Please wait a few moments while we process your request

Keywords: Contemporary Art

55 web sites

Page 1 - 2

Periodical issue
Tate papers. – No. 8 (Autumn 2007). – London : Tate, 2007. – N. p. – Issue title : «Inherent Vice: The Replica and its Implications in Modern Sculpture Workshop». {{www.tate.org.uk}}

Text in periodical
Baker, Kenneth. – «'Home Movies' not like the ones your dad made». – San Francisco Chronicle. – Saturday, April 14, 2007. – N. p. Also available on the Internet. {{www.sfgate.com}}

Part of Web site
Keats, Jonathan . – «Jim Campbell's Home Movies». – Rhizome.org. – New York : Rhizome.org. {{rhizome.org}}

Web site
WACK! Art and the Feminist Revolution . – Los Angeles : Los Angeles Museum of Contemporary Art, 2007. – Possibility to download audio recordings of artists and critics comments. {{www.moca.org}}

Part of Web site
«Identity Theft: Eleanor Antin, Lynn Hershman, Suzy Lake, 1972-1978». – Santa Monica Museum of Art. {{www.smmoa.org}}

Part of Web siteArtist's project
«Productions de l'atelier de création numérique de Dak'Art autour du thème du VIH/Sida = Productions from the Dak'art workshop "Youth creating and communication on HIV/AIDS"». – Digi-Arts. – Paris : United Nations Educational, Scientific and Cultural Organization. {{portal.unesco.org}}

Text in digital document
«Avant-programme Luxembourg 2007». – culture 2007, 2007. – Acrobat (PDF) file. – P. 68. {{www.culture2007.org}}

Web site
Cyberfem . – Castelló : Espai d'Art Contemporani de Castelló, 2006. – Video online available . {{www.cyberfem.net}}

Digital document
[works by Jim Campbell] [On-line]. – San Francisco : Hosfelt Gallery, 2006-. – QuickTime file. – Videos of the works . {{youtube.com}}

Part of Web site
«The message is the medium». – Chelsea art galleries . {{chelseaartgalleries.com}}

Program
Dak'Art, 7 ème édition de la Biennale de l'art africain contemporain à Dakar. – 2006. {{www.dakart.org}}

Part of Web site
«net.mex». – arte.red. – Published by Stefano Caldana et Roberta Bosco, 2005. {{especiales.prisacom.com}}

Part of Web site
Springer, José Manuel. – «Mosaico y reflejo, propuestas del arte mexicano en Madrid». – réplica 21. – Edited in 2005. {{www.replica21.com}}

Part of Web site
Bosco, Roberta. – «The big black box of digital art». – nothing.org. – Also available in spanish in El Pais, February 5, 2005. {{nothing.org}}

Part of Web site
Paul, Jeremias. – «Balance and Power @ the rose ». – Big red and shiny . {{www.bigredandshiny.com}}

Part of Web site
«Jim Campbell : Material lights ». – Chelsea art galleries . – From the gallery press release . {{chelseaartgalleries.com}}

Part of Web site
Olson, Marisa S. – «(Not so) light on beauty». – Rhizome.org. – New York : Rhizome.org. {{rhizome.org}}

Periodical
Tate Papers. – London : Tate, 2004-. – No. 1 (2004)-. {{www.tate.org.uk}}

Text in periodical
Johnson, Ken. – «Art in review : ArtApparatus ». – The New York Times. – October 17, 2003. – N. p. Also available on the Internet. {{query.nytimes.com}}

Web site
NU-E. – Stockholm : NU : The Nordic Art Review, 2003. {{www.nu-e.nu}}

Web site
Digital arts of our times : Vectors . – New York : New York Digital Salon, 2003. {{www.nydigitalsalon.org}}

Book
Permanence through change : the variable media approach = L'approche des médias variables : la permanence par le changement. – Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. – Montréal : Daniel Langlois Foundation for Art, Science, and Technology ; New York : Solomon R. Guggenheim Museum, 2003. – 137 p. Also available on the Internet. {{www.variablemedia.net}}

Group exhibition catalogue
How latitudes become forms : art in a global age. – Minneapolis : Walker Art Center, 2003. {{latitudes.walkerart.org}}

Periodical issue
HorizonZero. – issue 3 (October 2002). – Banff : HorizonZero, 2002. – N. p. – Flash file. – Web magazine. – Issue Title : «Invent : imagining interaction - the art of David Rokeby». {{www.horizonzero.ca}}

Web site
Art on the Plaza. – 2002. {{www.creativetime.org}}

Part of Web site
Pollack, Barbara. – «Jim Campbell : primal graphic ». – Art on the Plaza, 2002. {{www.creativetime.org}}

Group exhibition catalogue
Transimages [CD-ROM]. – Saint-Ouen : Synesthésie, 2002. – HTML and Flash files. Also available on the Internet. {{www.synesthesie.com}}

Group exhibition catalogue
Spaid, Sue. – Ecovention : current art to transform ecologies. – Corte Madera : Greenmuseum.org ; Cincinnati : The Contemporary Arts Center ; Beacon : ecoartspace, 2002. – 153 p. Also available on the Internet. {{www.greenmuseum.org}}

Proceedings
Bridge the gap?. – Kitakyushu : Center for Contemporary Art, CCA Kitakyushu, 2001. {{www.btgjapan.org}}

Periodical
PlatformaSCCA. – Ljubljana : SCCA, Center for Contemporary Arts - Ljubljana, 2000-. – No. 1 (June 2000)-. – Electronic journal. {{www.ljudmila.org}}

