Frances Dyson (Ph.D.) was a researcher in residence at the Daniel Langlois Foundation's CR+D in 2004. She primarily focused her work on the 9 Evenings: Theatre and Engineering
fonds and the collection of documents published by Experiments in Art and Technology (E.A.T.).
In this publication
, Dyson analyzes the discourse on art and technology and the social utopias surrounding E.A.T. projects between 1966 and 1972. Ms. Dyson examines the aspect of sound in the performances of John Cage, Alex Hay and David Tudor during 9 Evenings: Theatre and Engineering
, held in 1966. She also studies the documentation available about the Pepsi Pavilion, built for Expo 70 in Osaka (Japan).