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[Process: Color-in-Color I, II (Stan VanDerBeek) / Sonia Landy Sheridan], c.1970, 1 sheet: photocopy on paper ; 22 X 28 cm. Made by Sonia Landy Sheridan using the copier "Color-in-Color I" by 3M. Included in the file entitled "Procédé : Color-in-Color I, II = Process: Color-in-Color I, II." The Daniel Langlois Foundation for Art, Science, and Technology, Sonia Landy Sheridan fonds. 0501-145

Steina and Woody Vasulka, Participation, 1969-1971 (excerpt). Miles Davis at the Fillmore East, New York, N.Y., June 7, 1970. With Steve Grossman, Chick Corea, Keith Jarrett, Dave Holland, Jack DeJohnette and Airto Moreira. Black and white, stereo sound, 64 min. 7 sec. Steina and Woody Vasulka fonds.

Steina, The West, 1983 (excerpt). Steina and Woody Vasulka fonds.

Ashok Sukumaran, Recurrencies (House), 2007 As part of his Recurrencies project, Sukumaran extended his household electrical system to the road outside his house for a one-month period, suspending a wireless switch relayed to his balcony lights from a tree 100 feet away from the house. By pressing the switch, passers-by could turn the lights on and off. Courtesy of the artist.

Nicole Franchy, Satellite Cities (2009). Interactive video installation. Detail: Plexiglas scale model with circuit systems and LED lights on. Courtesy of the artist.

Golan Levin, Dialtones (A Telesymphony), 2001. Concert presented in Austria in 2001, Courtesy of the artist.

Golan Levin, Messa di Voce, 2003. Performance with Joan La Barbara and Jaap Blonk, London (ICA), November 2003. Courtesy of the artist.

Jim Campbell, Library, 2004. Custom electronics, LED panel, photoengraving. 78.7 cm x 60.9 cm x 7.6 cm. Courtesy of the artist and Graphicstudio, Tampa (FL).

Jim Campbell, Reconstruction #1, 2002. Custom electronics, 192 LEDs, cast resin screen. 27.9 cm x 38.1 cm x 7.6 cm. Courtesy of the artist and the Hosfelt Gallery, San Francisco (CA) and New York (NY).

Laura Kikauka, KITCHen, 2000. Funny Farm East (Berlin, Germany). Photo: Constance Hanna. Courtesy of Laura Kikauka.

Leandro Lima, Gisela Motta, Armas.Obj. (Weapons.Obj) (2008). Paper objects, variable dimensions. Courtesy of the artists.

Lynn Hershman, Seduction (Phantom Limb Series), 1988. Gelatin silver print, 20 x 24 in. Courtesy of the artist.

Marie Chouinard, Cantique n° 3, 2004. Interactive installation, projector, two touchscreen panels, computer, sound system. Courtesy of the Compagnie Marie Chouinard.

José Carlos Martinat, Stereo Reality Environment 3: Brutalismo (2007). Interactive installation. Tate Modern Collection. Courtesy of the artist and Galeria Leme.

Paul Sermon, Telematic Vision (1993-). Video-cued recall interview: interviewee (left) and synchronised line-out recording (right). Rolf Wolfensberger © 2008.

Paul Sermon, Telematic Vision (1993-). Installation view during the temporary exhibition If – Wunschwelten der Kommunikation at Kornhaus Forum (Berne, Switzerland), 2000. Courtesy of the artist.

Samuel Bianchini, If I Were U / Si j'étais toi, 2000. IIWU graphic interface screen capture. Courtesy of Samuel Bianchini.

Sonia Landy Sheridan, The Magic Finger (Self Portrait with Pointing Finger), 1970, 3M Color-In-Color I on paper. Hood Museum of Art, Dartmouth College: Gift of the Artist; MIS.2004.84.565. Courtesy of Sonia Sheridan and the Hood Museum of Art.

Norman White, The Helpless Robot, 1987-2002. Steel, plywood, electronics. Purchased with the support of the Canada Council for the Arts Acquisition Assistance Program and the Chancellor Richardson Memorial Fund, 2003. Collection of the Agnes Etherington Art Centre, Queen's University, Kingston, Ontario (46-003). Courtesy of Norman White and the Agnes Etherington Art Centre.

Yvonne Rainer, Carriage Discreteness Performance presented as part of 9 Evenings: Theatre and Engineering, The 69th Regiment Armory, New York, N.Y., United States, October 15-21, 1966. Excerpt of 9 Evenings: Theatre and Engineering / produced by Experiments in Art and Technology; shot and edited by Alfons Schilling, 1967, 1 film reel (24 min., 30 sec.): original, b&w, sound; 16 mm. Film produced from the factual footage shot by Alfons Schilling in 1966. Daniel Langlois Foundation for Art, Science, and Technology. 9 Evenings: Theatre and Engineering fonds.

Steina, Allvision II, 1978. Video installation. Device built by Woody Vasulka. Steina and Woody Vasulka fonds.

Woody Vasulka, circa 2000. Steina and Woody Vasulka fonds.

Bill Seaman, Passages Sets/One Pulls Pivots at the Tip of the Tongue, 1995. Interactive installation. Courtesy of the artist.

Chico MacMurtrie, Skeletal Reflections, 2003. Video document. Courtesy of Chico MacMurtrie and Amorphic Robot Works.

e-art International Symposium (2007). David Rokeby, "The Philosophical Prosthesis". Courtesy of David Rokeby - © FDL 2007.

e-art International Symposium (2007). Jim Campbell, "Some Electronic Perspetives on Time in Electronic Art". Courtesy of Jim Campbell - © FDL 2007.

Interview with Rafael Lozano-Hemmer: "Can you descibe or explain the conceptual impulse behind making Subtitled Public?"

e-art International Symposium (2007). Lynn Hershman, "Technological Heat and the Birth of Data Bodies". Courtesy of Lynn Hershman - © FDL 2007.

Interview with Max Dean; Question 1: Can you talk a bit about the development of your practice?

Paul Sermon during an interview at Multimediale 3 at the ZKM in Karlsruhe (Germany) in 1993. Photo: Courtesy of the artist.

Interview with Catherine Richards: Can you talk a bit about your artistic process, how and when it developed?

Vincent Bonin: Interview with Sonia Sheridan - Process: Lumena (invented by John Dunn).

Topological Media Lab, Softwear Experiment, 2003. Video documentation of softwear and soft architecture experiments. Courtesy of Sha Xin Wei.