Periodical
Querelles-Net. – Berlin : Center for the Promotion of Women's and Gender Studies, 2000-. – Nr. 1 (Juni 2000)-. – Electronic journal. {{www.querelles-net.de}}

Periodical
YYZINE. – Toronto : YYZ, 2000-. – Vol. 1, no. 1 (2000-). – Published with YYZ's program. – Index available on website. {{nt2.nshosts.com}}

Part of Web site
«O Trabalho do Artista». – Instituto Itaú Cultural. – São Paulo : Itaú Cultural Institute. {{www.itaucultural.org.br}}

Periodical
Image [&] Narrative. – Leuven : Instituut voor Culturele Studies, 2000-. – (2000)-. – Electronic journal. {{www.imageandnarrative.be}}

Periodical
Odradek. – Paris : Association Odradek, 2000-. – N° 1 (2000)-. – Electronic journal. {{www.odradek.org}}

Part of Web site
Bureaud, Annick ; Lafforgue, Nathalie ; Boutteville, Joël. – «Art et technologie : la monstration». – Leonardo Electronic Almanac. – San Francisco : Leonardo/ISAST ; Cambridge : MIT Press, 1993-. – Text of 1996. – Subscriber only. {{mitpress2.mit.edu}}

Periodical
Mouvement. – Paris : Éditions du Mouvement, 1998-. – N° 1 (1998)-. Also available on the Internet. {{www.mouvement.net}}

Periodical
Kiasma Magazine. – Helsinki : Kiasma : Museum of Contemporary Art, 1997-. – No. 0 (1997)-. Also available on the Internet. {{www.kiasma.fi}}

Part of Web site
«Mortal Coil». – Sesnon gallery . – Santa Cruz : Mary Porter Sesnon Art Gallery, Porter College, University of California, Santa Cruz. – Includes artists and curators statements about the exhibition. {{time.arts.ucla.edu}}

Periodical
Synesthésie. – France : Synesthésie, 1995-. – N° 1 (1995)-. – Electronic journal. {{www.synesthesie.com}}

Page 1 - 2

7 audiovisual documents

Eduardo Kac, Ornitorrinco, 1996

Eduardo Kac, Ornitorrinco, the Webot, travels around the world in eighty nanoseconds going from Turkey to Peru and back, 1996.

View from the robot.

Courtesy of the artist.

Eduardo Kac, Time Capsule, 1997

Eduardo Kac, Time Capsule, 1997.

Event in which a microchip (identification transponder tag) was implanted in the artist's left ankle. Tuesday, November 11, 1997, at 10:00 PM, São Paulo, Brazil. Live television broadcast of the performance produced by Canal 21 (Brazil).

Courtesy of the artist.

Eduardo Kac, Chaos, 1986

Eduardo Kac, Chaos, 1986.

Holopoem.

MIT Museum Collection.
Courtesy of the artist.

Eduardo Kac and Fernando Catta-Preta, Holo/Olho, 1983

Eduardo Kac and Fernando Catta-Preta, Holo/Olho, 1983.

Holopoem.

Courtesy of Eduardo Kac.

Eduardo Kac, GFP Bunny (2000).

Courtesy of the artist.

Eduardo Kac, GFP Bunny (2000). Courtesy of the artist.

Mark Lythgoe, Mapping Perception, 2000

Dr. Mark Lythgoe, Magnetic resonance image (MRI) used for the project Mapping Perception, 2000.
3 Dimensional functional MRI of Mark Lythgoe's head. The red area indicates the region of the brain active when smell is tested in a subject during an fMRI scan.
Courtesy of Dr. Mark Lythgoe, Institute of Child Health and Proboscis.

Eduardo Kac, Rara Avis, 1996

Eduardo Kac, Rara Avis, 1996.

Interactive telepresence installation. Topology of Rara Avis.

Courtesy of the artist.
Diagram: Eduardo Kac.

6 pages in this Web Site

Foundation & Center for Contemporary Art (F&CCA), CCA LABoratory
F&CCA-Prague was founded in 1992 as part of a larger network of non-profit organizations established by the New York philanthropist George Soros.

Future Cinema: The Cinematic Imaginary After Film
This exhibition assesses the impact of new production technologies on the conventions of cinema language.

Eduardo Kac
Kac began his artistic career as a traditional performance artist but eventually moved on to investigate technology artistically through an exploration of poetry.

420 documents in the collection

Book
Rush, Michael. – Les nouveaux médias dans l'art. – London : Thames and Hudson, 2005. – 248 p. – (L'Univers de l'art). – Newly revised edition.

Group exhibition catalogue
Iles, Chrissie. – Into the light : the projected image in American art 1964-1977. – New York : Whitney Museum of American Art, 2001. – 183 p.

Book
Kotz, Mary Lynn. – Rauschenberg : art and life. – New edition. – New York : Harry N. Abrams, 2004. – 352 p.

182 events

Group exhibition
Unter der Haut : Transformationen des Biologischen in der zeitgenössischen Kunst / Under the Skin : Biological Transformations in Contemporary Art, Wilhelm Lehmbruck Museum - Zentrum internationaler Skulptur, Duisburg, Germany, May 6-June 17, 2001. {{www.duisburg.de}}

Solo exhibition
To Shine, Front Gallery, Vancouver, B. C., Canada, 1993. – Organisation : Western Front, Vancouver.

Solo exhibition
Jin-me Yoon : Between Departure and Arrival, Western Front, Vancouver, B. C., Canada, January 8-February 8, 1998.