Rober Racine, Le terrain du dictionnaire A/Z, 1980. (detail).
Installation view at the Musée d`art contemporain de Montréal, 1995.
Photo : Richard-Max Tremblay.
Jessica Loseby, Hello, 2001.
Screen capture.
Courtesy of the artist.
John Klima, Go Fish, 2001.
Multi-media installation.
Video arcade game console, holding tanks and interactive components.
Courtesy of John Klima.
Elizabeth Vander Zaag, Whispering Pines, 1993.
Image taken from the Whispering Pines CD-ROM.
Actress: Sidney Shadbolt. In the collection of the Morris and Helen Belkin Art Gallery (University of British Columbia, Vancouver, British Columbia, Canada) and the Kamloops Art Gallery (Kamloops, British Columbia, Canada).
Courtesy of the artist.
John Klima, The Great Game, 2001.
Game playable on the Internet.
Topographical map of Afghanistan. Though initially clear, the region gradually fills with icons evoking the West's military strategies aimed at toppling the Taliban regime.
Courtesy of John Klima.
John Klima, Earth, 2001.
Multi-media installation.
A software places data from geological surveys, satellites and and global weather stations onto a 3-D model of the Earth.
Courtesy of the Postmasters Gallery.
John Klima, Terrain Machine, 2002.
Multi-media installation.
Surface effect produced by the array of actuators that modulate the Earth's terrain on a small scale in keeping with the desired topographic coordinates.
Courtesy of John Klima.
John Klima, Context Breeder, 2002.
Search engine interface.
Research results in the Artbase database operated by Rhizome.org.
Courtesy of Rhizome.org.
Atau Tanaka and Kasper Toeplitz, Global String, 1998-present.
Installation of prototype, June 1999, The Hague, the Netherlands.
Courtesy of Atau Tanaka.
Tod Machover, Brain Opera, 1994-2000.
Visual Design Director: Sharon Daniel.
Collection of the Haus der Musik Wien (Vienna, Austria).
Courtesy of Sharon Daniel.
®TMark, ®TMark Board.
Courtesy of ®TMark.
®TMark, Biotech 2000, 1999.
Still from Power Point Presentation.
Courtesy of ®TMark.
®TMark, Deconstructing Beck, 1998.
View of CD cover.
Courtesy of ®TMark
®TMark, The Y2K Fund, 1999.
Promotional material.
Courtesy of ®TMark.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Raqs Media Collective & Atelier Bow Wow, Temporary Autonomous Sarai, 2003.
Courtesy of the Walker Art Center.
Lynn Hershman, Roberta's Construction (1975). Courtesy of the artist.
Lynn Hershman, Agent Ruby Mood Swing Diagram, 2002.
Courtesy of the artist.
John Klima, Glasbead, 1999.
Interactive game playable on Internet.
By accessing audio files, participants create myriad soundscapes that grow increasingly complex as more viewers enter the on-line environment.
Courtesy of the Postmasters Gallery.
John Klima, Go, 2001.
Multi-media installation.
Robotic components of the installation.
Courtesy of the Postmasters Gallery.
Atau Tanaka and Kasper Toeplitz, Global String, 1998-present.
Installation diagram.
Courtesy of Atau Tanaka.
Foto/Graphik Galerie Käthe Kollwitz, 2000.
Courtesy of Pat Binder.
Elizabeth Vander Zaag, Talk Nice, 1999-2000.
Still image taken from Talk Nice (video).
Courtesy of the artist.
Alain-Martin Richard, L'atopie textuelle est une cause qui se perd (2001). Courtesy of the artist.
Greylands, LeBreton Flats, Ottawa, 1999.
Photo: Adrian Göllner/Greylands.
Courtesy of Greylands.
Partial view of the exhibition Money, presented by CRAC, June 16 to August 5, 2001.
Courtesy of CRAC.
Partial view of the exhibition Money, presented by CRAC, June 16 to August 5, 2001.
Courtesy of CRAC.
Partial view of the exhibition Money, presented by CRAC, June 16 to August 5, 2001.
Courtesy of CRAC.
Partial view of the exhibition Money, presented by CRAC, June 16 to August 5, 2001.
