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Publications by the Foundation: 38 Publications
Clarisse Bardiot, 9 Evenings: Theatre and Engineering This Web publication explores the technological aspects of this festival presented in New York in 1966, which brought together 10 artists as well as some 30 engineers.
Clarisse Bardiot, Les artistes et les ingénieurs dans 9 Evenings: Theatre and Engineering, 1966 On October 28, 2006, Clarisse Bardiot, a 2005 researcher in residence at the Foundation, presented this talk as a one of the matinées-conférences organised by the Langlois Foundation.
Ricardo Dal Farra, Latin American Electroacoustic Music Collection Latin American electroacoustic music has a long, interesting, strong and prolific history, but it’s a history that is little known even within the region itself.
Alain Depocas, Digital preservation: recording the recoding - the documentary strategy Improving efforts to preserve new media artworks is insufficient without the support of structured documentation.
Digital Snow DVD-Rom, Now on the Web (2011) This project, Digital Snow, is what Snow calls an encyclopaedia of his work of the past six decades.
DOCAM, The DOCAM Research Alliance Web Site (2005-2010) DOCAM's primary objective is to develop new methodologies and tools to address the issues of preserving and documenting technological and electronic works of art.
Frances Dyson, And then it was now In this publication, Dyson analyzes the discourse on art and technology and the social utopias surrounding E.A.T. projects between 1966 and 1972.
e-art: New Technologies and Contemporary Art To mark the tenth anniversary of the DLF, the MMFA has presented works by ten artists who have received funding from the DLF over the years.
The Body of the Line, Eisenstein's Drawings From April 10 to May 16, 1999, the Daniel Langlois Foundation proudly presented The Body of the Line: Eisenstein's Drawings.
Sketchbook 1914, Eisenstein's Early Drawings The Daniel Langlois Foundation presents a Web publication dedicated to one of Eisenstein's early sketchbooks dating from 1914, when he was 16 years old.
Kathryn Farley, Sonia Sheridan & Generative Systems This publication describes the singular methods of instruction used by Sonia Sheridan in her Generative Systems courses.
Hervé Fischer, Images du futur past "Even the future inevitably grows old. And barring some final catastrophe, it ends up in an archive." Mr. Hervé Fischer, founder with Ginette Major of Images du futur, 1986-1996, was commissioned to write this text.
Vera Frenkel, Cartographie d'une pratique / Mapping a Practice Given the attention that archives are currently garnering in the contemporary art world, I did not want to create a mere tribute to a passing trend, nor did I wish to echo the work or vision of the invaluable Frenkel fonds archivist.
Jennifer Gabrys, Residue in the E.A.T. archives In the wake of her ongoing research on parallel phenomena such as the exponential accumulation of obsolete computer components and the saturation of data in electronic networks, Gabrys here comments on the projects undertaken by E.A.T.
Jean Gagnon, Research at the Foundation: Between prospective and retrospective inquiry The Foundation is at the crossroads between prospective and historical research regarding new technologies used in the cultural arena.
Jean Gagnon, Blind Date in Cyberspace or the Figure that Speaks Luc Courchesne has been interested in portraiture for a long time. Then, it was almost a natural thing for Courchesne to get involved with interactive portraiture.
DLF Projects in India Since 2000, the Daniel Langlois Foundation has supported a number of projects in India. These projects have highlighted, documented and engaged various aspects of Indian culture and ecological issues, including current local and national realities.
Mona Jimenez, The Artist Instrumentation Database Project I set out to create a prototype database template for cataloging technological devices used or invented by artists working with audio, video or computers.
Caitlin Jones, Surveying the state of the art (of documentation) History is composed of documents because the document is what remains.
Billy Klüver, E.A.T. - Archive of published documents E.A.T. was founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman.
Sylvie Lacerte, 9 Evenings and Experiments in Art and Technology When engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman founded E.A.T. in 1966, they had just emerged from 9 Evenings.
Caroline Langill, Shifting Polarities The canon of visual art is always a site of resistance for artists who have been excluded from it.
George Legrady, From Analogue to Digital: Photography and Interactive Media In 1997, the National Gallery of Canada presented a solo exhibition on the works of George Legrady, spanning twenty years of photographic production and projects that featured computers and interactivity from the 1980s onward.
Tmema (Golan Levin and Zachary Lieberman), The Manual Input Workstation (2004-2006) The documentary collection on Tmema’s The Manual Input Workstation has been inspired by the documentation method developed by Lizzie Muller and Caitlin Jones.
Rafael Lozano-Hemmer, Subtitled Public (2005) Visitors entering Subtitled Public are tracked and pursued by third person singular verbs that are projected on them as they move about the room.
Contrainte / Restraint, An exhibition produced by the Groupe Molior Designed by three up-and-coming curators, the show combines projects by nine new media artists from Peru and Brazil.
Lizzie Muller, Towards an oral history of new media art New media art presents a challenge to existing documentary and archival practices.
Viva Paci, Images from the Future: Lost and Found in the Images du Futur collection The observations to be found in these pages derive from a brief period of time travel, and more precisely in the future, the future of the past. They also imply a certain affinity for archives.
Radical Software, Davidson Gigliotti and the Daniel Langlois Foundation, Dissemination of Radical Software on the Internet (2002) The Foundation has digitized and processed the entire contents of the legendary independent magazine Radical Software.
Hubert and Nicolas Reeves, Voyageurs étonnés, chercheurs et créateurs au seuil de l'inconnu On May 27, 2006, Hubert Reeves, astrophysicist, and Nicolas Reeves, artist and designer, presented this talk as a one of the matinées-conférences organised by the Langlois Foundation.
David Rokeby, Very Nervous System (1983-) Very Nervous System celebrity and longevity pose some particularly interesting questions about documentation and contextualisation of media artworks over time and through change.
David Rokeby, Machine for Taking Time, (Boul. Saint-Laurent), 2006-2007 In the fall of 2005, the Daniel Langlois Foundation asked Rokeby to create a version of Machine for Taking Time for the Ex-Centris building in Montreal.
David Rokeby, The Giver of Names (1991-) This documentary collection maintains the tension between the ideal notion and the real manifestation of the artwork.
Paul Sermon, Telematic Vision (1993-) Two identical blue sofas are located in dispersed remote locations. In front of each sofa stands a video monitor and camera.
Yvonne Spielmann, Video and Computer, The Aesthetics of Steina and Woody Vasulka It is the aim of my article to situate video in technological, aesthetic, and media cultural perspectives.
Workshops with Yvonne Spielmann The experimental video work of the Vasulkas in light of media developments in the 70's, 80's and in the present time.
