Chris Csikszentmihályi, Afghan Explorer, 2001.
Model.
Courtesy of the artist.
Chris Csikszentmihályi, DJ I Robot, 2001.
Courtesy of the artist.
Marc Fournel, SKIN-PÔ, 2006.
Diagram of the installation's components. SKIN-PÔ evolved directly from the Tontauben installation, the first phase of the Transduction project.
Courtesy of the artist.
Stealth Group, The Wild City: Urban genetics, 2000-2001.
"Urban Genetics" is a system of codes extracted through monitoring and denoting the rules of urban design and chaotic transformation in Belgrade.
Courtesy of Stealth Group.
Catalogue published for the exhibition Software, Information Technology: Its New Meaning for Art, New York: Jewish Museum, 1970.
Martin Kusch and Marie-Claude Poulin, schème, Fixed body with a "gone" head, physically present but mentally elsewhere, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Atau Tanaka, Sensorband Long Distance Concert With ISDN Connection, 1997
Golan Levin and Paul Debevec, Rouen Revisited, 1996.
Daytime facade of the Rouen Cathedral, in an image synthesized from street-level photographs re-rendered from a new point of view.
Courtesy of Golan Levin and Paul Debevec.
Marie Chouinard, Cantique n° 3 (2004).
Courtesy of the Compagnie Marie Chouinard.
Marie Chouinard, L'Après-midi d'un faune, 1987.
Choreography: Marie Chouinard. Dancer: Marie Chouinard. Suit: Luc Courchesne. Photo: Louise Oligny.
Courtesy of Compagnie Marie Chouinard.
Peter Blasser, the rollable synthesizer, 2002.
Canvas, wood, circuits.
Courtesy of the artist.
Peter Blasser, the egongs, 2001.
Hand drawn circuits installed on eastern red cedar.
Courtesy of the artist.
Peter Blasser, the portland chucky, 2001.
Redwood driftwood.
Courtesy of the artist.
Peter Blasser, the blowing bear, 1999.
Hand drawn circuits installed on oak driftwood from Lake Erie.
Courtesy of the artist.
Andrew Schloss playing the Radio Drum at the Banff Centre for the Arts, 1992
Martin Kusch and Marie-Claude Poulin, schème, Siamese Twins Connected to a Projected Space Illusion, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin and Line Nault during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch and Marie-Claude Poulin, schème, Siamese Twins Connected to a Projected Space Illusion, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin and Line Nault during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Martin Kusch and Marie-Claude Poulin, schème, Fixed body with a "gone" head, physically present but mentally elsewhere, 2001.
Choreography with interactive devices.
Interpreted by Marie-Claude Poulin during a residency at L'Agora de la Danse, Montreal, 2001.
Photo: Martin Kusch and Johan Versteegh.
Courtesy of kondition pluriel.
Chris Csikszentmihályi, Afghan Explorer, 2001.
Diagram.
Courtesy of the artist.
Samuel Bianchini, If I Were U / Si j'étais toi, 2000.
IIWU graphic interface screen capture.
Courtesy of Samuel Bianchini.
Isabelle Choinière et Le Corps Indice, La Mue de l'Ange, 1999.
Image taken from performance.
Courtesy of Le Corps Indice.
Marie Chouinard, S.T.A.B., 1986. Courtesy of the Compagnie Marie Chouinard.
Marie Chouinard, Cantique n° 3, 2004.
Interactive installation, projector, two touchscreen panels, computer, sound system.
Courtesy of the Compagnie Marie Chouinard.
Marie Chouinard, Le Sacre du Printemps (1993). Courtesy of Compagnie Marie Chouinard.
Isabelle Choinière and Le Corps Indice, La Mue de l'Ange, 1999.
Image taken from the performance.
Courtesy of Le Corps Indice.
Isabelle Choinière and Le Corps Indice, La Mue de l'Ange (1999). Courtesy of Le Corps Indice.