courtesy of the artist.

Luc Courchesne, Landscape One, 1997. Detail. Multi-user interactive panoramic video installation. Photo: Richard-Max Tremblay. Courtesy of the artist.

Luc Courchesne, The Visitor: Living by Numbers, 2001. Video document, 3 min. 4 sec. Courtesy of the artist.

Lynn Hershman, Seduction (Phantom Limb Series), 1988. Gelatin silver print, 20 x 24 in. Courtesy of the artist.

Lynn Hershman, Room of One's Own, 1990-1993. Interactive apparatus, view of the superior part of the module. e-art: New Technologies and Contemporary Art exhibition, Montreal Museum of Fine Arts, 2007. Courtesy of the artist.

Paul Sermon, Telematic Vision (1993-). Video-cued recall interview: interviewee (left) and synchronised line-out recording (right). Rolf Wolfensberger © 2008.

Infrared lighting system (detail). Rafael Lozano-Hemmer, Subtitled Public, 2005. Montreal Museum of Fine Arts, e-art: New technologies and Contemporary Art exhibition, September–December 2007. Photo: Paul Kuranko. Courtesy of Rafael Lozano-Hemmer.

[Process: Color-in-Color I, II ("Bodyprint of Marsha Sokol") / Sonia Landy Sheridan], 1973, 1 slide: col.; 35 mm. Made by Sonia Landy Sheridan using the copier "Color-in-Color II" by 3M. The Daniel Langlois Foundation for Art, Science, and Technology, Sonia Landy Sheridan fonds.

Tmema (Golan Levin and Zachary Lieberman), The Manual Input Workstation (2004-2006). "Performing Technology" performance at the 2004 Whitney Biennial, April 30 and May 1, 2004, The Kitchen, New York (N.Y., United States). Photo: Courtesy of the artists.

Interview with Nell Tenhaaf; Question 1: Can you talk a bit about your artistic process, how and when it developed?

Interview with Vera Frenkel: Can you talk a bit about your development as an artist?

Interview with Golan Levin: Considerations on interaction design and user observation.

Woody Vasulka, circa 2000. Steina and Woody Vasulka fonds.

Steina Vasulka performing Violin Power at Ex-Centris as part of fifth anniversary activities for the Daniel Langlois Foundation's Centre for Research and Documentation (CR+D), May 26, 2006.

Chico MacMurtrie, Skeletal Reflections, 2003. Video document. Courtesy of Chico MacMurtrie and Amorphic Robot Works.

Luc Courchesne, 2003. Photo: Jean Gagnon. © 2003 FDL

e-art International Symposium (2007). David Rokeby, "The Philosophical Prosthesis". Courtesy of David Rokeby - © FDL 2007.

Eduardo Kac, GFP Bunny, 2000. Transgenic artwork. Photo: Chrystelle Fontaine. Courtesy of the artist

Sergei Mikhailovich Eisenstein in 1922

Geoffrey Smedley, Recalled Head (detail) and The Numbers (partial view), 1992-2000. Courtesy of Geoffrey Smedley.

Jessica Field, Personal Scale, 1999. Courtesy of the artist.

e-art International Symposium (2007). Jim Campbell, "Some Electronic Perspetives on Time in Electronic Art". Courtesy of Jim Campbell - © FDL 2007.

John Cage, Variations VII Performance presented as part of 9 Evenings: Theatre and Engineering, The 69th Regiment Armory, New York, N.Y., United States, October 15-16, 1966. Still from the factual footage shot in 16 mm film by Alfons Schilling. The Daniel Langlois Foundation for Art, Science, and Technology, 9 Evenings: Theatre and Engineering fonds.

Interview with Rafael Lozano-Hemmer: "Can you descibe or explain the conceptual impulse behind making Subtitled Public?"

Natalie Jeremijenko, Robotic Geese, 2003. Plastic, electronic components, video camera. Photo: Adat. Courtesy of Natalie Jeremijenko.

Vincent Bonin: Interview with Sonia Sheridan - Process: Lumena (invented by John Dunn).

Thecla Schiphorst, Bodymaps: artifacts of touch, 1995-1996. Interactive Computer Video/Audio Installation. Courtesy of Thecla Schiphorst.

Usman Haque (a collaboration with J. Pletts and Dr L. Turin), Scents of Space, 2002. Interactive smell system. Courtesy of the artist.

Interview with Norman White: Can we talk first about where you received your training as an artist, however you may consider that?