Courtesy of CRAC.
Greylands, Chalk Line Drawing Robot, 1999.
Photo: Adrian Göllner/Greylands.
Courtesy of Greylands.
Greylands, Faux Sales Office (Trailer), 1999.
Photo: Adrian Göllner/Greylands.
Courtesy of Greylands.
Atau Tanaka, Sensorband Long Distance Concert With ISDN Connection, 1997
Sensorband, Sensorband performance, 1999.
Zbigniew Karkowski performing at Experimental Intermedia, New York, United States, March 31, 1999.
Courtesy of Atau Tanaka
Sensorband, Sensorband Long Distance Concert With ISDN Connection, 1997.
Edwin van der Heide performing at the Sonar Festival, Barcelona, Spain, June 1997.
Courtesy of Atau Tanaka
Atau Tanaka, Constellations, 1999.
Installation view.
Courtesy of the artist.
Ventspils International Radio Astronomy Centre (VIRAC), Irbene, Latvia.
Honor Harger inside the VIRAC.
Courtesy of radioqualia.
Jessica Loseby, Lapdance, 2001.
Screen capture.
Courtesy of the artist.
Jessica Loseby, restricted movement, 2001.
Screen capture.
Courtesy of the artist.
Jessica Loseby, Anger, 2001.
Screen capture.
Courtesy of the artist.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
Jessica Loseby, views from the ground floor, 2003.
Screen capture.
Courtesy of the artist.
Rober Racine, Le terrain du dictionnaire A/Z, 1980.
Styrofoam, wooden sticks, cardboard, paper; 16 x 853.4 x 731.5 cm; Installation view at the Musée d`art contemporain de Montréal, 1995.
Photo: Richard-Max Tremblay.
Rober Racine, Page-Miroir : Opticien - 1316 - Or, 1995, (detail).
Ink, gilt, graphite on paper mounted on mirror.
Rober Racine, 1600 Pages-Miroirs, 1995.
20 elements measuring 245 x 120.7 cm; each element includes 80 Pages-Miroirs. Each Page-Miroir: paper, ink, graphite, gilt, polyester mirror.
Installation view, December 1995, CIAC, Montreal.
Photo: Guy l'Heureux.
Science Fair: Feminist Configurations in Cyberspace
Web Site screen capture.
Courtesy of Studio XX.
Michael Snow, Place des peaux (1998).
Image from Digital Snow. Courtesy of the artist.
Greylands, Faux Housing Development, 1999.
Photo: Adrian Göllner/Greylands.
Courtesy of Greylands.
Tod Machover, Brain Opera, 1994-2000.
Visual Design Director: Sharon Daniel.
Collection of the Haus der Musik Wien (Vienna, Austria).
Courtesy of Sharon Daniel.
Sharon Daniel, Strange Attraction: Non-logical Phase-lock Over Space-like Intervals, 1993-1994.
Interactive installation.
Courtesy of Sharon Daniel.
Sharon Daniel, Narrative Contingencies, 1997-present.
Interactive Web project.
Screen shot.
Courtesy of the artist.
Sharon Daniel, Signal-to-Noise, 1996.
Interactive Web project.
Screen shot.
Courtesy of the artist
Tod Machover, Brain Opera, 1994-2000.
Visual Design Director: Sharon Daniel.
Collection of the Haus der Musik Wien (Vienna, Austria).
Courtesy of Sharon Daniel.
Tod Machover, Brain Opera, 1994-2000.
Visual Design Director: Sharon Daniel.
Collection of the Haus der Musik Wien (Vienna, Austria).
Courtesy of Sharon Daniel.
Pat Binder in front of the Foto/Graphik Galerie Käthe Kollwitz, 2000
Foto/Graphik Galerie Käthe Kollwitz, 1999-2000.
View of the Foto/Graphik Galerie Käthe Kollwitz featuring the work of Dmitri Prigov.
Courtesy of Pat Binder.
Pat Binder, Voices From Ravensbrück, 2000.
Screen capture.
Courtesy of the artist.
Digital Snow DVD-Rom, Now on the Web 
Samuel Bianchini, If I Were U / Si j'étais toi 
Pat Binder 