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Woody Vasulka, Golden Voyage, 1973 (excerpt).
Colour, stereo sound, 14 min 20 sec. Produced with support from the New York State Council on the Arts.
Steina and Woody Vasulka fonds.
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Steina, The West, 1983 (excerpt).
Steina and Woody Vasulka fonds.
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Steina, Pyrospheres, 2005 (excerpt).
Steina and Woody Vasulka fonds.
Mowry Baden, Seat Belt with Block, 1969.
From the exhibition Mowry Baden: Fickle Periptery, Otis Gallery, Los Angeles, 1998.
Courtesy of Mowry Baden.
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Bharatanatyam Interactive DVD produced by Attakkalari Centre for Movement Arts.
Video excerpt.
Courtesy of Jayachandran Palazhy.
Roland Brener, Bad Trick, 1989.
Photo © National Gallery of Canada.
Courtesy of Roland Brener and the National Gallery of Canada, Ottawa. Gift of the artist, Victoria, 1992.
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Jim Campbell, White Circle, 2001. Courtesy of the artist.
Alan Dunning, Translation, 1991.
Photo © National Gallery of Canada.
Courtesy of Alan Dunning and the National Gallery of Canada, Ottawa. Gift of the artist, Calgary, 1992.
Jessica Field, Semiotic Investigation into Cybernetic Behaviour, 2003.
Alan the Motion Detector; detail of the installation.
Courtesy of the artist.
Juan Geuer, Al Asnaam: the People Participating Seismometer, 1980. Collection of The Ottawa Art Gallery.
Photo: David Barbour. Courtesy of Juan Geuer.
Laura Kikauka, KITCHen, 2000.
Funny Farm East (Berlin, Germany).
Photo: Constance Hanna. Courtesy of Laura Kikauka.
George Legrady, Slippery Traces, 1996.
From the CD-ROM George Legrady, From Analogue to Digital: Photography and Interactive Media, 1997.
Courtesy of George Legrady.
George Legrady, An Anecdoted Archive From the Cold War, 1994.
From the CD-ROM George Legrady, From Analogue to Digital: Photography and Interactive Media, 1997.
Courtesy of George Legrady.
Process: Lumena / Sonia Sheridan, John Dunn, 1982; Hardware: Times Arts Inc. PC computer, video camera; Software: Lumena by John Dunn (Time Arts);
Thomas McIntosh with Mikko Hynninnen, Brian Clark, Emmanuel Madan, Ondulation (research and development phase), 2002.
Photo: Diana Shearwood. Courtesy of Thomas McIntosh.
motiroti and The Builders Association, Alladeen, 1999-2007
Photo: Ken Walczack. Courtesy of motiroti and The Builders Association.
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Anne Seidman, Susan Amkraut, The Blue Chair, 1986 (excerpt).
Courtesy of CGRG (Computer Graphics Research Group), Ohio State University.
Images du Futur collection.
[Process: Electrostatic Thermal / Sonia Landy Sheridan], c.1970, 1 sheet: photocopy on paper ; 22 X 28 cm. Made by Sonia Landy Sheridan using the Electrostatic Thermal process.
Jana Sterbak, Remote Control, 1989.
Courtesy of Jana Sterbak.
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Steina, The Making of Urban Episodes, 1980
Colour, stereo sound, 2 min. 22 sec.
Steina and Woody Vasulka fonds.
Woody Vasulka, circa 2000.
Steina and Woody Vasulka fonds.
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Interview with Per Biorn: Documentation of Per Biorn’s work.
Marie Chouinard, S.T.A.B., 1986. Courtesy of the Compagnie Marie Chouinard.
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Interview with Alan Dunning: When and why you began to incorporate technology into your art practice?
Sergei Mikhailovich Eisenstein in 1922
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Interview with Juan Geuer; Question 1: Can you talk a bit about the development of your artistic process?
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Interview with Laura Kikauka: Can you talk a bit about your development as an artist? How you came to employ technology in your work?
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Interview with Rafael Lozano-Hemmer:
"Can you descibe or explain the conceptual impulse behind making Subtitled Public?"
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Interview with Vishal Rawlley: Rawlley describes his role as an artist.
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Interview with Catherine Richards: Much of your practice was established during the 90s, but you were active in early new media through work in computer graphics. Can you describe your work during the 1980s and how you shifted from working solely with the computer to the more elaborate installation-based work?
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Interview with David Rokeby: Can you talk a bit about your process and its genesis in terms of your art practice?
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Interview with Surajit Sarkar: Sarkar reflects on the shift from creating documentary and educational films to his experimentation with interactive video art.
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John Mabey, Portrait of Sonia, 1977 - Tool: VQC (3M)
Michael Snow, 2001.
Photo: John Emrys.
Courtesy of the artist.
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Interview with Norman White: Can we talk first about where you received your training as an artist, however you may consider that?
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